Love is like a rollercoaster; you have your ups and your downs. Throughout this book, Macbeth, there is a lot of love shown, especially from the main character Macbeth and the queen. Love is an essential part of life. Without having love in your life, you can't live, it gives you nothing to be proud of, nothing to be happy about, or nothing to be interested in. A significant example from this book of how love changes you and breaks you is the love between the queen and Macbeth. Love will make you crazy, will crush you, and turn you into a whole different person. The love between the queen and Macbeth show the effects of how love is presented in people's lives: how love makes you crazy, how love makes you gullible and how losing a loved one …show more content…
One example of how love will make you go insane in this book is at the beginning of the book and the end of the book when Macbeth and his wife try to kill Duncan. Both Macbeth and his wife had constructed a plan on how they were going to kill him. When Macbeth decides to go and kill Duncan he sees a dagger floating in the air and does not know if it is real or not. That is a prime example of how he is going crazy. The whole time Macbeth and his wife were planning on killing Duncan, Macbeth kept question if he should do it or not. The entire time Macbeth's wife kept forcing him to kill Duncan and putting stuff in Macbeth's head so that he will kill Duncan. Macbeth was in a way getting brainwashed by the …show more content…
Everyone has someone that they love and to see them go is a horrible feeling. At the end of the book the queen dies, and when Macbeth finds out, he is devastated and does not know what to do. Macbeth says there is no meaning for life anymore and wants to kill himself. This death shows how much it hurts to lose someone, Macbeth gets to the point where he wanted to kill someone. “She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow creeps in this petty pace from day to day to the last syllable of recorded time. And all our yesterdays have lighted fools the way to dusty death. Out, out, brief candle. Lives but a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing” (page 177-179). This is the quote said by Macbeth after he finds out that the queen dies. Losing a loved one will break you down to a person you have never
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In the beginning of the play Macbeth showed his love for Lady Macbeth in many different ways. He told her his feelings toward her "My dearest love" (act I, scene v, l 58). Macbeth listens to what Lady Macbeth has to say, and takes her advice into consideration every time he makes a decision. He also has great love for her and tries his best to make her happy no matter what it takes. Lady Macbeth convinced Macbeth that he wasn't a man unless he went through with the murder of Duncan. She threatens his manhood by saying
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
From the first brief encounter of the witches, to the last nightmarish visions that Macbeth has, many close friends and relatives have died because of his visions with the supernatural. The death of his wife in Act V, Scene IV is the death that sends him over the abyss and into mental instability. Lady Macbeth is like a joined appendage to Macbeth. They work as one, communicate as one, and when that appendage is lost, so is MACBETH's grip with reality. Lady Macbeth was the only person he could truly confide in. The supernatural also had another key factor to her death. In the first act of the play, she calls on the powers of the supernatural to make her strong. The following quote, "Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe, top-full of direst cruelty! make thick my blood, stop up the access and passage to remorse… Come to my woman's breasts, and take my milk for gall…", is possibly the most important passage that leads to Lady Macbeth's death. She calls on the evil spirits to "unsex" her, and to replace her "milk" with "gall". It seems that she wants to be the most cruelest being in the world. The theme of the life cycle is amplified in this situation because of her request to the spirits. This event is the beginning of the end for Lady Macbeth's life. She is the one who insists Macbeth should kill the king and reign as the king of Scotland. It is her ideas and plans that lead herself and Macbeth into the pits of hell. She is not solely to blame for this catastrophe though.
