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How past experiences shape our identities
How do memories shape our identity
Memory theory from a dialogue on personal identities
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A memory is like the blossoming of a flower, it is the creation of a whole new life and entity that comes from essentially nothing. When we create a memory, we also create ourselves, and just like the flower, it is out of nowhere. Humans have the privilege of being able to independently think and verbally express those thoughts, giving us the ability to change who we are based on what we know and remember. In other words, our memories shape and define who we are as people. This idea becomes evident in Joshua Foer’s and Alison Bechdel’s works, “The End of Remembering” and “The Ordinary Devoted Mother,” respectively. In this article and graphic memoir, Foer and Bechdel explore the realm of memory and how it affects self-creation, the limits of …show more content…
the self, and our relationships with others. Together, and separately, the two very clearly and expressively emphasize the importance of memory on life as we know it. Memory and self-creation go hand in hand; one cannot exist without the other. Each ultimately either create or are influence one another. When it comes to everyday life, this connection is obvious; people go to school to help them in a future career in which they work off of memories of their education. Beyond that, however, there is also the idea of how memory effects people internally. For instance, a swimming accident at the age of 5, might make someone terrified to return to the water. That one single memory will forever linger in the past, shaping that person and their fear. In Bechdel’s graphic memoir, “The Ordinary Devoted Mother,” she very heavily explores the concept of self-creation from memories. Alison, in attempt to write a memoir of her father, finds herself exploring the life of her mother. She, however, cannot find a way to articulate her words in such a way that can tell a story. This hindrance Bechdel has is greatly related back to a memory of her past. When thinking about her mother’s and father’s relationship during her childhood, she says, “I have not been maimed, only wounded, and perhaps not irreparably. The picture of me looking at the camera feels like a picture of the end of my childhood” (Bechdel 107). This one memory, of Bechdel looking at the camera with fear, is what is holding her back from writing. A single memory, from what can be estimated as more than 4 decades ago, still lingers and haunts Bechdel to this day. She has forever been changed since seeing that one picture and connecting it to the past. In conjunction to the Bechdel, Foer also gives way to the idea that our ability to remember and the way in which we go about doing it, defines ourselves and our characters. Foer, however, does not simply focus on the creation of a new-self, but also the destruction of what we once were. Much of Foer’s article, “The End of Remembering,” suggests the many ways that humans are relying heavily on the use of technology to maintain their memories. With that, it is suggested and interpreted to be that because of this technology, humans are using lest power in themselves to work and maintain what they are trying to achieve. Foer supports this idea with examples from history that emphasize the importance of what once ways. Going back to ancient times, Foer writes: This is a key point. Ancient texts couldn’t be readily scanned. You couldn’t pull a scroll off the shelf and quickly find a specific excerpt unless you had some baseline familiarity with the entire text. The scroll existed not to hold its contents externally, but rather to help its reader navigate its contents internally (Foer 163). With this, Foer is telling the reader that in the past, it took and effort to remember, and with that, people weren’t simply remembering, but were also learning. This need to maintain information comes from within, rather than being able to review it after being written down. With that, technology is degrading humans’ internal selves, suggesting that there is indeed, a relationship between memory and self-creation. Bechdel had the same idea when she lived her life based off of a memory from the past. What happens in the past is what creates the future and defines us as human beings. In part with the self-creation idea that Bechdel and Foer proposed, they also conceptualized the thoughts that with this newly found self, also comes limits.
