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The Character of Othello
Analysis of othello characters
Analysis of othello characters
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Recommended: The Character of Othello
The Dramatic Impact of Act 1 Scene 3 in Shakespeare's Othello and Its Importance to the Whole Play
Othello is a tragic play by Shakespeare, set in Venice during the
Elizabethan time. It portrays the growth of unjustified jealousy in
the noble protagonist, Othello, a Moor serving as a general in the
Venetian army. The innocent object of his jealousy is his wife,
Desdemona. In this domestic tragedy, Othello’s evil lieutenant Iago
draws him into mistaken jealousy in order to ruin him. Othello is
destroyed partly through his gullibility and willingness to trust Iago
and partly through the manipulations of this villain, who clearly
enjoys the exercise of evildoing just as he hates the spectacle of
goodness and happiness around him. At the end of the play, Othello
comes to understand his terrible error; but as always in tragedy, that
knowledge comes too late and he dies by his own hand in atonement for
his error. In his final act of self-destruction, he becomes again and
for a final time the defender of Venice and Venetian values.
During the Shakespeare time, there was no electricity and therefore,
the special effects that ‘invigorate’ up of a scene and which we take
for granted these days, was not possible to do. This ‘invigorating’ up
a scene attracts the audience’s attention, which was very crucial for
Shakespeare to embark on as his theatre was open, which meant that his
audience could come and go as they pleased. So in order to refrain
them from leaving and to enchant their interest, Shakespeare had to
include something important and dramatic in every scene, which would
grab and retain the audiences attention and also build up a scene of...
... middle of paper ...
...ealed
at the beginning then concealed throughout the rest of the pay and
then was revealed again, when Othello’s command was taken from him.
On the whole, the importance of Act 1, scene 3 is immense to a great
extent, because if this scene was changed then the entire play could
have ended up as a romance and not a tragedy, other tragedy of
Shakespeare are King Lear and Macbeth.
On the whole ‘Othello’ is about betrayal, betrayal from lago to
Othello and Cassio, betrayal from the Duke and Senators to Othello
and betrayal from Othello to Desdemona, as she is the one person
Othello should have rusted more than anything else. Othello should
have thought back to the wedding vows he took and asked Desdemona if
she really was having an affair with Cassio, as Desdemona had trusted
him in the middle of Act 1, Scene 3.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
In my opinion Act 1 Scene 1 is the most important scene of the play
The Significance of Act 3 Scene 3 of William Shakespeare's Othello Othello was written by Shakespeare around 1602 and was set 35 years previously to that time (around 1571) during the Elizabethan era. Shakespeare got the idea for the play from the Italian Novella 'Gli. Hecatommithi and only changed minor details slightly. He kept the same plot but some of the characters and themes in the play were very different.
In Act 4, Scene 2 of Shakespeare's Othello, imagery and other stylistic devices are used in lines 48-74 to develop the lack of communication between Othello and Desdemona. This passage foreshadows tragedy, as it illustrates that Othello no longer trusts his wife. It is apparent that Iago's plan will be a success.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
The Role of the Opening Act of William Shakespeare's Othello The play Othello portrays the story of the protagonist Othello (The Moor) and his loved one- Desdemona- and his struggles to overcome a racist society in 17th century Venice. In the meantime Iago, one of Othello’s closest friends’ plots revenge on him, as Othello passed him over for an important position in the army and gave it to Cassio, an outsider from Florence.
Act 1 Scene 1 as an Effective Opening to Othello. The play begins in a dark street in Venice and the audience is thrown into a heated debate between Iago, a soldier, and Roderigo, a wealthy. Venetian. The.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
and masked by pretences. Shakespeare therefore successfully incorporates dramatic tension in “Othello” act 4, scene 3, the presence of which remains constant. throughout the play with continuous references to themes. characterization, foreshadowing and contrast. This dramatic tension surfaces during the very beginning of the scene and remains, although.
Act 3 Scene 3 as the Turning Point of the Play Othello by William Shakespeare
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
always mean that a person is good or bad and so by making Othello a