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The Study of Human Relationships in D.H. Lawrence Sons and Lovers
Parental and Romantic Relationship in D.H Lawrence's Sons and Lovers
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SONS AND LOVERS Relationships have, and always will contain many different levels. These levels can produce somewhat of a state of confusion in ones life, and have many different impacts. But when a change and a transformation takes place, one can reach a point of clarity and a new found direction. In the comparison of two novels, we see several relationships portrayed along these lines, and how the two main characters transform to find what is most sacred to them. Paul Morel is the main character in D.H. Lawrence's novel 'Sons and Lovers.'; The story charts his early life from when his parents married, and the subsequent birth of their four children. During this time, the three women who have the greatest impact on Paul's life are his mother, Miriam and Clara. Each woman displays a definite influence on Paul, but all three are shown in different times of his life. This influence goes on to shape the life of Paul. In conjunction to this, the story of 'The French Lieutenants Woman'; and the main character in that story, Charles, will be compared showing similarities and differences of the relationships of women in his life. In the story 'Sons and Lovers'; from the very beginning their was a connection between Paul and his mother. It was seen that a bond was formed between the two of them, but it wasn't very strong in the beginning. The strong mother –son bond was between Paul's older brother William and his mother. Paul appeared to be jealous of this, and it wasn't until William moved away that Paul's mother noticed him. William was offered a job in London, the 'big city'; in comparison to their town. When he left, it was almost like a part of his mother had left too. She was crushed, very upset, and very unstable. It wasn't until Paul came down with an illness, and was on the boundaries of death when his mother finally really took notice in him. Paul was then nursed back to himself, and shared this same type of bond that William had shared with his mother. Mrs. Morel (the mother) lived for her children, especially William, but then Paul. As Paul grew older, his mother never suffered alone, and neither did he. He was always there for her when she needed him, she told him all her problems, and he listened as best he could, as a child and as a man.
The love one has for their family causes one to do anything to keep them out of harm, including taking the role of mother/father. Henry Lawson creates an image in his readers’ mind of the protagonist and all that she does for her
D-Day, one of the most important days during World War II, was a pivotal moment that changed an entire continent. Despite the name, D-Day did not occur in just one day, but rather over several days. It was a code name for the start of Operation Overlord. D-Day is well-known for marking the beginning of the end of the war in Europe and Hitler's rule over much of the continent. Many historians believe that without D-Day, Europe would have fallen to Hitler.
Paul's father is a single parent trying to raise his children in a respectable neighborhood. He is a hard worker and trying to set a good example for his son. His father puts pressure on Paul by constantly referring to a neighbor, whom he feels is a perfect model for his son to follow.
Paul, who is the father of the eight children, shows up sporadically throughout the book. LaJoe and Paul split up because he was addicted to drugs. Paul worked for the local sewer department, making $350 to $450 every two weeks. Instead of providing for his family, Paul would spend all the money on drugs. This put the family in a stressful situation because they could not afford the necessities that they needed. Paul was so dependent on drugs to the point where he would steal money from his own children. The children knew about Paul’s drug problem, which caused them to act out. One morning, Lafeyette could not find his dog anywhere in the apartment. He immediately assumed that his father sold the dog for drug money. Paul was at the apartment that day with his mother sitting on the couch watching television. All the sudden, Lafeyette stormed in the room and up to his father, accused him of stealing his dog and called him a dope fiend. Lafeyette was so angry his “right fist came smashing into the side of his father’s temple” . Paul said “You’re fourteen. You’re of age. You want to be a man, okay, you got a choice to be a man” . All of the sudden, Paul started hitting Lafeyette. LaJoe did not know how to handle the situation and began to break up the fight. This example displays how strain affects the relationship with the father and son because they used instrumental relief to relieve
In the beginning of the story, Paul seems to be a typical teenage boy: in trouble for causing problems in the classroom. As the story progresses, the reader can infer that Paul is rather withdrawn. He would rather live in his fantasy world than face reality. Paul dreaded returning home after the Carnegie Hall performances. He loathed his "ugly sleeping chamber with the yellow walls," but most of all, he feared his father. This is the first sign that he has a troubled homelife. Next, the reader learns that Paul has no mother, and that his father holds a neighbor boy up to Paul as "a model" . The lack of affection that Paul received at home caused him to look elsewhere for the attention that he craved.
