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What is simons role in lord of the flies
William golding using symbolism in lord of the flies
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The End of Innocence in Lord of the Flies
William Golding wrote the novel Lord of the Flies "to trace the defects of society back to the defects of human nature."(Golding) He wanted to show that humans naturally live in savagery and ignorance with little knowledge on how to live together peacefully. To accomplish his premise Golding strands a group of boys on an island who then must set up government in an attempt to survive. The story uses heavy symbolism to compare the life on the island to the entire civilization of the world.
Each character on the island represents one aspect of civilized society; those who represent uninhibited man survive and those who represent intellectual or spiritual man die. One of the more terrifying deaths is that of Simon who symbolizes the spiritual side of humanity. Simon is a prophet. He alone saw what the others were becoming and he alone knew that the beast, feared by all the children, was in fact humanities own inner savagery. Fear was the driving force on the island, it was this fear that kept Simon from telling the others of the "true beast", he knew that if he told them they would turn against him.
All through the book Simon is one of the few boys who works for the good of the group and never runs off during a job to go have fun. Simon sincerely cares about the other boys. He often helps the "littluns" retrieve the quality fruit from high in the trees, yet "Simon turned away from them and went where the jest perceptible path led him."(61) Simon loves his solitude, he often wonders off into the jungle to be alone. "The assembly grinned at the thought of going out into the darkness. Then Simon stood up and Ralph looked at him in astonishment."(93) Sim...
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...arked in a ritual and primitive dance. When the barely visible Simon came down from the mountain to tell the others of his discovery, he was thought to be the beast. As Simon emerged from the trees a mob of wild boys attacked and killed him. When the other boys learn what they had done they deny fault: " 'It was an accident,' said Piggy suddenly ... 'He hadn't no business crawling like that out of the dark.'"(173)
When Simon dies so does the truth, he is unable to tell the others about the true identity of the beast. The boys on the island foolishly destroy any attempts to be saved and unknowingly destroy the one person that could bring them salvation. Simons death shows evil is often victorious over the dwindling fight for order. With order lost the thin veneer, which is civilization, erodes and mankind revert back to his ancient primitiveness.
Our first aspect of Fear in the novel comes into play with the Beast. This fictional character becomes the center of the boys problems on the island and brings a long chaos and death. Simon is murdered due to the befuddlement of Simon being mistaken as the beast when in fact he was the jesus like figure and his death was a representation of sacrifice. The beast was not something tangible it was simply the boys because the beast was themselves. Our biggest demons in life rest within oneself, and on the island the beast was just a justification for the boys to blame their wrong doings on. William Golding refers to this using the role of simon by stating: “Fancy thinking the Beast was something you could hunt and kill! You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are" (158)?
He alone saw that the jungle, which represented freedom and the lack of civilization, was not to be feared but to be understood; he alone knew that the mythical Beast of the island, feared by all the boys, was, in fact, their own inherent savagery. Through these truths, Simon represents a Christ figure paralleling Christ's misunderstood message and Christ's death. Simon was the observant, the quiet philosopher. He was often alone, sometimes by his own choice, and he liked to wander into the peaceful jungle. He sincerely cared about the other boys, sometimes helping the young ones to fetch fruit, yet "
While Jack and Ralph represent the distinct polarization between civilization and savagery. Simon is separated from both of these dimensions. Simon represents built-in goodness. The other boys who hold on to their sense of morality only do so because society has conditioned and trained them to act in a certain way. They do not have an innate sense of morality. Unlike the other boys on the island, Simon does not act morally because an external force has compelled him to do so, instead he finds value in performing good actions.
Despite his frailty, Simon soldiers on his quest to discover the identity of the beast on the mountaintop because he sees that need for the boys to face their fears, to understand the true identity of the false beast on the mountain and to get on with the business of facing the beast within themselves. His character signifies morality, kindness and compassion and ironically, it is these qualities which lead to his murder, and ultimately the final collapse of society on the island and deterioration into savagery of the boys.
On contrary from all the other boys on the island Simon, a Christ like figure in the novel, did not fear the ‘beastie’ or the unknown. “Maybe there is a beast....maybe it's only us” Simon explained. (p. 97) The fear of the unknown in the novel contributes to the boys’ terror of the beast, the beast is an imaginary figure which lays in all of the boys’ minds and haunts them. Golding uses the beast as a symbol of the evil that exists in every creature. "You knew, didn't you? I'm part of you? Close, close close! I'm the reason why it's no go? Why things are the way they are?" The sow head announced to Simon to be the “lord of the flies”. The “lord of the flies” is a figure of the devil, and brings out all the evil and fear in people. It wants you to fear it, but if you don’t believe in the “lord of the flies” nothing can happen to you. Therefore Simon didn’t fall into the trap, but the beast killed him, meaning the other boys on the island did. Simon discovered that the beast is in fact just a dead parachute man before he died and ran down to tell the boys about his finding. When Sim...
