The Dreamer's Mind In The Great Gatsby

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The dreamer’s mind is a profound collection of the individual visions that embody the greatest hopes to one’s most complex nightmares. They envision beyond what is normal reality, for what few men and women yet only Gods accomplish. Such a mind is wonderfully drawn into existence by the astonishing author F. Scott Fitzgerald with his renowned book The Great Gatsby. For in the review of the novel many critics view Jay Gatsby as an obsessed man acting as a hero chasing the convoluted American dream. Yet within further study evidence can proclaim that Gatsby is a man filled with some tenacity and ferocity that indulges the idea that he is the clarification of the American dream not its materialized decline. In the light of understanding the
Yet in the same twist Gatsby leaves the reader to believe that his rise to fortune was criminal in nature as is the reality on which the United States has operated on. Shown in the novel Gatsby’s relation to a local mobster, Meyer Wolfshiem, gives evidence supporting the claim on his criminal past, for even Gatsby says “he’s the man who fixed the World Series back in 1919” (Fitzgerald P.g 112-118). Under the same fashion the United States, in terms of government and legislation, have committed acts of cruelty yet are still painted as the perfect saints of the world disguised under presidential elections, such as the Corrupt Bargain of 1824, to military takeovers in the middle east in order to supposedly protect people. A greatness completely shrouded by a darkness only seen by the pathway it shows by the light it gives. This vulgarity is only offset by the by sheer determination for something greater. As Gatsby himself chases Daisy so does the people of the united states chase their wildest
He believes in the American Dream of success (“the orgastic future”); he fulfills it; he confuses it with Daisy; he is betrayed by it. The appellation great as applied to Gatsby reverberates with irony. He is truly great by virtue of his capacity to commit himself to his aspirations. Yet at the same time the adjective indicates the tawdry and exaggerated aspects of his life: Hurry, hurry, hurry! Step right up and see the Great Gatsby! (Tom Buchanan describes Gatsby’s car as a “circus wagon”.) It is crucial to differentiate the ostentatious Gatsby from the admirable Gatsby.” (Fitzgerald Pg.

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