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Character examination of shrek
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hrek too several is just a funny good-hearted kid’s movie, that almost any child has seen. Shrek is not comparable numerous of the traditional fairy tales that people learn about as a child. Shrek did not date back to centuries ago, it was not told orally, then someone wrote it down, and it has not been rewritten in other countries and changed due to different cultures. While Shrek is a unique modern tale about Ogres, talking animals, magic and more surprises it is also a spoof and audience should recognize common characters. In the article “Shrek and Shrek II” by Jessica Tiffin, she presents the fairy tales that have the biggest relevant in the film Shrek, not only are they the biggest relevant they are also the highly incorporated. These
The fairy tale creatures are seen in the movie when, they are up for sale, when they are in Shrek’s swamp and all together again at the end of the story. “Various references to figures from both fairy tale and children’s nursery rhyme—pigs, wolves, Snow White, Robin Hood, the Gingerbread Man, and the Three Blind Mice. (Tiffin ln 23-25). These are the characters that people would pick up on. There are also scenes throughout the movie, however, that are mixed in as if they are supposed to be in there. One scene that stuck out after watching the movie closely, is the scene with Robin Hood and Princess Fiona. Princess Fiona fights off Robin Hood and all the men so they do not capture her. Another well-incorporated scene that is from Snow White is when Lord Farquaad is asking the talking mirror who he should marry. Tiffin briefly mentions the magic mirror, and how it is in Snow White, but does not talk about it as closely as she does the other stories. The mirror he is asking and talks to is the talking mirror forms, Snow White. When Lord Farquaad gets the talking mirror, he even starts out by asking it “mirror, mirror on the wall, is this not a perfect kingdom of them all”. In Snow White, the Evil Queen would ask, “mirror, mirror of them all, who is the fairest of them all?” so in Shrek it mimics what is happening in Snow White, having Lord Farquaad who is evil such as the queen has the mirror, and similar lines are even recycled as the queen has said. They are also having Farquaad participate with the mirror since he too is the villain in the movie as the Evil Queen is. In this scene is when the mirror presents to Farquaad who his options are to marry. His three options which are other fairy characters are Cinderella, Snow White, and Fiona. While there are a large number of people who already know who Cinderella and Snow White are, Fiona is the one
Presentational Devices of Shrek and Reversal of Traditional Roles In this essay, I am going to analyse the characters in 'Shrek'. I will mainly focus on Shrek and Lord Farquuad. I will also write about how the film makers use different presentational devices to create an unusual film. Stereotypically the prince is good and the ogre is evil. In traditional fairy tales ogres are pictured as man-eating beasts, while the Princes are tall, handsome and save the Princess.
In this essay I am going to analyse the characters of shrek and Lord Farquaad, and write about how filmmakers use different camera angles, lighting, music and setting to create an unusual fairy tale. The giant in jack and the beanstalk is what we expect of giants/ogres. In traditional fairy tales ogres are normally man-eating beast, at the beginning of shrek, shrek is what you expect him to be like. When the farmers go to his swamp and the meet shrek. When shrek is shouting at them the low angle camera shot makes shrek look intimidating to the crowd and audience.
In this chapter, the author explains how many stories relate to fairy tales, like a parallel. Themes and storylines from popular fairy tales are often reused and made into newer and sometimes slightly different versions of the tale. A prime example of this would be the 2013 movie production of Jack the Giant Slayer or the 2011 production of Red Riding Hood. One characteristic of fairy tales is that they all have a plot and a solution which makes the story easy to connect to. This characteristic makes it possible for there to always be a way to connect a story to the fairy
In the 2001 animated film, Shrek, an ogre by the same name is on a mission to to regain his swamp back after Lord Farquaad begins to use it as a refugee camp for captured fairy tale creatures. Shrek is accompanied by a talking donkey, named Donkey. While on the quest to get his swamp back, he makes a deal with Lord Farquaad to go on another quest: rescuing Princess Fiona. The deal is that if Shrek rescues Princess Fiona for Lord Farquaad, Lord Farquaad will give Shrek the deed to his swamp and remove all of the squatters. Shrek agrees to this deal, and him and Donkey set off to rescue the princess. Shrek finds Princess Fiona and she is unimpressed by Shrek because he isn’t living up to her fantasies of being extremely romantic. The three escape and have a series of adventures together on the way back to Lord Farquaad's Kingdom. Shrek and Fiona fall in love during this time although neither one of them acts on their feelings. There’s a major miscommunication and Fiona almost ends up marrying Lord Farquaad but Shrek stops the wedding, defeats Lord Farquaad and marries Fiona (Adamson & Jenson, 2001).