Simon has a spiritual perception, a mystical connection to nature that none other characters possess. He also makes it clear that the beast real identity is the evilness which exists inside everyone. Finally, Simon treats other characters, especially the little boys with kind manners and shows interest in their well-being, contrasts to the cruelty of Jack and many boys who have let their savagery rule over them. After his death, Golding then shift the focus from Simon’s body toward the unchanging nature, such as the sun, moon, and earth that is because the character Simon, represents a knowledge as fundamental as the natural
In her article, “Feminist Hermeneutics and Biblical Studies”, Phyllis Trible discusses the issues centered toward women in the bible (Trible). She addresses issues not just concerning equality, but also how men viewed women in biblical times. Trible examines the role of women in the bible, and the misconception they carry, that leads many into harms way.
Simon is a symbol of peace who sees only good in the world. The name Simon itself means, listener, and depicts Simon's character well as he always listens instead of giving an alternative opinion. Although at times his opinion differs from the others, he never complains. Simon's great sacrifice for the boys, dying for their sin, is a trait of a martyr. Simon's death results in a change of his affect on the boys and on the reader. Because he is killed by the other boys, he begins to represent the evil that has dominated over the good on the island.
During much of her childhood, Kingston goes to the "American School" during the day and the "Chinese School" in the evening as she filters the conflicting material given in each of these environments to determine what works in her Chinese-American life. In attending the American school, Kingston discovers American ideologies of loquaciousness and arrogance. From the influence of their American schoolmates Kingston and her siblings "never said, 'Oh, no, you're too kind. . . . I'm stupid. I'm ugly.' They were capable children. . . . But they were not modest" (Kingston 134). The children expected their Chinese parents to join in their arrogance, and Kingston proudly tells her mother, "I got straight A's, Mama" (45). H...
In Shaman, Kingston recounts her mother’s story of when her mother was a student and doctor. It starts off with Kingston’s mother at the To Keung School of Midwifery, then her mother, Brave Orchid’s, return to her village, and finally Kingston’s mother telling Kingston of her life in America and how she tells Kingston that every person is a “ghost”. At the Western Palace, it tells of Kingston’s remembrances of her elderly mother and her mother’s sister, Lovely Orchid. It begins with Brave Orchid meeting her sister Lovely Orchid at the airport after not seeing each other for 30 years, then welcoming ...
The roles of women have altered our lives substantially from the beginning of time. Take the example of Eve in the Garden of Eden. If the theory is true that our existence relies completely on a God who created us, then had Eve not eaten the forbidden fruit, humanity would not have been born apart from the only two people on Earth.
...ge 108 of the memoir when Brave Orchid calls Kingston “Little Dog.” Kingston writes, “A weight lifted from me. The quilts must be filling with air. The world is somehow lighter. She has not called me that endearment for years-a name to fool the gods”. (108-109). She goes on to recollect the haunting stories of shrinking babies that her mother had filled her mind with symbolizing Kingston’s inability to forget all that her mother’s talk stories had taught her. Kingston’s “writing marks the transition from the position of separation and alienation to that of accommodation and re-position, initiating a positive self-invention instead of a denial of ethnic origin” (Yuan, 301). Talk stories contain strength, shamefulness, positivity, negativity, pain, and love-all important constructs to the formation of Kingston’s self-identity and perception of herself as a female.
The beast symbolizes the growing fear that lies dormant, deep in the children’s souls and turns the boys into uncivilized beings. William Golding uses the beast to instill fear in the souls of the boys. While everyone is scared of the beast and questioning what it exactly is, Simon suggests something else. He agrees with everyone that the beast might just exist. But unlike everyone else, Simon comments, "maybe it's only us.” (Golding 89) This comment shows that the beast might just coexist in their bodies. The beast is just made up and not real, and only a product of their increasing fear of the unknown. The fear of the beast activates their primal instincts and makes them lose all grasps of civilization. Without the mindset to survive, the boys struggle to find food and build shelter efficiently. They slowly lose everything they had when they came to the island. The boys are acting like Native Americans in a sense because their actions resemble the Native Americans through the chanting, dancing and face painting to represent power and fierceness. The settlement on the deserted island triggers the fear that lies deep in them. Each person on the island comb...
When Maxine moves to America, she realizes that her old expectations which had been acceptable in China were prohibiting her success in America. She realizes her lack of identity in either world “when [she] found out [she] had to talk that school became a misery, that the silence became a misery” (166). “[Have] to” indicates that an action is mandatory. Now in America, Maxine “had to talk,” signifying that participation is a requirement in class, contrary to that of Chinese schools where utter silence is an expectation. This American belief that opposed her Chinese values made learning “a misery” for Maxine. “Misery” symbolizes a feeling of great discomfort, which accurately captures Maxine’s feeling while being torn between two worlds. Rather than either assimilating to America or maintaining her Chinese traditions, she is dragged back and forth. Her silence, which has now become a burden for Maxine after withholding her thoughts for many years, has now “[become] a misery. She is dying to speak up, but her the opposing values of her current and past world are tearing her apart at the seams. Maxine’s failed attempts to fit into her new world slowly deteriorates her mindset, intensifying her struggle to find a place in either of her two worlds.
In the beginning, Simon was described as a 'skinny, vivid little boy…,'; (Golding 24) showing that he was undersized and possibly weaker than the others. He stuck around Ralph for a while, went exploring with him and Jack, and even helped him build the shelters. It was not long before he began to wander off by himself to that little place among the creepers. The other boys thought he was 'queer….funny.'; (55) because he was an outcast and rather strange.