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Essay on death in life
Essay on death in life
Essay on death in life
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What started out as an ordinary day turned out to be one if the worst tragedies in the history of Bangladesh – the fire at Nimtoli in Dhaka. I sat in shock as I saw the news reports of the tragic incident showing numerous buildings on fire burning mercilessly, people running in havoc with no idea where loved ones are and yet others trapped inside the buildings, screaming, being burned alive. However, nothing seemed to have any effect on the ruthless fire which kept on burning, claiming as many lives as it could, turning a deaf ear to the desperate cries of hundreds of people. The blazing flames simply devoured everything in their path, burning them to ash. It finally subsided in the early hours of dawn, but the damage it left behind was monumental – piles of debris and dead bodies scattered in buildings which were burned charcoal black. As the police and firemen recovered countless bodies from the ruins, I wondered about the strange nature of life and death.
In her essay, “The Death of a Moth”, Virginia Woolf contemplates how life and death are separated by a single thread of “energy” and how eventually the force of death snaps the thread, overpowering life and proving its superior strength (385). Woolf reflects how life and death are two mutually exclusive forces of nature, yet they are intertwined by the law of nature itself. In the essay, Woolf observes a moth, an “insignificant creature” at his attempts to “[enjoy] his meager opportunities” of a particularly vibrant morning bustling with life, energy and activity (385). However the moth is soon faced with a force which Woolf deems to be far superior to life’s energy. It is a force “which would, had it chosen, have submerged an entire city, not merely a city, but masses of hu...
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.... They are also echoed by humans in an attempt to delay death.
However, as Woolf claims, death indeed is the ultimate destination of all living things. It is how we reach that destination that matters the most. All rational living creatures “diverge ever more widely from [their] original course of life and to make ever more complicated detours before reaching [their] final aim of death” (Freud 32).
Robert Frost in his poem “Nothing Gold Can Stay” writes:
“Nature’s first green is gold,
Her hardest hue to hold.”
The fact that life is a “hue” that we want to hold questions Woolf’s supposed claims; if death is indeed the stronger force of nature and life the weaker, then why do all living beings choose the weaker force? Perhaps there is a force stronger than the force of life and death, one that governs life and death, and that I believe is the force of nature.
ImageText BoxImageOne of the biggest threats to the environment of Ontario is the Gypsy Moth (Lymantria dispar dispar). The species itself is native to Europe and Asia. How this affects us is by weakening trees across Ontario and North America. The first time the gypsy moth was found in Ontario was 1969. The gypsy moth can be found in southern Canada (Ontario), New Brunswick, Nova Scotia and British Columbia. It is known to weaken trees and the caterpillar form live in trees and during most outbreaks its caterpillar feces would fall from the trees to the ground or even on top of humans. The average Gypsy Caterpillar can grow 5-6 centimeters long. With five pairs of blue spots and six pairs of bright red dots on their back. The female moth are white and can fly on the other hand, the male moth are brown and can also fly. The female have a 5cm wing span but male have a 2.5cm wing span. The gypsy moth usually lives in open forests and other forests and take up at least 20% of the space. The Gypsy moth are about 4cm long, tan coloured and can be located on tree trunks, furniture, and buildings. (OFAH Invading Species Awareness Program, 2012)
Most writers love to pick the topic of life and death as they are the mystifying kind of things that always make human left wondering. In Annie Dillard’s essay, “The Death of a Moth”, she heavily puts her focus towards the moth’s behavior when dying. Readers generally would think that she is a different type of author to write four pages of essay talking about moths. Also, she mentions lots of details about the variety of bugs in her bathroom which somehow is disturbing to some people when reading this essay for the first time. Moths that die seem very insignificant and quite straightforward. However, if we take the initiative to delve into her piece, we could see the hidden meaning behind the death of the moths. Her interaction with moths
In the story “The Death of the Moth,” Virginia Woolf illustrates the universal struggle between life and death. She portrays in passing the valiance of the struggle, of the fight of life against death, but she determines as well the futility of this struggle. Virginia Woolf’s purpose in writing was to depict the patheticness of life in the face of death. Woolf’s conclusion, “death is stronger than I am,” provides the focus of her argument. Throughout the piece, she has built up her case, lead to reader emotional states its concept of the power of death. The piece would begi...
