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Egyptian civilization religion
Egyptian civilization religion
Egyptian civilization religion
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The expansion of the political and economical power during the New kingdom, led to the devotion of resources to the religious architecture; numerous new temples were constructed while the pre-existing temples were renovated. Individual Pharaohs endeavored to out do their ancestors, not only in the construction of their own mortuary temples, but also in the establishment of worship temples of their deities. Kings of this period abandoned the pyramid complexity of the earlier ages and constructed their tombs in the Valley of the Kings well away from their mortuary temples due to the increase of robbers; therefore a standardized plan became default for both the worship and mortuary temples. Because of this movement, I believe that the divine and mortuary spheres became entwined in both theory and practice. During the 18th dynasty, temple construction reached its highest point under Amenhotep III and Tuthmosis II; it was the art of the Middle kingdom that they wished to imitate. Hatshepsut temple at Deir el Bahari compared to its neighboring temple of Mentuhotep III, are great examples of the return to ancient architectural resources. ( image 4&5) show the direct inspiration based on the replica of the previous kingdom’s architecture. Some of the imitated elements were the long porticoes with squared pillars rising in terraces, wide ascending ramps, the entrances colonnaded with the sanctuary, the great use of papyrus columns and above all the strict harmony of the building with its setting. Although there was a conscious desire to return to the disciplines of the former period, yet development also took place. The attempt to achieve greater effect of lightness became dominant as well as the extra care given to the decoration and t...
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...18th dynasty, the papyrus bundle columns were carved in high relief along the shafts. They were constructed to have a strongly defined narrowing at the base of the capital and the foot of the column. These features gave the column a lighter silhouette and a clear sharpened line. The Amarnian period that followed contained very similar columns with minor differences of less deep stalks, and heavier proportions with more decorations.
Amid the rule of Sety I, even heavier papyrus column emerged, also known as, the bell shaped column. They were formed of open capitals and represented a single stalk supporting a flower in bloom. Very similarly during the rule of Ramses III the same form of columns were used almost circular in form. The diverse interior change of the great halls and courtyards of the temples over the New kingdom was a result of the evolution of columns.
This periodical discusses the physical appearance of The Pyramids Of Giza as built by each pharaoh, and also the function of the pyramid as a mortuary temple (Salima Ikram, Janice Kamrin 2012). It also discusses the Pyramids of Giza as great structures of the ancient world (Salima Ikram, Janice Kamrin 2012). This periodical was very important to my understanding as it showcased why Pyramids were so important to the burial process, showing the connection between burial and architecture. The authors of this periodical remain non bias throughout, providing factual information about the Pyramids Of
The New Kingdom in ancient Egypt, from 1550 – 1070 BC, was a time of extraordinary wealth, power, and the continuation of the arts in the classic ancient Egyptian style. Characterized by the abstract and impersonal depiction of humans, along with the strength of the Egyptian Empire, the New Kingdom is considered the peak of power and prosperity in ancient Egypt. “Fragmentary lid from the coffin of Wadj-shemsi-su” is a piece created in this time period that was originally part of a portrait located on the top of the king’s coffin. Because the coffin would carry the king’s mummified body in his tomb, the portrait depicts the pharaoh as being prepared for the Underworld, as well as being the ideal body for the spirit of the king to flow through. The objective of the coffin’s portrait is also to convey the power of the kingdom, putting emphasis on the king’s image and the immense wealth that accompanies him. In addition to the piece’s function as a coffin, “Fragmentary lid from the coffin of Wadj-shemsi-su” embodies the strength and wealth of the New Kingdom through the piece’s human face, use of bright colors, and geometric detailing.
My selected artifact is relief dating to Dynasty 18 in which Akhenaten is depicted as a sphinx, offering to the god Aten. Akhenaten wears the ureaus headdress, marking him as king of Egypt while two cartouches contain his official name. In addition to his cartouche, the relief contains the cartouches of Aten and Nefertiti, delineating the trinity of divinities that compose Akhenaten’s religion. Aten is depicted traditionally, as a sun disk, with his hands holding ankh symbols reaching towards offering tables in front of Akhenaten where the king holds a basket containing Aten’s titles inside. The inscription on the relief reads “great, living Aten”… “dwelling in the Sunshade temple” which is a different structure than the Aten Great Temple in
The significance of monumental architecture lies not only in the function it is built to serve but also in the cultural values it represents. Monumental architecture is aesthetic as well as functional, and in its aesthetic aspects it is a form of cultural expression. In Bronze Age Mediterranean civilizations, the development of monumental architecture was influenced primarily by the political structure of the state. Perhaps the most disparate forms of monumental architecture in this region were developed in Pharaonic Egypt and Minoan Crete, reflecting the differences in their political systems. The socio-political structure of these two cultures can be sharply contrasted through an examination of a predominant type of monumental architecture found in each region.
