Horla” Gothic fiction is a literary form that embodies mystery and terror. The term Gothic is a subgenre of the Romantic movement of the19th century. Gothic refers to the architecture that was intended to introduce light and height to the churches through pointed arches, ribbed vaulting and stained glass windows (Voloshin 421 ). Although, gothic fiction was initiated in England it had wide spread appeal in Italy, Germany and Ireland. Two popular fictions that follow the themes and conventions of gothic fiction are Edgar Allen Poe’s “The Fall of the House of Usher” and Guy de Maupassant’s “The Horla”. Both are short stories that embody most of the conventions that can be associated with stereotypical gothic literary fiction. Both literary works use the deterioration of the human mind and the supernatural phenomenon throughout the story, a commonly used gothic convention. Although both stories are inherently different in aspects like narration, they are both successful in demonstrating the descent of the human intellect from obsessing over the unknown which only leads to self-destruction. Fear is a guiding force in both the short stories and the fixation the main characters with it only leads to their demise. With both terror and the supernatural being common conventions in most gothic fiction Gothic Fiction is a popular genre of literature that’s aim is to combine horror, fiction and romanticism. It originated in 18th century England and was said to have been founded through Horace Walpole’s novel “The Castle of Otranto” (Hughes). He claimed it to be a “found” medieval manuscript which added to its popular, although he later admitted it was a lie (Hughes). This mode of literature appears to have sprung out from Gothic architecture... ... middle of paper ... ...th possess conventions commonly demonstrated in gothic fiction surrounding setting, atmosphere and theme. Although there are significant differences between the two, it is the execution of collectively recognized themes of gothic literature that enhances their effects on the readers, the most important being the element of the supernatural as well as madness. In both stories, the characters are haunted by paranormal activity that begins to slowly consume them. Throughout the stories they then begin to deteriorate mentally which leads to their demise. The journey in which the reader is taken by observing the slow paced unraveling of their mental state is significantly defining in the overall effect of the gothic fictions. Without this process, both short stories would not been able to create the gloomy and dark undertone adding to the impact of the short stories.
The castles and mansions that provide the settings for traditional Gothic tales are full of grandeur, darkness, and decay. These settings are one of the most recognizable elements of traditional Gothic fiction. Setting is equally as important in modern Gothic literature as well. While the settings in the two stories, “Fall of the House of Usher” by Edgar Allan Poe and “Where Is Here?” by Joyce Carol Oates, are incredibly different, they are also very similar.
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic literature and magical realism are similar because they have a spooky feel to them. In Joyce Carol Oates’ “Where is Here” the brother believes that something or someone has moved into their house which happens multiple times in this story. Another instance is when the brother and the sister have to move out and leave all the belongs behind. TFor example, o prove the The theory of someone takexing over the house on a page page thirty-nine paragraph six it states that “...when I heard something in the library or dining room” (#). Tthis showsn that the family is hearing something strange in the rooms. However, in Edgar Allan Poe’s “The Fall of the House of Usher” is indistinguishable because it takes place in a house and something weird
The story starts out with the narrator riding up to an old and gloomy house. He stresses that the overall persona of the house is very eerie. The reason he is at this house is because he received a letter from an old friend by the name of Roderick Usher. Roderick and the narrator were intimate friend at a young age but they had not spoken to each other in several years. The narrator examined the house for a great time as he rode toward the house, he noticed that the house had been severely neglected over time. That the house’s beautiful woodwork and Gothic type of architecture have not been maintenance to any degree since he had last seen it.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Throughout history, several intellectual and cultural movements have shaped the way that humanity thinks and, subsequently, the formation of our modern society as a whole. Perhaps one of the most remarkable of these movements is simply known as Gothicism. An offshoot of the movement known as Romanticism, the emergence of Gothicism introduced unconventional literary tropes for its time and it introduced many legendary novelists, poets, and storytellers whose works continue to inspire modern authors today.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
In the short story, “The Fall of the House of Usher” by Edgar Allen Poe, diction is extensively used to create an air of suspense. Poe’s use of diction along with symbolism contributes to establishing a mood of despair. By using symbolic comparison between the Ushers and their house, the story’s suspense builds and the characteristics of the Ushers are portrayed. Poe’s cunning tactics are evident in the way he achieves a story of both suspense and horror.
Authors of gothic novels use very similar conventions and techniques to convey suspense and horror. This is evident in the novels, Frankenstein and The Fall Of The House Of Usher written by Mary Shelley and Edgar Allan Poe respectively. Both narratives use gothic conventions to make the audience feel a sense of trepidation and suspense. Stylistic features that are constant throughout the two texts are settings, symbolism and misogyny.
The Fall of the House of Usher written by Edgar Allen Poe is a prime example of how setting can be used to convey very important moods and themes in the text. In The Fall of the House of Usher, the description of the setting more specifically the Usher house is used to emphasis the overall theme of this text which are insanity and death. The story infamously opens with the most deary description of the house of Usher which was observed from a reflection in the water. The narrator describes it as the “mansion of gloom” (Poe, 4). The house’s appearance alone made a “a sense of insufferable gloom pervaded my spirit.” (Poe, 3). All of these descriptions of the house and it’s ambience deliver the important of message that house itself is a separate