The Death of the Moth by Virginia Woolf
"The Death of the Moth," written by Virginia Woolf, explains the brief life of a moth corresponding with the true nature of life and death. In this essay, Woolf puts the moth in a role that represents life. Woolf makes comparisons of the life outside to the life of the moth. The theme is the mystery of death and the correspondence of the life of the moth with the true nature of life. The images created by Woolf are presented that appeal to the eye. For instance, the moth's body during the death is appealing to the eye. The image makes the reader more interested. The essence of true life is energy. As Woolf describes, "I could fancy that a thread of vital light became visible. He was little or nothing but life" (Woolf 427). The thread of vital light represents the energy.
Woolf employs several stylistic devices that make the essay more interesting to the reader. The changing in tone, lengthy sentence structure, and personification are three devices that are significant in the essay.
Throughout the essay the tone changes by Wool...
Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
The morbid, melancholic mood of the story sets the atmosphere for author’s observant yet sympathetic tone. Woolf also uses many literary devices throughout the story to expand the reader’s interest, such as her use of diction in line ? “Pathetic” and her use of imagery in line ? “hay-colored wings”. Woolf also uses description to portray the moth’s appearance throughout his efforts to live., using flowing adjectives throughout. The story as a whole uses symbolism to depict life and death in a different light, using the moth’s representation of life trying desperately to avoid death, but ends in the eventual fate of decease.
Helena Maria Veramontes writes her short story “The Moths” from the first person point of view, placing her fourteen year old protagonist female character as a guide through the process of spiritual re-birth. The girl begins the story with a description of the debt she owes her Abuelita—the only adult who has treated her with kindness and respect. She describes her Apa (Father) and Ama (Mother), along with two sisters as if they live in the same household, yet are born from two different worlds. Her father is abusive, her mother chooses to stay in the background and her sisters evoke a kind of femininity that she does not possess. The girl is angry at her masculine differences and strikes out at her sisters physically. Apa tries to make his daughter conform to his strict religious beliefs, which she refuses to do and her defiance evokes abuse. The girl’s Abuelita is dying and she immerses herself in caring for her, partly to repay a debt and partly out of the deep love she has for her. As her grandmother lay dying, she begins the process of letting go. The moth helps to portray a sense of spirituality, re-birth and becomes, finally, an incarnation of the grandmother. The theme of the story is spiritual growth is born from human suffering.
her grandmother) and grief, Viramontes successfully paints an endearing tale of change. “The Moths” emphasizes the narrator’s oppression by her
The relationship between life and death is explored in Woolf’s piece, “The Death of a Moth.” Woolf’s own epiphany is presented in her piece; she invites her reader, through her stylistic devices, to experience the way in which she realized what the meaning of life and death meant to her. Woolf’s techniques allow her audience to further their own understanding of death and encourages them consider their own existence.
Sylvia Plaths poem, Sow, depicts a beast of mythic proportions through various images, comparisons, and specific word choices. By presenting the sow from both the point of view of its owner, neighbor, and of the speaker, Plath paints a vivid picture of farmyard decadence that the reader can relate to.
Normally when most people think of vampires, they envision a deathly, pale creature with fangs. But Thomas Foster seems to think differently, who argues that it is not necessary for a vampire to embody a stereotypical vampire. Surprisingly enough, even humans can be these types of monsters. From Foster 's perspective, being a vampire not only includes an individual 's aesthetics, but also their actions, personality, intent, and overall representation of personal identity. The classic novel, The Scarlet Letter by Nathaniel Hawthorne, presents an excellent example of this occurrence, where the character Roger Chillingworth meets the criteria of a vampiric figure, based on Thomas Foster 's ideas of vampirism, found in his book How to Read Literature Like a Professor.
Woolf’s writing in “The Death of the Moth” is focused on the essence of vitality describing the moth as, “a tiny bead of pure life and decking it as lightly as possible with down feathers, had set it dancing and sig-zagging to show us the true nature of life,” whereas Thoreau’s writing in “The Battle of the Ants” focuses on the exhilaration of the conflict that slowly tappers off as the red ant “with feeble struggles, being without feelers and with only the remnant of a leg… after half an hour or more, he...” “…divest himself of…” the black
“Once upon a midnight dreary, while I pondered, weak and weary,” (“The Raven” 1). “The Raven” arguably one of the most famous poems by Edgar Allan Poe, is a narrative about a depressed man longing for his lost love. Confronted by a talking raven, the man slowly loses his sanity. “The Haunted Palace” a ballad by Poe is a brilliant and skillfully crafted metaphor that compares a palace to a human skull and mind. A palace of opulence slowly turns into a dilapidated ruin. This deterioration is symbolic of insanity and death. In true Poe style, both “The Raven” and “The Haunted Palace” are of the gothic/dark romanticism genre. These poems highlight sadness, death, and loss. As to be expected, an analysis of the poems reveals differences and parallels. An example of this is Poe’s use of poetic devices within each poem. Although different in structure, setting, and symbolism these two poems show striking similarities in tone and theme.
