Suffering. Agony. Death. These are three realities that we as human beings will face in our lifetime. Furthermore, literary writers with a focus on realism incorporate these realities into their stories for us to relate to. Most of the time a reader will associate death as the end of the journey, rather than a beginning. It is human nature after all, especially if you are not a spiritual person. However, Leo Tolstoy does a remarkable job of painting the struggle of death as a rebirth in The Death of Ivan Ilyich. “The first part of the story describes the reactions of his colleagues and his family after his death. We see mundane society life continuing its frivolous concerns, untouched by the mystery of extinction. The second part of the story opens with a straightforward statement of its moral: “The story of Ivan Ilyich’s life was most simple and ordinary and most terrible” (Carden 20). In order to …show more content…
He wants to end his struggle and “fall through the bag”, so to speak, but he fears death and what is to come. By having a moment of inner realization and calling out to God, which parallels with Christ’s death on the cross, Ivan begins to recount his life and realizes what his life has truly been, painful and a struggle, which is represented by the first black sack experience. However, he then tries to justify his life by saying he has lived properly. By doing this, he pushes himself farther away from rebirth, just how as we as humans sin and try to justify our actions, ultimately pushing us away from eternal life in Heaven. It is not until after his second experience in which he fell through and saw light, as well as after his spiritual awakening, that Ivan conquers his fear of death and embraces his rebirth. Therefore, instead of the black sack experience serving as a symbol of only death or rebirth, it beautifully has the duality of serving as
The Death of Ivan Ilyich by Leo Tolstoy tells the story of Ivan Ilyich, a man who deals with a mysterious illness through introspection. Until his illness, he lived the life he thought he was supposed to live. Like Candide, he was living in blind optimism. He assumed that what he was doing was the right thing because he was told as much. He had a respectable job and a family. Happiness, if it did occur to him, was fulfilling his duties as a husband and father. It was his sudden illness that allowed him to reflect on his choices, concluding that those choices did not make him happy. “Maybe I have lived not as I should have… But how so when I did everything in the proper way” (Tolstoy 1474)? Ilyich had been in a bubble for his entire life, the bubble only popping when he realizes his own mortality. This puts his marriage, his career, and his life choices into perspective. Realizing that he does not get to redo these choices, he distances himself from his old life: his wife, his children, and his career. All that is left is to reflect. This reflection is his personal enlightenment. He had been living in the dark, blind to his true feelings for his entire life. Mortality creates a space in which he can question himself as to why he made the choices he made, and how those choices created the unsatisfactory life he finds himself in
What exactly is dysfunctional? Who wrote the rules to proper family or societal behavior? How does one know exactly what the proper reaction is? Every family has its crazy members and every city it’s insane citizens, but many do a great job of covering it up. Especially when it comes to high in social standing. Many are very careful not to air their dirty laundry in public. There are times when it can get out of hand and the unthinkable may happen. Is it right for one person to automatically appoint themselves as head of the household such as, Orgon in Tartuffe? What about Ivan Ilyich? Would he have been considered the head of the house, because he allowed his wife’s attitude to predict the family’s social standing? These two stories are classic of situational irony not only from families, but in human nature. To analyze Tartuffe and The Death of Ivan Ilyich and then compare them, one must have an open mind to all sorts of behavior and believe that these situations are indeed a reality.
Tolstoy provided us with two perspectives to view Ivan’s life in “The death of Ivan Illyich”: an omniscient narrator and Ivan himself. What I plan to do is give another perspective, not necessarily to view his life, but rather to his experiences after he realized he was dying. This perspective will be an analytical and psychological; the perspective from Kubler-Ross’s Stages of death (or stages of grief, as they are better known for). These stages occur when we are faced with an event that is usually connected with death. The “normal” order in which these five stages occur, though may not go doctrinally in this order, are as such: Denial, Anger, Bargaining, Depression, and Acceptance.
Ivan pretty much avoids the idea of death because he did not think it would happen to him so soon. Death to Ivan is something that deceased people experience. Ivan and his family did not see death has a common experience for all beings. This thought is seen in Ivan as he transitions. Ivan had a routine for his life. He enjoyed working, playing bridge, and keeping his house luxurious. Tolstoy says Ivan’s life was “most simple and most ordinary and therefore most terrible.” In the beginning of the story, the readers are presented with Ivan’s funeral. The people attending Ivan’s funeral want the whole ordeal to be over. This entire death has been an inconvenience for all of his friends and family. Death is something that Ivan battles with as he gets closer to that point in his life. The fall off of the ladder is the reason for him dying. This fall triggers unbearable pains for Ivan. Ivan is very irate towards his wife and screams due to the pain he experiences. On his death bed, Ivan struggles with dying. He is truly afraid of what is going to happen to him. “Suddenly some kind of force struck him in the chest and on the side, his breath was constricted even more, he collapsed in to the hole and there at the bottom of the hole some light was showing.” This excerpt expressed the moment in which Ivan converts. He feels a spirit that told him how to mend things with his family. In Ivan’s case, death is the only way to help his family move
Tolstoy immediately absorbs you into the novel by beginning with Ivan’s death. The actual death scene is saved until the end of the novel, but he shows you the reaction of some of Ivan’s colleagues as they hear the news of Ivan’s death. You are almost disgusted at the nonchalant manner that Ivan’s “friends” take his death. They are surprised by his death, but immediately think of how his death will affect their own lives, but more importantly, their careers. “The first though that occurred to each of the gentlemen in the office, learning of Ivan Ilyich’s death, was what effect it would have on their own transfers and promotions.” (pg 32) As a reader, you have to wonder how Ivan must have had to live in order for people close to him to feel no sadness towards the loss or even pity for his wife. In fact, these gentlemen are exactly like Ivan. The purpose of their lives was to gain as much power as possible with n...
