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The Elements of Science Fiction in Asimov's Foundation
The Elements of Science Fiction in Asimov's Foundation
[This essay explores those characteristics of the novel Foundation, which are peculiar to the genre of Science Fiction.]
The most fundamental and obvious element of Science Fiction is its dependence on imagined technological advancements. The SF writer exploits the gap between scientific theory and practice to create a world, or at least circumstances, very different from our own reality and yet very believable because of the scientific logic' behind it all. The SF writer must provide some kind of scientific explanation as to how the fantastic things that are being talked about have been made possible. Asimov, in his novel Foundation, introduces hyper-spatial travel based on the concept of hyper-space, to make the existence of the Galactic Empire possible. Nuclear power supplies the energy requirements and the use of coal and oil, as Salvor Hardin says in the novel, is considered barbaric'. Trantor, the capital of this futuristic Empire has gone a step further to make use of the temperature difference between the ground level and a couple of miles under' to supply all the energy required. The glorious' picture is completed in the first few pages with Gaal Dornick following a light beam for a guide and taking a taxi which rises straight up into the air.
Because of this creation of a new, invented world, it becomes essential that the reader be informed about many things that the inhabitants of this world take for granted. This feature of info-dumping' is quite peculiar to Science Fiction, as writers of other genres need not explain such things as how people travel and which fuels they use. A good SF writer does not get carried away by the brilliance of his innovative ideas, thereby disrupting the flow of the story and burdening the reader with too many facts. Instead, the information is provided in small capsules as and when possible with the least intrusion. Asimov uses various devices for info-dumping to avoid monotony. The first one that we encounter is the use of metatext, the Encyclopedia Galactica, which not only informs the reader but is also the ultimate point of reference. Extracts from this invented encyclopedia introduce some characters of the novel and give glimpses of the kind of world, with its social and political milieu, in which they live. Also, the use of an encyclopedia strikes the reader as a scholarly approach, in keeping with the logic' strategy, while serving an important narrative function.
In literature there are over 20 different genres of reading, and each of them contains many similarities and differences. Science fiction, arguably one of the most popular genre’s, is also one of the hardest to understand, however there are certain elements/characteristics that can easily determine if a book is or is not science fiction. The characteristics that make up science fiction are, advancements in technology and the application of advanced technology. In books such as The Veldt and Fahrenheit 451 both technological advancements and there application play a crucial role on determining that these books fall into the science fiction genre.
Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.
Darko Suvin defines science fiction as "a literary genre whose necessary and sufficient conditions are the presence and interaction of estrangement and cognition, and whose main formal device" (Suvin 7-8) is a fictional "novum . . . a totalizing phenomenon or relationship" (Suvin 64), "locus and/or dramatis personae . . . radically or at least significantly" alternative to the author's empirical environment "simultaneously perceived as not impossible within the cognitive (cosmological and anthropological) norms of the author's epoch" (Suvin viii). Unlike fantasy, science fiction is set in a realistic world, but one strange, alien. Only there are limits to how alien another world, another culture, can be, and it is the interface between those two realms that can give science fiction its power, by making us look back at ourselves from its skewed perspective.
Bradbury attacks loss of literature in the society of Fahrenheit 451 to warn our current society about how literature is disappearing and the effects on the people are negative. While Montag is at Faber’s house, Faber explains why books are so important by saying, “Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores” (79). Faber is trying to display the importance of books and how without them people lack quality information. In Electronics and the Decline of Books by Eli Noam it is predicted that “books will become secondary tools in academia, usurped by electronic media” and the only reason books will be purchased will be for leisure, but even that will diminish due to electronic readers. Books are significant because they are able to be passed down through generation. While online things are not concrete, you can not physically hold the words. Reading boost creativity and imagination and that could be lost by shifting to qui...
Suvin, Darko. Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre . New Haven : Yale University Press, 1979.
The Hounds of Tindalos is a short science fiction story containing many and varied elements that have been long associated with the genre of science fiction. This essay will identify these elements, examining their placement within this short text and also the interchange of these elements with the characteristics of other genres, more specifically, horror. Belknap Long, the author, was clearly intent of incorporating the elements of horror within the genre of science fiction and this amalgamation of these two genres was a popular combination employed by future horror and SF writers. Perhaps the inclusion of horror within the SF genre is a comment in itself about perceptions of SF held by writers, the elements of horror being a cautionary warning to those in the science world.