This was especially seen in Bechdel’s writing, where she struggles to find herself and her words in order to write a memoir about her mother. For what appears to be months, years, even her entire life, Bechdel has seemingly struggled with the limits she places upon her self; more particularly, those of which involve her mother. Although Bechdel and her mother have a good relationship, there is a ‘force’ that prevents Bechdel from acting upon her own whim. Essentially, she is limiting herself to the approval of her mother. This is evident when Bechdel confesses, “This search for meaningful patterns may very well be crazy, but to be enlisted with her in it thrills me. ‘Why do you and I do that?’ I am carrying on her mission” (Bechdel 103). Bechdel clearly realizes that she is, in many ways, just like her mother, even though she tries to go against that. Mentally, she is limiting herself because of her relationship with her mom. Bechdel does, however, recognize the importance of trying to get help to find herself and let go of her mom’s grasp on her life. She does this by seeing multiple psychoanalysts, who do, in the end, set Bechdel on the right path towards her own
identity. Furthermore, Foer continues this argument of self-limitations when proposing that in terms of the physical characteristics and capabilities of memory itself, humans are in-fact limited. It is suggested that humans can only use 10 percent of their brain’s capacity, meaning that there is another 90 percent that is not being utilized at all. Sadly, humans are limited by this imaginary barrier, repressing our ability to move forward in both evolution and self-creation. Although Foer outlines the many ways throughout history that man has tried to expand their potential, the perfect solution has yet to be found. On the other hand, Foer also suggests that we may be using even less of our already limited potential. This is evident when he says, “Our gadgets have eliminated the need to remember such things anymore (…) These technologies outside our minds have helped make our modern world possible, but they’ve also changed how we think and how we use our brains” (Foer 160). Not only are humans already limited, but they are also limiting themselves even further. Although expanding memory is important, especially for the progression of mankind, by using outside resources and tools, people are lowering the capacity to which they use their brain. Even though self-identity and self-creation will always happen, it can only be thwarted by our ever growing need to move things from within ourselves, to the large real of the external world. Foer and Bechdel are able to outline what is means to have limitations based on oneself and through others, giving weight to the importance of self-creation. Although the ideas of self-creation, memory, and limitations have all been discussed thus far, there is one more aspect to Bechdel and Foer that bring all three of these together, and that is relationships with others. Bechdel’s entire memoir is essentially based on her mother. It is her struggle to form a strong relationship in which her mother approved and Bechdel is not being limited. Although, Bechdel and her mother did have a good relationship, there are some complications that Bechdel contributes both to her success and failures. Successfully, Bechdel has been able to create a personal life for herself, unsuccessfully, however, her writing suffers because of her mother’s criticisms. It is not that Bechdel’s mother is mean or hurtful, but it seems that simply her characteristics and mannerisms create string that holds Bechdel in one place. Due to this string, Bechdel was forced to spent the beginning half of her life wondering what she could right. It isn’t until the very end, where she realizes what has been holding her back. Bechdel, as if having an epiphany: My mother composed me as I now compose her. The running tap of her life flows through my fingers. Sometimes there will be a lull and my mother will ask this question: ‘How are you doing?’ Even now, when she poses the question point-blank, I know her attention for my answer is limited. (Bechdel 86). By writing what her mother is saying, not only is Bechdel able to give content to her memoir, but she is also able to analyze her who mother truly is and how that may have affected her throughout her lifetime. This sudden realization that Bechdel has is the driving force that allows her to move on with her life and let go of any problems she has with her mother. As Bechdel put everything together to postulate the idea of relationships, Foer did the same but in a less personal way. Writing an article simply about memory and the history of trying to remember more, Foer did not put in an details about his personal life and his relationships with others as Bechdel did. Instead, he generalized a simply idea and how it is affecting people of the present and how it will affect the future generations. One of Foer’s main points of his article was the idea that technology was replacing internal memory. The concept that memory could be stored on an external device rather than within ourselves. This idea is presented when he says, “As more and more of our lives move online, more and more is being captured and preserved in ways that are dramatically changing the relationship between our internal and external memories” (Foer 172). The idea here is that because of our ever growing dependence on technology, one day, our memories may merge with the internet or some external piece of hardware. Was that happens, the relationship between internal and external memory will be strained. Between people, however, relationships wouldn’t exactly change too drastically. There may be times when the ability to recall a certain memory from the past might cause problems, but beyond that, Foer does not go very far to express any other ideas or opinions. Overall, Bechdel and Foer had rather different views on relationship with others in terms of memory, or just in general. Bechdel looked at from a more personal view while Foer saw a generalized, technical perspective. In the end, both “The Ordinary Devoted Mother,” written by Alison Bechdel, and “The End of Remembering,” by Joshua Foer, show many similar characteristics. These traits are typically shared between the ideas of memory, self-creation, limits, and relationships. Although Bechdel brought a more personal note into her memoir, Foer did an outstanding job in outlining both the history, specifics, and science behind the details of remembering. With that knowledge plus Bechdel’s experiences, one learn a lot about themselves and these two writers.