What is fear? Is it being in a prison so dark a person can not see in front of them? In this complete darkness the narrator finds himself eating and drinking, then passing out on a cold floor. When he wakes he is somewhere else in the dark cell. Or is it a cell? Could it be a tomb? Just when he thinks the cell is so big he finds himself almost falling into a pit. He eats and sleeps again. Where or how will he wake? Does he wake from his drugged food? In this story “The Pit and the Pendulum,” by Edgar Allan Poe, he tells the terrifying struggle of a man dealing with fear, torture, and confinement.
In James Joyce’s “The Dead” Joyce uses a winter setting to create his scene. Many writers use nature to show human nature and the human condition. Joyce’s use of snow to cast light on characters and convey the meaning for events provide an analysis of the themes throughout “The Dead.” Snow has many interpretations. It can be beauty, as it outlines vegetation and adds definition to their shapes. It can be seen as a symbolism of innocence and new beginnings. Snow can be seen as the beginning or the end of life as it usually means the end of one life as plants that it falls on die. It also means new life as it melts it brings to light new life. Gabriel the main character of “The Dead” mimics the snow in much this way. Gabriel is a man who really doesn’t know where he belongs and doesn’t know who he should be. He represents a world covered in snow, a blank slate. When he arrives to the party it begins to snow covering his clothes in an oppressive manner. This is similar to his role as an Irish man. Which is a restrictive, cold and oppressing routine to him. He even is trapped by his cautious and inhibited personality. His wife however is the opposite. She is a free spirit, who loves adventure and wants more from life. This creates conflict for him as he has difficulty talking to women. They talk about Michael her love from when she was young, and how even though he was sick he traveled to see her off on her trip through the snow and cold. Gabriel for the first time displays true emotions as she sleeps by letting tears roll down his face and he stares into the whiteness of the snow. This shows the beginning of him being a new man. Snow at the beginning of the story is seen as oppressive diminishing life as if...
Edgar Allan Poe tells the story of a bereaved man who is grieving for his lost love in the poem, “The Raven.” During a dark and gloomy night, the man hears a knock at his door. Hoping that it is Lenore, his dead lover, coming back to him, he goes to open the door. Unfortunately, he is only met with emptiness and disappointment. Shortly after, a raven flies into the room through the window and lands on the bust of Pallas. The man begins to converse with this dark and mysterious bird. In response to everything the man says, the raven repeats one dreadful word: “Nevermore.” The symbolism of the raven being connected to death, and the man’s interaction with the dark bird reveals to readers that he is going through the stages of dying. Subsequently, the repetition of the bird’s one worded reply makes it known that the man will never see Lenore again because there is no afterlife.
During the American literary movement known as Transcendentalism, many Americans began to looking deeper into positive side of religion and philosophy in their writing. However, one group of people, known as the Dark Romantics, strayed away from the positive beliefs of Transcendentalism and emphasized their writings on guilt and sin. The most well-known of these writers is Edgar Allan Poe. Poe was a dark romantic writer during this era, renown for his short stories and poems concerning misery and macabre. His most famous poem is “The Raven”, which follows a man who is grieving over his lost love, Lenore. In this poem, through the usage of tonal shift and progression of the narrator’s state of mind, Poe explores the idea that those who grieve will fall.
Mrs. Marian Forrester strikes readers as an appealing character with the way she shifts as a person from the start of the novel, A Lost Lady, to the end of it. She signifies just more than a women that is married to an old man who has worked in the train business. She innovated a new type of women that has transitioned from the old world to new world. She is sought out to be a caring, vibrant, graceful, and kind young lady but then shifts into a gold-digging, adulterous, deceitful lady from the way she is interpreted throughout the book through the eyes of Niel Herbert. The way that the reader is able to construe the Willa Cather on how Mr. and Mrs. Forrester fell in love is a concept that leads the reader to believe that it is merely psychological based. As Mrs. Forrester goes through her experiences such as the death of her husband, the affairs that she took part in with Frank Ellinger, and so on, the reader witnesses a shift in her mentally and internally. Mrs. Forrester becomes a much more complicated women to the extent in which she struggles to find who really is and that is a women that wants to find love and be fructuous in wealth. A women of a multitude of blemishes, as a leading character it can be argued that Mrs. Forrester signifies a lady that is ultimately lost in her path of personal transitioning. She becomes lost because she cannot withstand herself unless she is treated well by a wealthy male in which causes her to act unalike the person she truly is.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.