In this essay, I am going to analyse the characters of Shrek and Lord Farquaad, and write about how the filmmakers use different presentational devices to create an unusual fairy tale. In traditional fairy tales ogres and giants are horrific, man-eating beasts who grind bones and rips flesh. In 'Jack and the Beanstalk' the ogre tries to kill Jack, with a giant club, and he intends on eating jack once he has killed him. Also, Princes are always conceived to be good, majestic, and always rescues the princess with his noble steed, and end up getting married and sharing their first romantic encounter with each other. In 'Snow White and the Seven Dwarfs, the prince awakes snow white with 'loves first kiss', closely followed by the two getting wed, and living happily ever after.
Shrek is a sensitive character with his 'layers' and the giant is not. Shrek has been given true love by fate, while the giant falls to his death. from the beanstalk. Snow White from Sleeping Beauty eats an apple poisoned so she would sleep for eternity until she is awoken by the kiss of her true love, a. prince. I am a king.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Shrek, an enormous, disgusting green ogre falling in love with a beautiful princess (later turning into a nasty ogre) is a perfect example of a stereotypical fairytale, right? Well in the movie Shrek, the voice over in the trailer talks about a “hero” attempting to rescue a “fair princess” with the help of “his trusty companion." Besides the fact that the hero is a voluptuous green ogre and the companion is a donkey, everything fits in normally to the definition of a traditional fairytale (Diaz). Also according to Mary Kunimitsu, in fantasy films “There may be characters with magical or supernatural abilities such as witches, wizards, superheroes, mythical creatures, talking animals, and ghosts” (Kunimitsu). In Shrek, there are many of these different characters. Therefore, by explanation, a traditional fairytale with the beautiful princess getting saved by the prince and falling in love is exactly what happens in the movie Shrek, just with a twist. The voice over in the trailer for Shrek states it perfectly as he says “Shrek is a highly irreverent take on the classic fairytale” (Adamson). As an untraditional fairytale, and a parody, the movie Shrek poses the breaking of stereotypes of gender and film fairytales all the while keeping the criteria of a fairytale.
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
While we are all aware of the Disneyfied versions of fairy tales and folklore, however, long before Walt Disney, the stories were not so
In traditional fairy tales, you can see what role each character plays by observing their appearance and behaviour as a first impression. What is very interesting in Shrek is that
The fairytale is not just about her journey to grandma’s house, or everyone knowing Little Red Riding Hood because she is a sweet little girl, the fairytale is giving us messages that we should help our elders and we should kind.
Fairytales and folktales have been told around the campfire, in the living room, the class room, and before bedtime for centuries. First told orally, the “… stories had to have remarkable features in order to remain memorable (Nodelman 246).” These stories were passed down from storyteller to audience until they were eventually written down and collected for consumption by the public. Due to the passing of time and fallibility the stories have changed throughout the years and slightly differ from culture to culture, however, “Stories similar to “Cinderella” can be found in historical records from as far back as the seventh century, and from a variety of places around the world (Nodelman 246).” Although the classic tales differ in various ways from their modern counterparts (such as Disney films, etc.), the characters and their journeys are still very much identifiable.
Bottigheimer Ruth B. Fairytales Folk Narrative Research and History “Social History” JSTOR 14, 3 (1989). 343-357, Taylor & Francis, Ltd.
A person can take a story and look at it from many ways. Fairy tales represent the transformation of young people. Beauty is transformed into a young woman; she passes through the stages successfully and in turn is able to love. Every story teaches a lesson and in this case more than one lesson is taught. Not only is the lesson of sexuality and maturity taught, an even more important lesson is taught. Beauty and the Beast shows that true love comes from within the inside and if it is meant to be it will prevail.