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Critical analysis on the fall of the house of the usher by Edgar Allan Poe
Poe's theme of dying
Critical analysis on the fall of the house of the usher by Edgar Allan Poe
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is considered as one of the best and most representative short story of Edgar Allan Poe. His writings features are detached from reality, full of comic darkness and Pessimistic thoughts. Allan • Poe is an American novelist, poet and critic in 19th century, nobody can be comparable with him in terms of describing the horror, feeling the fear and giving readers a strong spiritual shock. This article will analyze Edgar Allan Poe’s artistic effect of horror story in ways like Gothic elements, unnamed narrator as well as the scene rendering.
Gothic literature is immersed in the ghost haunt, sudden death, dungeon, magic, illusions and prophecy being. The “Fall of the House of Usher" has typical Gothic story features like a haunted house, dreary landscape, mysterious disease and doubled personality. Poe’s works created a gloomy atmosphere of "spiritual terror" by the description of scenes, characters, psychology and bizarre plots. The vagueness of the narrative highlighted the mystery and isolation of the house of usher. The narrator lured readers to sense the claustrophobia in the house of usher by immerging into the pessimistic thought of Roderick and was trapped into the house until its collapse.
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The first person “I” can engage readers directly into the inner world of the experienced events. "I” as the witnesses of the terror of the story and was affected by the fear and depression and became the victim of terror. “I” convey the hesitation, doubt and fear to readers directly. The tension in the story reached a climax when “I” encounter the lady Madeline and discovered the startling truth: Madeline is the twin of Roderick and they have put her living in the tomb! “I” represent readers was surrounded by the fear
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
In Poe literature readers will see an abundance of suspense, symbolism, and gothic elements used mostly to create gloomy atmospheres. In "Fall of the House of Usher" Poe uses suspense, symbolism, and gothic elements to create a chilling tone of fear, loneliness, and oppression.
In "The Fall of the house of Usher," Edgar Allen Poe creates suspense and fear in the reader. He also tries to convince the reader not to let fear overcome him. Poe tries to evoke suspence in the reader's mind by using several diffenent scenes. These elements include setting, characters, plot, and theme. Poe uses setting primarily in this work to create atmosphere. The crack in the house and the dead trees imply that the house and its surroundings are not sturdy or promising. These elements indicate that a positive outcome is not expected. The thunder, strange light, and mist create a spooky feeling for the reader. The use of character provides action and suspense in the story through the characters' dialogue and actions. Roderick, who is hypochondriac, is very depressed. He has a fearful apperance and his senses are acute. This adds curiosity and anxiety. The narrator was fairly normal until he began to imagine things and become afraid himself. Because of this, the audience gets a sense that evil is lurking. Madeline is in a cataleptic state. She appears to be very weak and pail. Finally, when she dies, she is buried in a vault inside of the mansion. In this story, the plot consists of rising events, conflict, climax, and resolution. The rising events include the parts in the story when the narrator first arrives at the house, meets Roderick, and hears about Roderick's and Madeline's problems. Madeline's death and burial are part of the conflict. At this point, Roderick and the narrator begin to hear sounds throughout the house. The sounds are an omen that an evil action is about to occur. The climax is reached when Madeline comes back from the dead and she and her twin brother both die. Finally, the resolution comes when the narrator escapes from the house and turns around to watch it fall to the ground. The theme that Edgar Allen Poe is trying to convey is do not let fear take over your life because it could eventually destory you.
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
He describes his superstition one night, "I endeavored to believe that much, if not all of what I felt, was due to the phantasmagoric influence of the gloomy furniture of the room…" (1468). Hence, Poe makes use of the house to create a supernatural effect. Likewise, Poe describes the house to create a terrifying effect. "The Fall of the House of Usher" is a horror story. In order to develop a mood to get the reader frightened, Poe must portray the setting of the story. The house is described initially by the narrator, who sees the image of the house as a skull or death’s head looming out of the dead. He is not sure what to think and comments of the properties of the old house: "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher?
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
For a writer, stylistic devices are key to impacting a reader through one’s writing and conveying a theme. For example, Edgar Allan Poe demonstrates use of these stylistic techniques in his short stories “The Masque of the Red Death” and “The Fall of the House of Usher.” The former story is about a party held by a wealthy prince hiding from a fatal disease, known as the Red Death. However, a personified Red Death kills all of the partygoers. “The Fall of the House of Usher” is about a man who visits his mentally ill childhood companion, Roderick Usher. At the climax of the story, Roderick’s twin sister, Madeline, murders him after he buries her alive. Edgar Allan Poe’s short stories employ the stylistic decisions of symbolism, dream-like imagery, and tone to affect the reader by furthering understanding of the theme and setting and evoking emotion in readers.
The Fall of The House of Usher is an eerie, imaginative story. The reader is captured by the twisted reality. Many things in the story are unclear to the reader; but no less interesting. For instance, even the conclusion of the story lends it self to argument. Did the house of Usher truly "fall"? Or, is this event simply symbolism? In either case, it makes a dramatic conclusion. Also dramatic is the development of the actual house. It seems to take on a life of its own. The house is painted with mystery. The narrator himself comments on the discerning properties of the aged house; "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher" (54)? The house is further developed in the narrator's references to the house. "...In this mansion of gloom" (55). Even the surroundings serve the purpose. The narrator describes the landscape surrounding as having, "... an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden hued" (55). This fantastic imagery sets the mood of the twisted events. Roderick Usher complements the forbidding surroundings terrifically. His temperament is declining and he seems incessantly agitated and nervous. And, as it turns out, Roderick's fears are valid. For soon enough, before his weakening eyes, stands the Lady Madeline of Usher. This shocking twist in the story is developed through the book that the narrator is reading. The last line that he reads is, "Madman! I tell you that she now stands without the door" (66)! Without suspecting such an event, the reader soon finds Lady Madeline actually standing at the door. She is described as having, "...blood on her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame" (66). This line not only induces terror but invites debate. Upon seeing the woman the reader has to consider the cause of her death.
In “The Fall of the House of Usher”, Poe’s use of dark, descriptive words allow him to establish an eerie mood. Poe’s unique style of writing along with his foreshadowing vocabulary is significant in creating a suspenseful gothic story. At the beginning of the short story, Poe describes the House of Usher to be “dull”, “oppressive”, and “dreary” (1265). His choice of words strongly emphasizes a mood of darkness and suspense as he builds on the horrific aspects of this daunting tale. At first glimpse, the house itself is surrounded by the feeling of “insufferable gloom”, (1265) “[t]here was an iciness, a sinking, a sickening of the heart, an unredeemed dreariness of thought [...]” (1265). The atmosphere that Poe describes in the statement above establishes a spine-chilling mood. Poe uses words such as “insufferable gloom”
Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events that surrounded his life while he was working on his tales were enough to show the emotions he undoubtedly was experiencing during that time.
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.
Edgar Allen Poe’s tone of the story is delusional and uneasy. The tone is of an insane mind. The story has mystery, death and the possibility of the supernatural, this short story is a work of Gothic writing. The setting is dark and shadowy which leads the reader to connect with the narrator.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.