In Art Spiegelman's Maus and Eden Robinson's Monkey Beach post memory is explored. Marianne Hirsch defines post-memory as:
Memory is both a blessing and a curse; it serves as a reminder of everything, and its meaning is based upon interpretation. In Julia Alvarez’s In the Time of the Butterflies Dedé lives through the memory of her family and her past. She tells the stories of her and her sisters lives leading up to their deaths, and reflects upon those memories throughout her daily life. Dedé lives on for her sisters, without her sisters, but all along carrying them with her throughout her life, never moving on. Dedé lives with the shame, sadness, and regret of all that has happened to her sisters, her marriage, and her family. Dedé’s memories serve as a blessing in her eyes, but are a burden
Their memories will give them an ideal live to go towards or a life in which they want to progress from. If an individual chooses to run from the past in which they lived, it is still a component in their life which shaped them to be who it is they became, despite their efforts to repress those memories. Nevertheless, the positive memories of an individual’s past will also shape who they are. Both good and bad memories are able to give an individual a glimpse into their ideal life and a target in which they wish to strive for and memories in which they can aim to prevent from happening once
She feels writing is a reflection of her inner thoughts. Writing helps her to bring out her struggles, and inner feelings about her life. When she looks back at Woolf’s work she says “Virginia Woolf seems to have considered her diary to be more of an external record, an account of “Life” rather than the “soul”. This is the same way that Bechdel’s mother writes. She doesn’t look into the soul, Bechdel does. Bechdel investigates her own soul in order to bring the truth out in her writing. Bechdel also takes some ideas from both Woolf and her mom. For instance like Woolf Bechdel wants to learn more about her mom. This unlocks memories that she’s tried to
Through this short story we are taken through one of Vic Lang’s memories narrated by his wife struggling to figure out why a memory of Strawberry Alison is effecting their marriage and why she won’t give up on their relationship. Winton’s perspective of the theme memory is that even as you get older your past will follow you good, bad or ugly, you can’t always forget. E.g. “He didn’t just rattle these memories off.” (page 55) and ( I always assumed Vic’s infatuation with Strawberry Alison was all in the past, a mortifying memory.” (page 57). Memories are relevant to today’s society because it is our past, things or previous events that have happened to you in which we remembered them as good, bad, sad, angry etc. memories that you can’t forget. Winton has communicated this to his audience by sharing with us how a memory from your past if it is good or bad can still have an effect on you even as you get older. From the description of Vic’s memory being the major theme is that it just goes to show that that your past can haunt or follow you but it’s spur choice whether you chose to let it affect you in the
Memories are symbols that are used to demonstrate the progression from the past into the development of one’s current personal identity. We often use our personal memories to investigate our thoughts. Native Guard by Natasha Trethewey and Never Let Me Go by Kazuo Ishiguro are 21st century works that reflect on the use of memoires to enhance personal thoughts to impact perspectives. Perspectives are created and altered by addressing and reflecting on thoughts and feelings towards previous events. In Native Guard, Trethewey uses her memories to develop a perspective on her past and history. In Never Let Me Go, Ishiguro uses Kathy’s memories to develop her actions and decisions. Tretheway and Ishiguro both demonstrate that a memory is a symbol
Memory is everything to the human society. We communicate and build relationships off of our memories through the stories we tell. We are natural story tellers and have been telling stories since the beginning of time. More than half of the human race lives their lives based off of stories told by others such as culture, religion, and our general history. Have you ever asked yourself how real are these stories? Not saying that they are false, but it has been recently revealed that memory is false. So if memories are false then that would mean the stories that are being told are false. You probably looking at me as if I’m crazy but if you pay attention you will understand by the end of this essay. “It has been proven
In reading Carolyn Kay Steedman's Landscape for a Good Woman, two themes took center stage: Memories and Motherhood. As the book unfolds Steedman repeatedly points out that childhood memories are used by individuals for various purposes; rather than objective recollections dominated by facts, she proposes that they are more subjective in nature, likely to alter with time or as circumstances dictate.