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
The relationship between Lady Macbeth and Macbeth was described as “best marriage in Shakespeare” in the beginning of the play. Duncan has once described Macbeth’s love “sharp as his spur”, and Macbeth has also described Lady Macbeth’s love “dearest partner of greatness”. Similar to every marriage and couples have, Macbeth and Lady Macbeth had their peaceful and amusing life as a husband and wife, too. However, Lady Macbeth was rather strange, mentally, and obsessive towards the position of the King. Lady Macbeth wanted the luxurious, and carefree life of being the King and Queen of the country, Scotland. This has always cause the relationship between the couples to be quite awkward and not suitable, but at the same time, we can see their trust in each other; to be able to tell their lust and greed
25-26), expressing nothing but loyalty to his ruler; not 30 lines later though he thinks to himself how he must “o’erleap” (iv. 56) the Prince of Cumberland, the rightful heir, if he is to become king. Macbeth appears to be a faithful servant of the king, but he is fantasizing and ultimately falling toward the path of a wretched murderer. Macbeth even has a dichotomous relationship with Lady Macbeth. The couple, in terms of their love for each other, is unfailing; they call each other “dearest partner” (v. 11) and “dearest love” (v. 67), earnestly at each other’s sides. However, there is a corruption to their love, symbolic of Mars triumphing over Venus. The love between them is so great that, instead of Lady Macbeth talking her husband out of murder, she encourages it, revealing corruptness even in their affections for each other. By the end of the act, Macbeth finds himself in the ultimate self-conflict. He hushes Lady Macbeth, saying “We will proceed no further in this [murder] (vii. 34), but in a moment he has already changed his mind again, setting out to kill the king. Macbeth is a character of self-contrast and self-conflict, made ever-evident in Act I of
Lady Macbeth is at the same time greater and lesser than her husband. She has a hardness which he lacks, but she has none of his subtlety and perception. She knows her husband well and despises him a little, but to satisfy her ambition, which is a crude desire to see her man King, she will devote herself soul and body to evil. (62)
When we, human beings, are about to commit wicked acts, we feel a variety of emotions. One of those emotions is guilt. You may also feel guilt due to moments you chose not to act. The presence of guilt is a driving factor that prevents us from acting irrationally. Citizens of the 16th century possessed these emotions as well, no matter their social standing. The citizens included Shakespeare as well, a poet and playwright of the 16th century, and writer of the play Macbeth. Shakespeare transfers the idea of negative emotions to Macbeth by using blood to symbolize guilt, among other emotions in the protagonists they do not show otherwise. In Macbeth, William Shakespeare uses blood to show the inner-conflict of the
Part of human nature is struggling to choose between two random forces. In the play Macbeth, Shakespeare describes how conflict within a person can drive someone mad until the end of their lives. For Macbeth, part of this struggle was keeping his sanity intact after all the bad deeds he had committed. Another part of his struggle was swaying between the forces of innocence and guilt. The final struggle Macbeth had within him was going up against fate and free will. Throughout the play, Shakespeare demonstrates the inner conflict within Macbeth, as he contends against the conflicts of fate and free will, sanity and insanity, and innocence and guilt.
Lady Macbeth is a vicious and overly ambitious woman, her desire of having something over rules all the moral behaviors that one should follow. On the beginning of the novel, Macbeth receives the news that if Duncan, the current king, passed away he would be the next one to the throne. So, Lady Macbeth induces Macbeth into killing Duncan by filling his mind with ambition and planting cruel seeds into his head. After accomplishing his deed of killing the king, he brings out the daggers that were used during the murder, and says, “I’ll go no more. I am afraid to think what I have done; look on’t again I dare not.” This is his first crime and Macbeth is already filled with guilt and regret. He shows the reader to be the weak one of the duo. Lady Macbeth as the cruel partner still has some sentiment and somewhat a weakness in her heart and mind. When talking about Duncan she says, “Had he not resembled my father as he slept, I had done’t.” Weakness is still present and will always be there throughout the novel but this one change the fact that Lady Macbeth is still the stronger and cruel one.
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
Macbeth is a very gothic, persistent tale of a great general in the Scottish army who causes his own downfall by listening to the dark prophecies of the three witches and his wife, Lady Macbeth. Macbeth’s self-consciousness fails to play an important part in the murder of multiple kinsmen causing the death of his wife and his mental health. Macbeth is not necessarily a horrible leader; the problem with him is that his ambitions exceed his expectancies. Macbeth’s character has constantly evolved from the point he was introduced into the play. Initially he seems as an extremely humble person, but as he learns more about the prophecies, his hindsight fails to overlook the complications of his ambitions. Macbeth’s faith in the apparitions and the witches ultimately cause Macbeth’s downfall and the unnecessary death of his beloved kinsmen such as King Duncan and Banquo.
Macbeth is seen as a “valiant cousin, worthy gentleman” (I, ii, 24). He is a brave warrior who is well respected in his community, until the witches prophesied to him that he would one day be king (I, iii, 50). Macbeth interprets that he must act to fulfill the prophecy. He sends a letter to lady Macbeth asking what to do. She suggests that he should kill Duncan. Macbeth follows the plan and kills Duncan (II, ii, 15). Directly following the murder Macbeth can no longer say amen (II, iii, 31-33). Macbeth also hears a voice in his head say, “sleep no more! Macbeth does murder sleep”(II, ii, 35, 36). For the rest of the play Macbeth suffers from insomnia. When Macbeth pretends to be surprised by Duncan’s death he says, “ Had I but died an hour before this chance, I had lived a blessed time, for, from this instant, there’s nothing serious in mortality. (II, iii, 92-95) he is saying that if he had died before he murdered Duncan he would have lived a great life, but now that he’s committed murder, life is just a game and nothing is important anymore. These are suicidal thoughts and show how his grip on reality has greatly slipped.
Rabkin starts his third chapter by criticizing the way plays are criticized. He states that thematic criticism makes itself and literature part of the modern, educated world by making plays seem clearer and more plain than they actually are. The next group of plays to examine are Shakespeare’s tragedies, and the critical versions of them.