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Sustainable design research paper
Sustainable design research paper
Sustainable design research paper
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Our architecture empire has changed dramatically over the past several decades. Architecture started with the Greek and their developing of Arch’s and domes such as the Coliseum. Since, then technology have advanced so much we have furniture and elaborate building design. We used bricks and clay material in the beginning to build buildings. We have steel, and concrete and much durable material and that’s why our building are more stable and reliable during most natural disaster. Without the advanced of technology such as materials, supplies and equipment. We used to use basic geometric now we used more advanced math and more complex building codes. In the beginning we used plans and rope to lift and move materials; now we have machine that …show more content…
I believe it continued to be an expression of our identity and the way we perceived ourselves. By the turn of the 20th century, new building technologies were being employed to create a world we wanted to live in. The architectural movements of the 20th century, notably in the western world, were greatly influenced by the industrial revolution, employing pure functionality as an aesthetic. The fundamental architectural dictum by Vitruvius of Venustas, (beauty) Utilitas (Utility), and Firmitas (Structure), was being influenced by the new technologies made available. Developments in concrete and steel allowed for the creation of an aesthetic that derived beauty from pure functionality. The minimalist visual style of Functionalist and Modernist architecture made physical our ideals of a techno-centric society. However, in doing so the utilitarian and functionalist architecture unintentionally is lost into the background hum of our increasingly busy lives and no longer becomes a driver in our social narrative. As the information age cultivated our desires for automation and efficiency, we took these ideals and applied them to our built environment. As we now look to implement sustainable design as part of our buildings, we realise that the physical demarcations that define contemporary architecture are harnessed amongst the noise of our increasingly digital world. Attempts at sustainable architecture have applied a machine aesthetic and integrated technologies as a solution to automate and control the design, construction and use of our buildings (“The Relationship between Architecture, Technology and
The history of Architecture started long time ago. The nomadic were groups of people whom move from one place to another in order find shelter and food to survive. As they progress, their techniques to survive evolve. The need for a permanent shelter became vital for a better stability of the group. This is the time when the first structures that provided protection appeared. Post and lintel were the first forms of Architecture, that satisficed the basic needs. Architecture evolved to be more sophisticated and fulfill the people’s needs. Consequently, Architecture evolved throughout different periods such as: Ancient architecture, Romanesque, The medieval, Renaissance, Early modern, and the industrial age, Modernism and Contemporary architecture. During the Medieval period a style of Architecture named Gothic Architecture was very notorious. The concept of this type of Architecture still continuous now days, in the city of Los Angeles many building have taken this concept of Gothic Architectural Style and have developed to a new level of experience and expression. Some of them have recreated in a modern way the features of the physical aspects of this style. Other structures have taken this concept beyond the physical features and used the emotional concept behind Gothic Style to connect people feelings with magnificent elements of the Cathedrals.
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
However, the success of the building schemes relied on the construction methods and innovations that are now attributed as bei...
In contrast, the architecture at the time represented wealth and stability, traditional enduring values. During this time, there was a lot of social change that came from science and philosophy. The kick from the Industrial Revolution accelerated the trend, even though ideas from the Gothic Style started it. Steam-powered sawmills could now create elaborate materials, cheaper and faster. As a result, houses became increasingly ornate. Lower income families could finally afford tr...
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
Have you ever seen or visited the Capital building, Washington or amphitheater of Arlinton, Virginia or Cabin John bridge of Washington aqueduct? If an answer is yes, then have you ever think that how we come up with this type of buildings? These all buildings’ basic structures are based on the Greek and Roman cultures’ architecture. Historical records of Western culture in Europe begin with Ancient Greece and Ancient Rome. Roman culture was very inspired from the Greece culture and they had used very basic ideas to build buildings and temples, to portrait sculpture. They modernized and improved their architectures and sculptures in decorative way and made a separate image in the world.
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
“Industrial Revolution is the period of major industrialization that took place during the late 1700s and early 1800s.” Britain was the ‘mother’ of the Industrial Revolution. During that period Britain was making great strides in the innovation of new materials such as the development of superior steel, cast iron and glass. For a time, this gave Britain the advantage over most ‘advanced’ countries in development, mostly as it relates to construction. There were also great developments in the field of agriculture, manufacturing and power generation. This sensation of development quickly spread worldwide and had a changing effect on culture, economics and social idealism. Most importantly, the Industrial Revolution completely metamorphosized the architecture world. It opened new doors for designing which led to the Modern Architecture movement today.
In chapter one of Frampton’s writing, “Cultural Transformations,” he describes how changes in society create new architectural styles due to new cultural needs. Frampton starts by explaining the relationship between man and nature in different architectural styles. Man and nature were distinct entities; however, for the sake or ornamentation in architecture, the two were constantly combined. This idea soon changes with Baroque architecture where man and nature started to be distinctly separate, and this later leads to the Neoclassical style which shows an increased desire for man to have control over nature (Frampton 1). Neoclassicism essentially stems from a new cultural formation that grew from the life styles of declining aristocracy and the rising bourgeoisie, and this transition leads
In conclusion, although the development of modern architecture and the intervention of computer technology to advocate this development, the contemporary architectural outcomes have became more complex and complicated with potential formulation problems. As a result, the new architecture theories came to put boundary lines between being in the range of these problems and producing elegant modern built environment. The seduction of computer-produced form also enhances architects to involve in seeking for new theories to develop the discipline and work to combine formulization with materialization. Finally, some of these theories are accepted and some other still a controversial aspect in architecture.
With the help of architectural engineers, our world has become very civilized and advanced over the past decades. Like all other engineers, architectural engineers use logic and creativity to solve problems. They come up with effective designs to assist people in their everyday tasks. In our daily lives we are surrounded by buildings. Places that were once a dessert are turned into cities that now hold amazing buildings. Houses, schools, shopping centers, offices, apartments, airports, etc. are very essential in our society. These buildings do not only please the eye, but they also provide us with shelter and are made to withstand hurricanes, earthquakes, snow storms, and strong winds. Would these buildings still function efficiently and provide us with a stable shelter if it were not for architectural engineers? There are different engineers with each their own expertise, but for buildings in particular, architectural engineers are needed. Architectural engineering, also known as building engineering, is an interdisciplinary program that integrates important knowledge from different disciplines such as civil engineering, mechanical engineering, electrical engineering , architecture, physics, chemistry, biology, and economics (“Building Engineering”). An architectural engineering professional has to master all the different disciplines because the design of building systems often requires the application of the disciplines. Architectural engineers are important in today’s society because they possess the knowledge and qualifications to work on complex buildings, lead project teams, and most importantly, to provide us with a safe environment.
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
From the time of the ancient Greeks all the way to modern day, some part of humanity has almost always been interested in the past. For the ancient Greeks, it was discovering Mycenaean ruins and composing stories about them. Today, inspiration is still drawn from classical architecture. One has to look no further than the U.S. capitol building, or even the University of Michigan's Angell Hall to see remnants of this architectural style. This raises the question of why does it still persists? Logically, the best way to answer this is to examine the origins of classical architecture, and what it represented then and now. Furthermore, the study of ancient architecture can show insights into past civilizations which otherwise would have been lost.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.