This is related to the theme to live without suffering because as Ivan is getting ready to die he complains about how he is in so much pain despite numerous doctor visits and medication. Tolstoy uses his complaints as indicator for the readers to know that Ivan does not want to die in pain but peace. A moment of this is when Ivan calls his family into the room and dies in front of them because he believes it will bring them joy.
...roduction of Twentieth-Century Literary Criticism, Vol. 44 it is stated that “Ivan Ilych’s passage from life to death also entails a passage from falseness to truth…” (326). One could also look at this in a different light. From a physical perspective Ivan does go from life to death, from perfection to imperfection, but from a spiritual perspective it is actually the opposite. It takes the death of Ivan’s physical self to finally see what is important, his spirituality, his ‘divine spark.’ This, he finally realizes, is what true perfection is. Hence, Ivan is able to see past the falseness of conformity in the end and no longer fear death.
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
However, through the enlightenment provided by Tolstoy, and the lessons taught, I now see that I am less satisfied with my existence and more deceivingly complacent with it. To expand on this, I have not done anything of true significance and have lived only to appear content, fooling even myself, while hiding behind a stoic facade. I have lived in an inauthentic way, preoccupied with my superficial social portrayal instead of true inner delineation. Just as I did, I feel as though the protagonist, Ivan Ilyich, would have claimed to have been happy, genuinely believing himself. I see a lot of myself in Ivan, and it makes me fearful. I would seek only what was pleasant and shy away from what is unpleasant. I now see I must be willing to accept my own transience and live genuinely if I want to live a blissful
Karl Marx once stated, “The workers have nothing to lose but their chains.” Leo Tolstoy’s The Death of Ivan Ilyich focuses on the middle class struggles in Russia during the 1800s and how materialism has negative impacts on people in society. Tolstoy uses the novella to demonstrate how Russian society was imperfect in the 1800s and Tolstoy portrayed ideals similar to Marxism in the book. Marxism is the ideology that everyone should be equal in regards to class, education, economics and politics. Marxism was created by Karl Marx and Friedrich Engels during the 1840s. Their ideology was to establish a classless society where property and resources are owned by the community and not the individuals themselves. Tolstoy used the novella to contrast his ideals of a classless society and anti-materialism to show how negative the caste system and the materialistic lifestyle of the Russian middle class was.
“But it is not the fear, observe, but the contemplation of death; not the instinctive shudder and struggle of self-preservation, but the deliberate measurement of the doom, which are great or sublime in feeling” (John Ruskin). Human beings never stop making efforts to explaining, understanding and exploring the meaning of the death, and death became an important topic in human’s literature. According to the scientific definition “death is the state of a thermodynamic bio-system in which that thermodynamic system cannot obtain non-spontaneously energy from the environment and organize non-spontaneously the energy obtained from the environment” (Nasif Nahle). Which means that all human beings fundamental biological systems are stop working after
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether it's on television or newspaper, you'll probably hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death affects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
In his novella, The Death of Ivan Ilyich, Leo Tolstoy satirizes the isolation and materialism of Russian society and suggests that its desensitized existence overlooks the true meaning of life—compassion. Ivan had attained everything that society deemed important in life: a high social position, a powerful job, and money. Marriage developed out of necessity rather than love: “He only required of it those conveniences—dinner at home, housewife, and bed—which it could give him” (17). Later, he purchased a magnificent house, as society dictated, and attempted to fill it with ostentatious antiquities solely available to the wealthy. However, “In reality it was just what is usually seen in the houses of people of moderate means who want to appear rich, and therefore succeed only in resembling others like themselves” (22). Through intense characterizations by the detached and omniscient narrator, Tolstoy reveals the flaws of this deeply superficial society. Although Ivan has flourished under the standards of society, he fails to establish any sort of connection with another human being on this earth. Tragically, only his fatal illness can allow him to confront his own death and reevaluate his life. He finally understands, in his final breath, that “All you have lived for and still live for is falsehood and deception, hiding life and death from you” (69).
In Wislawa Szymborska’s poem, “On Death, without Exaggeration”, the idea of Death is assigned characteristics of Deaths waged war against numerous quantities of emerging life that, itself, destroys life. Szymborska grew up in Poland during the Second World War, she was surrounded by Death, in addition, the experiences she had helped her to cope with Death and remain hopeful. The poem seems to make the reader think Death is an inevitable part of life and in order to appreciate life one must accept Death. However, if you read closely in the last line of the second stanza, “which is always beside the point” (7), Death is revealed to be indifferent, not accepting. Szymborska uses persona, irony, and personification to create rich
...t is . What really accentuated the story's realness was the cold-harsh fact that no one is exempt from death. This was given when Gerasim said to Ivan that everyone dies (p135). As the last book Tolstoy made before his conversion to Christianity: this book, delving deep into death, could reveal some clues about what the bible is trying to tell us about the truth of death. Is death the end, the process, or...the beginning? Who knows? One thing for certain is that every individual goes through the grief process a bit differently, and Tolstoy has proven that through his main character, Ivan Illych.