The fall of the Rebel Angels by Pieter Bruegel the Elder is an oil-on panel painting that he painted in 1562. The painting is based on Bruegels representation in image form of a passage from the book of revelation. The piece of art details the Great War between good and evil, when the most powerful angel Lucifer went against god. In the painting god has cast Lucifer out of heaven and send his strongest angels, one being Archangel Michael, to fight and chase Lucifer and his army of rebel angels. In the painting Bruegel paints the rebel angels as half monsters and half humans as they fall down to hell they are being turned into demons. If we take a closer look at the painting you can see that he used a lot of human and animal like features giving
1432.) is a magnificent work of Christian art. The painting of the Lord is covered with symbolism from top to bottom. The background has Christian’s symbols of wine and pelicans which relates to blood of Christ. The Lord wore clothing such as the headgear that represents the trinity, and sash that reveals the Sabbath. The phrases in the painting that reveal about eternal life and power of the Lord. Finally the painting has symbols of power: the large amount of gold presented in the painting and the crown below his feet. The painting is rich with symbolism, and the work of art need to be carefully overserve to see the full
The Killer Angles The novel The Killer Angels by Michael Shaara depicts the story behind one of bloodiest and highly significant battle of the American Civil War. The Battle of Gettysburg consisted of 51,000-casualties between the Union and Confederate army forces. Mainly focused on letters, journal entries, and memoirs, Shaara tells the story of Gettysburg by using characters from both sides of the “spectrum”, the Confederate and Union army. These characters grasp the revolving points of view regarding the impending days of the war. Countless numbers of those views develop from characters throughout the novel. The characters include the Confederates own General Lee, General Longstreet; the Unions own Colonel Chamberlain, and soldiers from
The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.
Nathanael West’s The Day of the Locust tells the story of people who have come to California in search
The Andes had a legacy of resistance that was unseen in other Spanish occupied place during the colonial period. There were rebellions of various kinds as a continued resistance to conquest. In the “Letters of Insurrection”, an anthology of letters written amongst the indigenous Andean people, between January and March 1781 in what is now known as Bolivia, a statement is made about the power of community-based rebellion. The Letters of Insurrection displays effects of colonization and how the “lesser-known” revolutionaries that lived in reducción towns played a role in weakening colonial powers and creating a place of identification for indigenous people.
It is called Scenes of Hell Japan, Endo period (1603-1868). The mediums are ink, colors, and paper. It was located at the Newman Museum and was purchased in 1915. Now it is also in the Frist Museum of Visual arts. The specific artist in unknown but was found in Japan. This is a very large painting. Dimensions were not given in the museum. This painting is very dark it has demons blowing fire on dammed souls that were thrown in the fire of heaven. This painting has a lot in common with the installation called ClusterFuck. They both have a dark realism to them. They express death and the consequences of humans choices that they make in their own life. Along with that they do have differences. The installation had light, by that a sweet innocence to it that calmed the darkness down. The painting did not. Figures are distorted and evil looking. The painting had implied lined from the demons to the burning people. It also has more color to it then the installation. The installation had subjects that were just there but in the painting the subjects moved the viewers around the painting. Both were similar by the death aspect but the painting had more color, lines, and more of a story that goes with
Sin and folly are two concepts that play a major role in the artwork of Hieronymus Bosch. Two of his most famous works The Garden of Earthly Delights and The Haywain Triptych both deal with sin and The Last Judgment is no exception. The significance of his use of sin and folly can be fully appreciated by examining and analyzing The Last Judgment. A very common theme in medieval and renaissance religious artwork, The Last Judgment “marks the final act of the long, turbulent history of mankind which began with the Fall of Adam and Eve and their expulsion from Eden.” 1 It is the supposed day when the dead shall rise from their graves and Christ shall come a second time to judge all men, rewarding each according to his merits. 1 As Christ himself foretold in the book of Matthew, “the elect will enjoy the eternal bliss prepared for them from the foundation of the world” , while the damned will be condemned to the “everlasting fire, prepared for the devil and his angels” 2. Bosch depicted this identifiable scene of Christian lore in a triptych using his unique style. In The Last Judgement, Bosch combined one of the most identifiable scenes of Christianity with a painting style that was unique during the Renaissance.
Pieter, Bruegel. The Massacre of Innocents. Musee des Beaux Arts. Pieter Bruegel Oil Paintings. 12 Dec. 2005 .
In Giotto’s Madonna and Child Enthroned I see an older renaissance painting of a woman and her child. The child is sitting on the lap of his mother who is sitting on a large burgundy throne in the middle of the painting. The woman is dressed in a navy cloak while her child is clothed in a pink robe. Above the child’s head there is a yellow circle. This circle is a renaissance symbol for religious leadership or importance. Surrounding this throne are a gathering of angels. There are exactly seven angels on each side worshiping this mother and child. The background consists of a yellow brick pattern.
One of the very first well-known portrayals of this narrative was by Giotto di Bondone. From around 1304, it is an Early Renaissance painting. Jesus is lying down, cradled by the Virgin Mary, and Mary Magdalene is cares...
I chose “The Martyrdom of St. Matthew” as the painting that best illustrates the baroque period. The reasons surrounding my decision are clear in Caravaggio’s painting. Here Caravaggio uses the entire canvas to illustrate complexity, flow, and chiaroscuro. The painting depicts the source of lighting to be coming from the left side of the plane. The brightest light focuses directly on Matthew’s executioner who intends to strike Matthew with an old balcanic hand weapon. Caravaggio masterfully illustrates the use of lighting by casting believable shadows. As an example, the shadow of the handle on balcanic hand weapon reflects on the executioner’s left thigh and knee. Another shadow appears on the executioner’s right inner thigh. The lighting source to the left of the executioner, the executioner, St. Matthews, the boy, the 2 observer’s bottom, right, and the fainter lighting upper left of the canvas illustrates the technique of visual movement. The lighting is placed strategically, causing visual movement within the piece. For example, the illumination of the executioner’s forearm directs my attention to the angel who appears to be handing St. Matthew a palm leaf. As a result, my eyes then focuses on the body of St. Matthew, lying on the bottom of the altar, then my eyes shifts up toward the Angle’s arm. The lighting on the angel's arm contrasted with the darkness of the palm leaf forces the viewer to look at the hand to see what St. Matthew is reaching for. The boy fleeing the scene further draws in the viewer. The two adult observers at the bottom right of the painting are illuminated but not as bright as the two main characters. Next, my attention is drawn to the man lying on the bottom steps, left side of the canv...
Massacre of the Innocents has become one of Rubens most influential pieces, as the message behind the precise brushstrokes in expressed in such a significant fashion that the message and story of the painting is clear and obvious to interpret. Using oils on ...
Heart of Darkness should be taught in high school as long as the students are aware of its racism. Heart of Darkness shatters the view of imperialism that was held during the 19th century and Conrad’s opinion of it aligns with that of modern society. The use of language in the book can improve high schooler’s reading skills as well as help them separate form from substance as they will be able to see that the writing holds racist views. Finally, it is beneficial for students to understand that people can simultaneously have ethical and unethical values such as Conrad understanding how imperialism is a lie but also being racist towards Africans. Heart of Darkness should be taught to high schoolers
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The two paintings and artists I am going to compare and contrast are "The Last Supper" by Leonardo Da Vinci (1452-1519) and "The Last Supper" by Jacopo Tintoretto (1518-1594). Although I am not a religious person, the sight of the painting by Tintoretto amazed me for the simple fact that it is so different from "The Last Supper" I grew up with.