Kornbluth, C. M. "The Failure of the Science Fiction Novel As Social Criticism." The Science Fiction Novel: Imagination and Social Criticism. (1969): 64-101.
Isaac Asimov's "Foundation", hailed as one of the great classics of science fiction, is a book of many layers. While appearing on the surface to be a rather standard science fiction title, the truth is that, when inspected with a more critical eye, Asimov actually wrote a very interesting social commentary into his novel. Contained in the text of this volume is an analysis of civilization, entropy, and the different forms that power can assume.
As a word analyst, I found three words from the story, “All the Troubles of the World” by Isaac Asimov, that are significant to the theme and the understanding of the story. The first word is “tendril”. A tendril is a tread-like organ of climbing plants that grow in spirals and help the plant climb its way up. The word is used in the sentence, “Multivac…had reached out tendrils into every city and town on Earth” (pg 263). The author refers the view range of Multivac to a tendril because the ability of tendrils to climb up just about anything is similar to the capability of the Multivac to reach and oversee every man on Earth. The second word is “subconscious”. Subconscious means existing or operating in the mind beneath or beyond consciousness.
“In my estimation a good book first must contain little or no trace of the author unless the author himself is a character. That is, when I read the book I should not feel that someone is telling me the story but t...
With our world progressing so quickly in science and technology it is fascinating to look back at the literature that was the inspiration for these advances. It is strange that this genre, filled with such outlandish plot lines and characters, could influence the real world. In a way it’s beautiful. When these brilliant minds of mankind are able to grab an idea from the fictional world and work together to make it a reality. For hundreds of years, people have dreamed of what they thought to be impossible but to quote Star Trek, “Things are only impossible until their not.”
Science fiction is a genre, which depicts what life would be like in a world with major scientific and technological developments. When it comes to science fiction, the exploration of future technology is a major element. Many stories and films focus on space, robots, aliens, a mad scientist, and/or artificial intelligence. “The universal themes found in science fiction—themes of freedom and responsibility, power, love, individuality and community, good versus evil, technology run amok, and more—present ample opportunity to explore complex issues and compelling controversies at length and in depth in ways that not only engage the intellect, but involve the emotions and expand the imagination.” The story “Flowers for Algernon,” by Daniel Keyes, is an example of science fiction that examines the impact of artificial intelligence. “The End of the Whole Mess,” by Steven King, is an example of science fiction that focuses on the fall of a mad scientist. The film “Gravity” is an example of a science fiction movie that explores the use of major technological advancement within space. In this paper I will assess the major themes portrayed in “Flowers for Algernon,“ “The End of the Whole Mess,” and the film, “Gravity.” Additionally, I will examine how these models of science fiction teach a major lesson about the imperfections of future scientific and technological advancements on society.
Science Fiction Studies , Vol. 33, No. 1, Technoculture and Science Fiction (Mar., 2006), pp. 89-108
Although one may not realize it, several aspects work harmoniously in constructing the modern novel. According to Ian Watt, three of these are particularity, unity of design, and rejection of traditional plots. A novel must focus on specific characters and has to occur in a distinct time frame. Furthermore, a novel should have a plot unlike others of the era. One common idea or theme should also rule the work. All of these characteristics are vividly expressed in Oroonoko.
The traditional short story is a genre of a prose. It is a fiction work that presents a world in the moment of an unexpected change. The traditional short story obeys some rules, such as the unexpected change and major events with detail. The modern short story is a revolution which is based on the traditional short story. In other words, if the traditional short story is in the first floor, the modern short story is in the second floor. Therefore, the modern short story still obeys some rules that the traditional short story obeys, and breaks some rules that the traditional short story obeys. One rule that the modern short story still uses is the unexpected change. The rules broken by the modern short story are that the major events are not detailed, and that the border between the real world and the fiction world. This paper first talks about the unexcepted change and uses the examples of “Eveline” and “The Open Window.” Then, this paper talks about major events with detail, and uses the examples of “Lottery,” “The Open Window” and “Hills Like White Elephants.” Finally, this paper talks about the meta-literary and the border between the real world and the fiction