The FAll of the House of Usher
There are three main characters in the poem “The fall of the House of Usher.” imma talk about them well let’s start with the “Narrator” we know little of his background, and we never even learn his name. He was childhood friends with Roderick Usher. He arrives on horseback at the house with the intention of helping Usher. Though he details precisely the nature of Usher's madness. Next we will talk about “Roderick Usher” The last living descendant, along with his ailing sister Madeline, of the Ushers, a time-worn family of wealth and prestige, known as patrons of the arts and givers of charity, but also stricken with a peculiar temperament that seems to run through their blood. Never having crossed lines with other families, the Usher name lies entirely "in the direct line of descent"--so that, after Madeline dies, Roderick is his family's sole living exponent. Last but not least is “Madeline” Roderick Usher's sister. She suffers from a mysterious illness, cataleptic in nature, never otherwise explained. What is most important to the story, however, is the degree to which Roderick loves her.
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The large mysterious castle filled with dark corners and secret passageways had been an important feature of gothic literature at least since Horace Walpole's Castle of Otranto (1765). Poe explicitly aligns "Usher" with such literature. Upon dismounting from his horse, the story's narrator enters "the Gothic archway of the hall" (p. 146). The Fall of the House of Usher study guide contains a biography of Edgar ... quiz questions, major themes, characters, and a full summary and analysis. ... At the beginning of the story he already suffers from a severe mental illness, ... I suppose the protagonist is the narrator and the antagonist is really the gothic
In “Fall of the House of Usher”, the setting takes place at the house of Usher, whose friend, the main character, comes to visit because Usher is dying. He travels through the house, visiting the family members and sees the house is in a serious state of disrepair. A theory on the story
An unnamed narrator comes into the House of Usher (a mansion house owned by his friend Roderick Usher). Of late, Roderick has been ailing by a sickness of the mind.
Writing to compare There are many similarities that we could obviously realize between the two stories “The Fall of the House of Usher” of Edgar Allan Poe and “House Taken Over” of Julio Cortazar. One of them is the settings of two stories, those were similar because they both took place in a creepy house. However, there also are many differences between two stories. For example, in Poe’s story, the setting was a dull and dark night, and the gloomy and dusty house of Usher was in the middle of nowhere. By contrast, Cortazar's setting was a warmer house, which was being carefully cleaned by the brother and sister every day.
In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The House of Usher”, Edgar Allan Poe uses comparison between the physical House of Usher and the family of Usher to describe that looks can be deceiving and that little problems can lead to later downfall.
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Usher was a pale, ghostly man with long hair that seemed to float about his head. The plot is introduced when the reader learns that he suffered from an intense agitation, and explained to the Narrator that he cannot live in his condition, which consisted of a morbid acuteness of the senses that made most things unbearable. Usher’s twin sister, Madeline, was also severely ill, a "gradual wasting away of the person" that was beyond the powers of physicians to cure. The Narrator caught a glimpse of her that filled him with astonishment and dread.
“When we look across time and across the world, we find that people can truly become afraid of anything.” This quote by Allegra Ringo explores why and how people get scared. In writing, something used to create fear in the reader is transformation. Transformation in stories is when something changes from itself into something else. Often when something changes from itself into something else, like a werewolf, it is scary. Authors can use transformation to create fear through supernatural events, death and the unknown.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Roderick and his twin sister Madeline are the last of the all time-honored House of Usher. They are both suffering from rather strange illnesses which may be attributed to the intermarriage of the family. Roderick suffers from "a morbid acuteness of the senses", while Madeline's illness is characterized by " a settled apathy, a gradual wasting away of the person, and frequent all though transient affections of a partly cataleptically character" which caused her to lose consciousness and feeling. The body would then assume a deathlike rigidity.
The Fall of The House of Usher is an eerie, imaginative story. The reader is captured by the twisted reality. Many things in the story are unclear to the reader; but no less interesting. For instance, even the conclusion of the story lends it self to argument. Did the house of Usher truly "fall"? Or, is this event simply symbolism? In either case, it makes a dramatic conclusion. Also dramatic is the development of the actual house. It seems to take on a life of its own. The house is painted with mystery. The narrator himself comments on the discerning properties of the aged house; "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher" (54)? The house is further developed in the narrator's references to the house. "...In this mansion of gloom" (55). Even the surroundings serve the purpose. The narrator describes the landscape surrounding as having, "... an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden hued" (55). This fantastic imagery sets the mood of the twisted events. Roderick Usher complements the forbidding surroundings terrifically. His temperament is declining and he seems incessantly agitated and nervous. And, as it turns out, Roderick's fears are valid. For soon enough, before his weakening eyes, stands the Lady Madeline of Usher. This shocking twist in the story is developed through the book that the narrator is reading. The last line that he reads is, "Madman! I tell you that she now stands without the door" (66)! Without suspecting such an event, the reader soon finds Lady Madeline actually standing at the door. She is described as having, "...blood on her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame" (66). This line not only induces terror but invites debate. Upon seeing the woman the reader has to consider the cause of her death.
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.
“The Fall of the House of Usher” is a story does not use the typical, first person point of view where the protagonist tells a personal account of a crime that he or she has committed. Instead, the narrator is a character of whom we know very little, who acts like an observer. The friend of Roderick invites the reader into the madness of the mind of fantasy and reality.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
A Critical Analysis of The Fall of the House of Usher There are three significant characters in this story: the narrator, whose name is never given, Roderick and Madeline Usher. The narrator is a boyhood friend of Roderick Usher. He has not seen Roderick since they were children; however, because of an urgent letter that the narrator has received from Roderick which was requesting his assistance in alleviating his malady, the narrator makes the long journey to the House of Usher. Roderick and Madeline Usher are the sole, remaining members of the long, time-honored Usher race. This might suggest incestuous relationships throughout the Usher family tree.