The Dynamic Reverend Hale in The Crucible by Arthur Miller

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John Hale is the minister of Beverly, which has been summoned to Salem to discover and extinguish supposed witchcraft in the town of Salem, Mass. in the colonial period. Hale overgoes a gradual change of character and belief as the play unfolds. As a dynamic character? Though a gradual change it is, the change drastically changes his views and ideas of what is God’s will and where his priorities lie. The end of Act One exhibits the audience a zealous priest, Reverend John Hale, looking for evidence of witchcraft, real or make believe. Most convenient for Hale the town of Salem has more than enough evidence for him to become ecstatic about. Although he does express that, "We can not look to superstition in this. The Devil is precise; the marks of his presence are as definite as stone, and I must tell you all that I shall not precede unless you are prepared to believe me if I should find no bruise of hell upon her" (38), it is a mere empty promise, since before the ending of Act One he already mentally decides Salem is plagued with witchcraft, with or without concrete evidence to support his allegation. Hale uses such scant evidence as Putnam’s death of her first seven children and Giles’ wife reading of strange books which keep him from reciting the Lord’s prayer. Ironically, he encounters, Tituba, after hearing that this Barbados slave had been practicing voodoo with the afflicted girls. After Hale puts immense pressure on Tituba to proclaim herself a witch Hale is able to manipulate Tituba to claim that she had used witchcraft on the girls. After declaring herself a witch she accuses the names of four honest and innocent women, thus starting the chain affect of accused witches accusing others of witchcraft, that soon would follow. So Hale, single-handedly, who was manipulated by Abigail’s lies and false fits, started the entire conflict with his aggressive technique to propel Tituba to confess to association with the devil, which in truth had never covenanted. At the time in Act Two that Hale enters there is a presence of guilt about him, which foretells what his mission in the Proctor’s house is, to question Elizabeth on the suspicion of practicing witchcraft on Abigail Williams. So, to begin to further his case in witchcraft he confronts Mr. Proctor about his lack of attendance to church an... ... middle of paper ... ...of God. Then onto Act Two, we discover an even more aggressive man, one who has already signed eleven warrants of arrest which he approved of on the testimony of a few mere schoolgirls as the only form of evidence. Not until he himself witnesses Elizabeth Proctor be taken into custody, his catharsis, on such scant spectral evidence does he begin to believe that hysteria and vengeance are actually all that is taking place and that he is also blinded by the lies of Abigail Williams. Act Three, Hale is now a true believer in the court being unjust, but not yet a fully devotee to the redemption of the innocent. His heart and mind lay in the correct place by leaving the court but has not taken the next step to complete transformation by taking action. The audience sees a complete different man, a man who sees his previous sins for what they truly are in Act Four. A man who needs to assist those he has condemned to death. A man with a moral obligation to protect those lives that he has put into jeopardy with his previous zealous behavior. ...Yes. Yes, there is a immense positive change in Hale from the beginning of the play to the end. Yes, Rev. Hale is a dynamic character.

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