With the advent of neoliberalism, the practice of mothering in Western society arguably shifted from a manner that simply ensures the growth of a child into one that maximizes the child’s growth (O’Reilly: Intensive Mothering, Oct 16). One representation of this shift is identified by Sharon Hays as intensive mothering in which the mother prioritizes the rearing of her child over the advancement of her professional career by investing most of her energy, time, and financial resources into her child (Hays 414). The novel I Don’t Know How She Does It by Allison Pearson can be analyzed through the perspective of intensive mothering. The protagonist, Kate Reddy, is a successful employee of a top investment managing firm in London who spends her
Brooks was the first child of David and Keziah Brooks. She was born on June 7, 1917 in Topeka, Kansas. Brooks wrote her first poem when she was 13 years old and was published in the children’s. Moreover she was the first black author to win the Pulitzer prize. magazine. In 1938 she was married to Henry Blakely and had two children. After a long battle of cancer Brooks died in December 3, 2000.
In the film Eternal Sunshine of the Spotless Mind stresses the importance of memory and how memories shape a person’s identity. Stories such as “In Search of Lost Time” by Proust and a report by the President’s Council on Bioethics called “Beyond Therapy” support the claims made in Eternal Sunshine of the Spotless Mind.
Analysis of The Mother by Gwendolyn Brooks. For this assignment, I chose the poem "The Mother" by Gwendolyn Brooks. This poem is generally about abortion and the feelings a mother has. It's about the remembrance of the children aborted and the little things children do that the mother will miss.
As I have been reading memoirs about memory for this class, each essay made me recall or even examine my past memory closely. However, the more minutely I tried to recall what happened in the past, the more confused I got because I could not see the clear image and believe I get lost in my own memory, which I thought, I have preserved perfectly in my brain. The loss of the details in each memory has made me a little bit sentimental, feeling like losing something important in my life. But, upon reading those essays, I came to realize that remembering correct the past is not as important as growing up within memory. However, the feelings that were acquired from the past experience tend to linger distinctly. The essay that is related to my experience
The essence of memory is subjective (Lavenne, et al. 2005: 2). In Never Let Me Go memories are formed in the mind of ‘Kathy H’ which emanate her subjective views. These relate to her own emotions and prejudices as an outsider, a clone, experienced through the innocence of childhood, and the deception of adulthood from the institutions of ‘Hailsham’ and ‘the cottages.’ Which allude to Kazuo Ishiguro’s ow...
Becoming a mother has been the best part of my life. I became a mother at a very young age. I had no idea what to expect and was not in the least prepared for the journey that lie ahead. I have truly embraced motherhood and enjoy all the wonderful things it has taught me. While living through motherhood, I have found that it can teach you the most valuable lessons there are to learn. Being a mother has taught me how to have patience. I have also learned that being a mother takes a lot on mental and physical strength. My children have been the best to teach me how to juggle many tasks at once. They have made me strong. Even through some unexpected turns, I have learned how to get through hard times and really learn what it means to never give up. My children are my biggest blessing, and I hope they will learn valuable lessons through me. The skills I have learned from being a mother have helped me in my college journey.