In Mary Shelley’s novel, Frankenstein, she addresses the challenges that arise in both the creation and life of a dead creature that has been brought back to life in hideous forms. The
Although death reigns supreme in the universal fears of man, Thanatopsis reassures the reader that death comes naturally to everyone. William Cullen Bryant uses emotion to reinforce this point. For example, it seems as if fear should be instilled by Bryant’s description, stating “When thoughts / Of the last bitter hour come like a blight / Over thy spirit” (8-10), this fear vanishes quickly when Bryant continues “Go forth under the open sky, and list / To Nature’s teaching” (14-15). Although this paralyzing thought of death washes over many, Bryant argues Nature soothes and calms this fear. Despite these emotions of terror and pain,
The relationship between life and death is explored in Woolf’s piece, “The Death of a Moth.” Woolf’s own epiphany is presented in her piece; she invites her reader, through her stylistic devices, to experience the way in which she realized what the meaning of life and death meant to her. Woolf’s techniques allow her audience to further their own understanding of death and encourages them consider their own existence.
She describes the September morning as “mild, benignant, yet with a keener breath than the summer months.” She then goes on to describe the field outside her window, using word choice that is quite the opposite of words that would be used to describe a depressing story. She depicts the exact opposite of death, and creates a feeling of joy, happiness, and life to the world outside her room. After this, she goes into great detail about the “festivities” of the rooks among the treetops, and how they “soared round the treetops until it looked as if a vast net with thousands of black knots in it had been cast up into the air”. There is so much going on around her that “it was difficult to keep the eyes strictly turned upon the book.” Descriptions like these are no way to describe a seemingly depressing story about a moth, but by using these, joyful descriptions, Woolf connects everything happening outside to a single strand of energy. These images set a lively tone for the world around her, and now allow her to further introduce the moth into the story.
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
Greater levels of unfolding will be revealed in retrospect to life and death and how the two cannot share the same space, or simultaneously exist as one. Furthermore, in relation to the principle of dying the death, a revelation is found by sharing the mind of God unto you. As we know, life and death ca...
Life and death represent a dyad; their definitions inherently depend on one another. Simply defined, death is the cessation of life. Similarly, life can be defined as not death; however, not everything not alive is dead. Boniolo and Di Fiore explain this dyadic relationship well, and other authors have cited this interdependency to better define life and death.1-6 The academic literature contains multiple definitions for both terms depending on which discipline or interest group attempts the definition. Nair-Collins provides a thorough discourse on this diversity in terms of death, differentiating between “biological death, death of the person, death of the moral agent, death of the moral patient, legal death, and the commonsense notion of death.”2(p.667,668,675) Through the dyadic relationship, similar groupings could be arrived at for defining life. Whether or not one accepts Nair-Collins’ categories, at least some differentiation of this type is necessary given the complexity of these concepts. I propose a simplified categorization of the definitions of life and death: (1)scientific/biological, (2)medic...
Throughout recorded history, fires have been known to cause great loss of life, property, and knowledge. The Great Fire of London was easily one of the worst fires mankind has ever seen causing large scale destruction and terror. Samuel Pepys described the fire as “A most malicious bloody flame, as one entire arch of fire of above a mile long… the churches, houses and all on fire and flaming at once, and a horrid noise the flames made.” (Britain Express 1).
Woolf, therefore, takes advantage of the lyrical short stories’ structure to create a liminal space that both breaks through barriers to form a unified, impressionistic world and to emphasize the imposing negative aspects of such a transitory structure. As a result, Woolf prompts the reader to question whether the liminal space created within the short story is positive in its ability to unite nature and human or negative in its apparent unsustainability. Regardless, the form and structure of the short story are pivotal in Kew Gardens. Without the liminal space of the short story, it is questionable if Woolf could have succeeded in creating the unstable, yet peaceful, world in Kew Gardens.
Life then death, life after death, or life and death, and so on. These phrases represent the varying understandings throughout the world’s cultures of the relationship between life and death and its relationship to living creatures. Throughout, it is understood that all organisms spend time on earth in a specific form and after some time that form will wear away and the physical form of that being will die--the body will no longer function and can return to the earth and nutrients from which it came. However, the disagreement lies in whether or not there is a literal end to that organism’s existence, or its being, its spirit. Both a culture’s understanding of this relationship and historic influences, cause variations of cultural attitudes toward life and death.
Throughout time, death has been viewed in a negative light. In general, it is an event to be mourned and is seen by some as the end to existence. People do not usually seek death as an answer to their problems. In various pieces of literature, however, suicide is contemplated by the characters as the only solution to the pain and grief that they experience.
The use of how nature affects them and their love for nature brings me to that conclusion. So what makes these pieces so powerful? Really, it's not the reasoning between life and death; it's the comparison of how other living things on Earth that we take for granted are similar to us as a human race. When these two poets look at a flower or a sunset, they see more than just a pretty flower or a beautiful sunset; they see what life is made up of, which is wonderful at times and ugly at other times. Like the saying goes, you can't have good without evil.