Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Finding chinatown
The film, Chinatown, directed by Roman Polanski tells a story about corruption, incest, and privatization of water. The plot in this multi-layered, noir film draws upon the history of Los Angeles and the water wars of the early 20th century. The film was released in 1974 and the main characters were portrayed by Jack Nicholson, Faye Dunaway, and John Huston. Chinatown was Polanski’s return to Hollywood five years after the Manson family murder of his wife, Sharon Tate. I believe that this experience influenced scenes of the film. In the opening scene of Chinatown, it is revealed that the main character, Jake Gittes; portrayed by Jack Nicholson, is a private investigator. The narrative takes place in the 1930s and begins when …show more content…
The only character with a pure motive is killed off and the person she was trying to protect ends up with the villain in the story. The hero, Nicholson, is not successful in his effort and must cope with his failure. As I mentioned earlier, I believe that the death of Dunaway’s character is related to that of Polanski’s deceased wife, Sharon Tate. Both women were beautiful blondes murdered in Los Angeles. I believe that the death of Evelyn is symbolic in two ways. The first is that she reflects Tate and the second relates to the motif of vision, or lack of vision. The incestuous relationship reminds me of the Oedipus myth where he married his mother. Oedipus is blind to his future fate and I related this to both Dunaway and Nicholson’s characters. Evelyn had an issue with one of her eyes that Jake pointed out early in the film and her death is a result of a gunshot wound that exits from her left eye. Nicholson is also blind to much of what is occurring around him for most the film. I believe that the film is loosely based on the Owens River Valley in California. The main character, Hollis Mulrway has a relatively similar surname to William Mulholland, chief of the Los Angeles Department of Water and Power in the early 1900s. He is credited with the drying up of once fertile lands in the region after sending water from an aqueduct to Los Angeles. He was also responsible for many deaths due to a malfunction of the St. Francis Dam which resulted in the deaths of several hundred people. A similar catastrophe was hinted at by the Mulwray character in the
The two women share stories and through Ninny’s tales of her sister-in-law and “companion”, Evelyn gains the strength and confidence she needs to lose weight, stand up to her husband and take back the life she thought was so hopeless.
Evelyn is fascinated with the many stories Ninny has to tell about the people she used to know. She quickly learns the power of friendship as she hears the story of Idgie and Ruth and how their friendship shaped the rest of their lives. Evelyn also learns about courage and independence through these stories. She soon realizes she can feel good about herself and not rely on her husband for everything. Evelyn still takes care of her husband and wants to be his wife, but she realizes that her needs as an individual are just as
ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70's. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content.
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
In his 1937 film Street Angel, Yuan explores the inequities facing Shanghai’s urban proletariat, an often-overlooked dimension of Chinese society. The popular imagination more readily envisions the agrarian systems that governed China before 1919 and after 1949, but capitalism thrived in Shanghai during that thirty-year buffer between feudalism and Communism. This flirtation with the free market engendered an urban working class, which faced tribulations and injustices that supplied Shanghai’s leftist filmmakers with ample subject matter. Restrained by Kuomintang censorship from directly attacking Chinese capitalism, Yuan employs melodrama to expose Street Angel’s bourgeois audience to the plight of the urban poor.
In the film Gung Ho filmed in the year 1986, the story is told of the plight of the people working in the region known as the Rust Belt. The group that is the focal point of this story is the relation between Asian men in an American town and the differences they share are played out in this movie. The stereotypes enlisted in this movie are both that of a villainous nature and a comedic relief with some of the characters. Throughout the film it is how the clever, white working class people of this hard working town have to overcome the maniacal working environment these Asian men have. Common stereotypes of the Asian man lay throughout the entire course of the movie, stereotypes that have been portrayed by the film industry of Asian men since its inception.
Conflict is what viewers watch movies for, and a well-developed series of conflicts all wrapped up into a single film is a recipe for success. Kazan’s portrayal of Terry Malone, the former boxer who lost his fame due to a betting operation, shows many sides of one’s life when controlled by oppressors. His primary conflicts include his inner turmoil over the death of a fellow dockworker, the constant hammering of grief in the form of Joey’s sister Edie, and the ever vigilant preaching of Father Berry. At the start of the film, Terry is asked to send Joey Doyle, a fellow dockworker, up to his rooftop to have a talk with some mobsters. Unbeknownst to Terry, Joey is killed and the blame for the crime goes to no one. Terry is burdened with the knowledge that he evoked the death of Joey Doyle, and throughout the film is plagued with reminders of his death. He is given Joey’s coat in memory of him, and helps the viewer sympathize with the downtrodden protagonist. Edie Doyle is simply a young woman hoping to find the man responsible for her brot...
A River Runs Through It is a film about brotherhood, the connection between all things, and the idea that one can never fully understand another. Norman and Paul Maclean’s story is one that is not unheard of before, but using Mise-En-Scene techniques such as score, lighting, and distance of subject, Robert Redford turns a seemingly common story into a very meaningful one.
Thirdly, the setting of the story is set in Salinas, California. Ironically, the author was born in Salinas. It is the time of the Great Depression and middle-class has been hit hard. The story begins in Weed, a California mining town.
The West Side Story portrays the lives of two different gangs living in America, as well as their beliefs and examples of living a good life. The expectations of what people consider the good life to be may vary on a person’s morals and their dreams of what life is truly about. In this movie, whether or not these characters were good people, lived a good life, or lived in a good society is a very controversial topic.
New York circa 1950 to 1960, when the film would take place, was full of gang violence and juvenile delinquents. Arthur Laurents, and Leonard Bernstein had been meeting up, trying to collaborate on a work which would end up falling through. Spying a Los Angeles Times headline on gang violence in 1955 be...
Chinatown is a highly appreciated 1974 revision of 1940’s film noir detective movies. It adds its own 70’s spin on the hardboiled detective genre by using mild nudity, gruesome blood spurts, and tweaks to archetypal character types. However, one big difference in this film compared to those in the 1940’s, is the addition of colleagues for our detective hero, J.J. ‘Jake’ Gittes.