Grecian architecture formed its own conventions in the ancient world, buildings in Greece were built with meticulous mathematic design. Great buildings were believed to be symmetrical, and perfectly proportioned [Document 7]. Another prominent aspect of ancient Greek architecture is the extensive use of columns. There were three basic types used, Doric which were plain capitals, ionic in which the capitals were fashioned after ram’s horns, and Corinthian which were made to mirror acanthus leaves.
Did the thought of Greek pillars arise? The Greek style of sculpting is still today an iconic example of Arete. The Greek pillars came in three main types; Doric, Ionic, and Corinthian style pillars. Doric pillars have a sturdy shape with seldom intricate pieces of art. The Doric style was mainly found in colonies of Italy and Sicily. Ionic pillars, perhaps the most famous, are created with a scroll-like design at the top. They were mainly found in eastern Greece. Also, finally, Corinthian style pillars were not used often however, these pillars were used on some special occasions when a very important building came along, like a temple or government building. The pillars had carefully carved images, and delicate stonework on the top. (“Acropolis”) These pillars show just how much thought went into the smallest of things. The Greek style in general, for architecture, is a great example of how time and effort can show a civilization's
Hieroglyphs were known to be created after the Cuneiform sometime between 3,200 and 3,400 BCE. Symbols were drawn on the walls of the temple for decorations. Hieroglyphs are written in rows and in columns, they can be read from left to right as well as can be read from right to left. Since the hieroglyphic inscriptions are in temples and in tombs, the writing in created by painters, sculptors, and craftsmen are in the plaster. Papyrus scrolls are created with a fine reed pen onto smooth surfaces. Hieratic handwriting was used on a day to day use for business, in which pictures were abbreviated as point of abstraction. There are three different versions of the scripts, for religious documents, for literature, and for private letters. Another type of script, called demotic was created for a more abbreviated version. Hieroglyphs and demotic continued be used until 400
The ancient Greeks developed a system of orders which were known as columns. There were three different types of columns and each had they own special twist, both structurally and appearance wise. The three orders consisted of the Doric order, Ionic order and the Corinthian order. One shocking fact was that the Romans used the Corinthian columns more than the Greeks did and they were the one that came up with them. Each order could be found in many different parts of ancient Greece. The columns were put into use by creating ancient temples. Since Greek life was mainly focused around religion, their temples were very big and beautiful (“Ancient Greece” 1).
The Valley of the Kings is a valley in Egypt which was chosen as the burial ground for a great number of pharaohs and nobles of the New Kingdom; the New Kingdom in Egypt spans the time between the 16th century BC and the 11th century BC which includes the eighteenth, nineteenth and twentieth dynasties of Egypt (Long 2015: 39). In 1979 an organization known as the Theban Mapping Project was organized to strategically catalogue the present and available archaeological record of the Theban Necropolis in the Valley of the Kings. “The TMP’s goal is to establish a historical and contemporary record of all monuments … and to prepare detailed topographical maps, architectural plans and surveys of their history and condition (Weeks 2000:1).” The book
The statue of Khafre is an example of how pharaohs utilized their wealth to elaborate the power they possessed while they were alive and to utilize while they were dead. They ordered statues to be made in their name to decorate the valley temple. The valley temple is a funerary setting in which Khafre ordered 23 statues to be made for it. In this case, Khafre’s statue was made and place near the
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Thebes became famous for the first time, serving as capital and artistic center during Dynasty 11. The outstanding monument of this dynasty was Mentuhotep’s mortuary complex, loosely modeled on the funerary monuments of his Theban ancestors. Built on a grand scale against the mind blowing sheer cliffs of western Thebes, Mentuhotep’s complex centered on a terraced temple with pillar. The masterful design, representing amazing architecture and landscape unique for its time, included painted reliefs of ceremonial scenes and hieroglyphic texts. Carved in a distinctive The ban style also seen in the tombs of Mentuhotep’s officials, these now-fragmentary reliefs among the finest ever produced in Egypt. The Middle Kingdom was a little bit bigger and closer to the
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
The Parthenon and the Selimye Mosque have been described as perfect examples of architecture within their respective empires. Both of these structures, while outwardly serving religious roles within their empires also delivered potent political messages. At a surface glance, these two structures actually share many similarities despite the vast differences in size and physical structure. The Parthenon dominates the city of Athens from on top of the Acropolis, its stark white columns draw attention to its perch above the city. Likewise, the Selimye Mosque sits on a raised platform with its imposing minarets emphasizing the size and grandiosity of the structure’s dome.
The first culture in which we see the first columns is in the “Ancient Near East” culture. In this culture they used columns to support terraces. During this period these columns were made of sun dried mud and brick, which is composed of a mixture of mud, sand, clay and water, along with a binding material such as straw which is then them dry in the sun for 25 days. The lifespan of a sun-dried mud brick is approximately 30 years long. This is due to the materials being less well bonded together. The columns were very hypostyle, hovered and closely spaced marked by rows of Egyptian mannered columns with bases, shafts and capitals, placed equally distant from each other. Consisting of very large interior spaces, walls constructed out of sun dried mud brick, with carvings on walls that led vertically and horizontally along the stairs of relief disp...