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Ethical issues in organ donation
Arguments against cloning
Arguments against cloning
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Many science fiction movies include futuristic beings known as clones, but is this the age of the future and are clones becoming a reality? In movies, clones are represented as mindless forms that obey every command of their master or creator; however, in reality, clone prototypes today will be late-term twins of the cells of whom were taken. The technology of cloning has taken over 50 years to perfect, and is still nowhere near perfection. Once the technology of cloning is misdirected, the technology has the potential to develop terrifying effects.
The idea of cloning began in 1952 when the first nuclear transfer occurred from an early frog embryo into an enucleated frog egg. This experiment by Robert Briggs and Thomas King marked the first
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In Frankenstein, Victor is very intelligent and responsible leading up to the birth of his creation and obtains all the information he can absorb into his mind, yet he finds himself struggling to take care of this monster. Victor puts everything he has into his creation because he must obtain his vision, “I had worked hard for nearly 2 years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation” (Shelley). Victor’s desire to obtain the role of God parallels the scientists working in labs throughout the world, trying to obtain the unimaginable, creating life from a single human cell. The outcome of Victor’s work and efforts of the cloning scientists share similarities as both creations will never be perfect. In every experiment of cloning, many mistakes have occurred. Before the first mammal was ever cloned it took 277 attempts before Wilmut and Campbell finally succeeded, and the animal was still not perfect and lived to only half its expected lifespan. Frankenstein’s creation took over 2 years of experimentation and preparation and many years of studying before that, yet his masterpiece became a monster and was terrifyingly ugly. Another device that is vital to both cloning and Frankenstein, is the great amount of personal responsibility they both have to hold. In …show more content…
In order to treat clones as the equal humans they should be, medical doctors must not harvest vital organs that will kill them in order to save “real” people’s lives. Science must proceed on the ethical side of the spectrum, and continue with the ban on human cloning, although there can be many great healing
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Children grow up watching movies such as Star Wars as well as Gattaca that contain the idea of cloning which usually depicts that society is on the brink of war or something awful is in the midsts but, with todays technology the sci-fi nature of cloning is actually possible. The science of cloning obligates the scientific community to boil the subject down into the basic category of morality pertaining towards cloning both humans as well as animals. While therapeutic cloning does have its moral disagreements towards the use of using the stem cells of humans to medically benefit those with “incomplete” sets of DNA, the benefits of therapeutic cloning outweigh the disagreements indubitably due to the fact that it extends the quality of life for humans.
The theme of creation in "Frankenstein" touches on the notion of how modern science plays God. This is illustrated through the attempt of replicating a human by means of science, using the main character Victor as the god-figure. Unfortunately, Victor Frankenstein did not consider the effect his creation would have on the outside world and, more importantly, his internal self and his creation.
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
Victor Frankenstein in Mary Shelley’s Frankenstein, started out as an intelligent young man that increasingly grew into an even more curious young man. His interest in the human body and creating life became almost became an obsession for him. He was determined to do what he needed to do in order to create the most incredible clone of a human. Victor went to great lengths to complete this occupation of his that took up nearly all of his time, including many nights of visiting the graveyards studying the human corpses. Getting the body parts was the easy part of this upcoming creation, it was going to be all the sleepless days and nights trying to create the veins, blood vessels, etc., that would be the challenging part of this whole ordeal.
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
As creators of another creature, God and Victor Frankenstein are very similar, in that they both lose part of their "family," and they let the war between them and their creations go on too long. Victor says, " I collected bones from charnel houses; and disturbed, with profane fingers, the tremendous secrets of the human frame." This shows that he creates the monster out of corpses, just as God creates Satan. Furthermore, Victor is disgusted with his own creation, "the beauty of the dream vanished, and breathless horror and disgust filled my heart." Victor rejects the monster, similar to God's disgust with Satan's pride. The monster wreaks havoc on the Victor's life, "; I called myself the murderer of William, of Justine, and of Clerval," leaving him with a burden of guilt, just as God loses his angels to Satan, Victor loses his family and friends to the monster. Victor at some point feels even more guilt because he didn't destroy the monster earlier. If God could so easily order the fallen angels to be pushed out of Heaven, why did he let the war go on for three days? This truly is remarkable, two novels of different time periods, with characters of startling resemblance.
In the nineteenth century, the idea of creating life was thought to be science fiction. A nineteenth century writing, Mary Shelly's novel Frankenstein, portrays Victor (the creator) as innocent and the creation as evil at the beginning of the novel. Later, it becomes evident that the monster was not evil when created, rather that the creature was made evil by the surrounding environment. Victor's immediate response was, as Shelly writes, "Great God! His yellow skin scarcely covered the work of muscles and arteries beneath" (??). The monster soon understood that he was in fact hideous. Shelly writes, "Knowing social opinion, the monster explained after his agonizing shock of self-discovery, 'All men hate the wretched'" (??). Whereas the cloning of humans may not produce a being like Victor's creation, there is little doubt that society may react harshly to this new type of being. The expectations would be enlarged for the creation, which may lead to negative consequences for both the creation and society.
In conclusion, it is clear to see that cloning is not the taboo it has been made out to be. It is a new boundary that humanity has never encountered before and so it is understandable that people have qualms about ‘playing God’ by shaping a life. Although some might argue that it is immoral to clone human beings, the truth is that it is unethical not to. Given that such technology has the potential to save millions upon millions of lives, not tapping into that industry would have dire consequences on the future. In this case, the ends more certainly justify the means.
“Cloning represents a very clear, powerful, and immediate example in which we are in danger of turning procreation into manufacture.” (Kass) The concept of cloning continues to evoke debate, raising extensive ethical and moral controversy. As humans delve into the fields of science and technology, cloning, although once considered infeasible, could now become a reality. Although many see this advancement as the perfect solution to our modern dilemmas, from offering a potential cure for cancer, AIDS, and other irremediable diseases, its effects are easily forgotten. Cloning, especially when concerning humans, is not the direction we must pursue in enhancing our lives. It is impossible for us to predict its effects, it exhausts monetary funds, and it harshly abases humanity.
The pop culture version of the novel Frankenstein depicts Victor Frankenstein’s need for science and creation, a need that results in him creating a monster. An ingenious and inventive scientist, Victor mastered everything he learned from his professors. Unfortunately, he ultimately created something he regrets and pays for until the day he dies. Victor Frankenstein takes his interest in science and creation to an unhealthy and extreme level, and plays God. In playing this God figure over his creation, he creates this being with no intentions of giving it love or happiness. He is selfish and creates it for himself, and he brings the unliving to life out of old used parts.
The most popular objection to human cloning is the assumption that science would be playing God if it was to create human clones. Reverend Albert Moraczewski states that cloning is intrinsically morally wrong, is an attempt to play God, and exceeds the limits of the delegated dominion given to the human race. (Madigan, 8) To say that this argument is unclear and unsupported is generous. It refuses to differentiate between cloning and the interruptions of biological processes which are viewed as commonplace in today's society. Religious objections were once raised at the prospects of autopsies , anesthesia, artificial insemination, organ transplants, and other acts which were seen to be tampering with divine will. (Madigan, 3) Yet enormous benefits have been reaped by each of these...