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Dramatic techniques in Richard III
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The characters that portray leadership in Shakespeare’s plays like dukes, kings, and generals are chaotic at best and are at times questionable in their leading roles. From characters like Duke Vincentio to more subtle rulers like Prince Escalus, all have had their fair share of leadership mishaps which sometimes proved as a huge mistake. Throughout history we are able to analyze the successful rulers and the unsuccessful rulers and the flaws that they did and did not possess compared to others. So what makes a good ruler and what qualities separate the true leaders from the not so good leaders? Richard II serves as a model to show that having a powerful sense of carelessness as a duke can bring tremendous consequences. King Richard was terribly Prince Escalus had the grand task of keeping the Montague-Capulet feud under control. Now the difference between Prince Escalus and Richard II was that Prince Escalus was actually AWARE of the internal problems of his kingdom. The prince actually did issue warnings to the feuding families during the beginning of the play. However, the warnings were clearly not enough for the families of Verona to stop regard with respect, leading into more deaths in the middle of the play. The problem with Prince Escalus is that he did not do ENOUGH to stop the problem. He can be compared to a dog with all bark, but no bite. Because of this, Prince Escalus cannot be determined as a good ruler, because of the fact that he was not involved enough in trying to stop the family feud. Unfortunately, because of his minimal efforts Romeo, Juliet, and many others were part of the deaths that are placed on the back of Prince One of these qualities is the ability for a ruler to see the good qualities in a stereotyped or rumored individual. The Duke of Venice possessed this quality and it showed from the beginning. The first time we are able to see this quality in the Duke of Venice, is with Othello being brought in before the court to explain the situation between him and Desdemona. Othello tells his recount of his Desdemona fell in love with him because of his noble tales and feats. After hearing this evidence, the Duke of Venice decides that if Desdemona was his daughter, even HE would let Othello marry Desdemona. This quality of seeing the good in an individual despite negative rumors is important for any ruler to possess. For example, the Duke of Venice appoints Othello as the general of his army, which obviously means the Duke was trusting of Othello despite his skin color or rumors heard about him. If the Duke even believed in the racism associated with Othello at all, the story could have been a lot
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The content and construction of texts are inexorably influenced by the plethora of social, cultural, and historical factors relative to a composer’s context. Context thus becomes the principle medium for deciphering the complex and often didactic meanings within texts. Through the comparative study of Shakespeare’s historical tragedy King Richard III and Al Pacino’s postmodern docudrama Looking For Richard, both texts explore the various connections explored through the protagonist Richard with respective societal influence affecting their portrayal. Shakespeare’s text strongly conveys a sense of providentialism which was influential by the Tudor monarchy whilst Al Pacino thorough the implement of modern day media portrays these influences to a secular, postmodern audience.
He is a powerful figure with many respecting him, though with him being at a higher level compared to others, he is prone to the insecurities that follow. First and foremost, Othello is not originally from Venice and this causes him to feel like an outsider compared to all the other men in the Venetian Army who are all from there. His age and race all play in the part of how he thinks people see him. Since he is a moor, “A dark-skinned Muslim” and is significantly older than Desdemona , he questions his self-worth and why Desdemona would stay with a man like him.
There are various displays of leadership and role modeling in the Shakespearean play 'Romeo and Juliet'. When one hears the term leader, there may be some confusion around what qualities a leader may or may not possess. One should also avoid confusing a good leader with a good role model, because although a good role model may possess similar qualities, there are a few qualities that are required in order to be a strong leader. Two very good examples of the contrasts between a good leader and a good role model are the characters Friar Lawrence and the Prince of Verona, in Romeo and Juliet. The Friar may very well be a good role model, however many would likely hesitate to classify him as a good leader. Just the same, the Prince of Verona would be classified by many as a strong leader.
Leadership can be defined in a myriad of ways; but for the purpose of the question, it is but not limited to the affect someone who takes charge of a group of people with authority or rank; to be an influence to those who look to the leader. In the epic poem, “Beowulf”, there are two different views on leadership based on their leaders {i.e. King Hrothgar and Beowulf). With King Hrothgar, he accepted the help of Beowulf to fight in order to defend the people of the Herodot, “Beowulf my friend/fight for us” (457-458). Due to the understanding of his age, King Hrothgar shows humility and admirable stance, adapts to someone who admires him, allowing Beowulf to fight for the people of Herodot. Beowulf on the other hand, shows his leadership by taking the initiative and offering his aid to King Hrothgar’s people, to fight the demon Grendel, who is terrorizing the people. This leader...
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
Othello, “The Moor of Venice,” was a good man, who had influence and control over men, and loved his newly wed wife Desdemona. Othello’s downfall occurred because of Iago, his adviser, becoming obsessed with ruining his life, for his own se...
Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians. Rather than fight the war against the Turks for themselves, they hire Othello to do so, indicating that he is respected by the Venetians but not considered, as a civilized Venetian would be, above having to fight wars barbarically. This lack of cultural acceptance is indicated by the way Brabantio is willing to Îloveâ, invite to his house and ask him to tell battle stories. However, when there is the possibility of Desdemona marrying Othello, Brabantio is vehemently opposed, exclaiming;
“A leader or a man of action in a crisis almost always acts subconsciously and then thinks of the reasons for his action.” (Jawaharlal Nehru) Leaders throughout history have been idolized as the magnificent humans with the ability to sway the heart of man with both silent and thunderous footsteps. One such man being Shakespeare’s Hamlet. Shakespeare dictates that a leader is cunning, sharp minded, and a caring person who is prepared to dedicate their life to a goal and to the people they care for; the reason be “right” or “wrong”.
Prince Escalus and Friar Lawrence both play a part in the tragedy that falls upon Romeo and Juliet. Without the Prince and the Friar, the story would be a whole new ball game. These two characters implement several unwise decisions, which result in the death of Romeo and Juliet. For example, the Prince threatens to execute both families of the Capulets and Montagues if they decide to disturb the streets of Verona once again. Prince Escalus delays the ban against the feud, resulting in future outbreaks between both families. The...
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
When the play begins, Othello is introduced as a military leader and a Christian, both characteristics of a noble "Venetian." According to Bell: " When we first meet him (Othello), he is a Christian and a `self-made man' who has overcome the handicaps of being foreign and black in the white Venetian world in which he has found his place" (2). Once Desdemona's father, Brabanzio, discovers the wedlock that has taken place, he is the first to point out that Othello is, in fact, a Moor when he states: "Here is this man, this Moor..." (1.3.71). Othello responds to this with the courtesy, modesty, and refined manners of any noble Venetian by saying: "It is most true, true I have married her/ The very head and front of my offending/ Hath this extent, no more. Rude am I in my speech/ And little blessed with the soft phrase of peace..."(1.3.79-82). In every way, Othello has portrayed himself to be equal to the most noble of "Venetians," even when faced with the accusations that he must have wooed Desdemona using potions or witchcraft. Othello asks that they let Desdemona speak for herself on how she came to love this Moor that he is. Desdemona...
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...