In "Paul's Case," the story revolves around a young male. He is the main character. There are very few mentions of women, however, when they do come into the story they are only mentioned briefly, or they play minor, secondary characters. Paul's mother and sisters are spoken about once during the entire story, while there are four references to his father. The females in his family are mentioned only in passing and remain flat characters, while his father is referred to several times, each time involving an action or comment which exhibits an aspect of his father's personality which makes him a more rounded character.
When Charlotte and her brother were still young there father left the family, leaving their mother to take care of them. Often times cases like this where one of the parent figures leaves will put a strain on the family and also the children. These problems will be carried on the next psychological development stage and so on until the problem is addressed and fixed. For the case of Charlotte, her father leaving made her mother tougher towards them by acting as a male figure. Due to an absence of the father they lived in poor conditions, having to ask for help from relatives.
On 1 May, at 9.30 in the evening, Hamburg radio warned the German people that "a grave and important announcement" was about to be made. This was immediately followed by several excerpts from a number of Wagner's operas and the slow movement of Bruckner's Seventh Symphony. Then at 10.20 pm, came the voice of Grand-Admiral Karl Donitz, Commander-in-chief for the north of Germany. In sombre tones, he announced the death of Hitler and his own succession as Fuhrer of the Reich. Hitler had fallen "this afternoon," he said, fighting "at the head of his troops".
Every relationship is different. Weather one may be in a relationship with a boy, or just a friend, it is different. Even though they are different, the characters in “The Birthmark” by Nathaniel Hawthorne and “IND AFF” by Fay Weldon are in similar relationships. That is, the male is dominant over the female, and the woman thinks the man is her knight in shining armor. In the beginning of “IND AFF” the unnamed woman thinks her professor, Peter, who she is having an affair with, is her ticket to creating a good thesis and higher standings. Similarly, in “The Birthmark,” Georgiana thinks her husband is her ticket to flawless beauty because he tells her he will remove her birthmark. Obviously, this is not how relationships operate in today’s society. These two relationships compare and contrast with each other as well as with relationships in today’s day-and-age.
In Dante’s Inferno, Cervantes’ Don Quixote and Austen’s Pride and Prejudice, the protagonists’ relationships with their companions becomes an essential subplot within each text. Their relationships are crucial in order to complete their journey and in some cases complete each other. In addition, there are many characteristics in each text that are unrealistic representations of life. For instance, the environment of hell the Inferno, Don Quixote’s fictional world, and the instant marriages in Pride and Prejudice are all things that are not typically seen in real life. These unrealistic characteristics affect how each relationship develops, however, these factors do not take away from the significance of each relationship. In each text, the lucrative ambitions of the characters are initially the motive of many relationships rather than the desire for true companionship. A major part of the relationships development is how the characters’ companionships transition from ones that are based on individual ambitions to ones that are built on the desire for intimate relationships.
Women play a key role in this novel in many ways. In the case of...
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
The first indication the relationship between Paul and his mother is not one that is ideal is when we are first introduced to the mother. She reveals she feels her children, "had been thrust upon her, and she could not love them," whenever her children were present, "she always felt
According to D.H. Lawrence: a study of the short fiction Paul’s last words ““Mother did I ever tell you? I am lucky!” Are really a desperate, confused proclamation of his love” (4)? This demonstrates that even after all his mother has done he still loves her and cares about her. He sees more in his mother than her materialism, he knows that she still loves her family, even if she cannot control her need for more money. Unlike his mother Paul shows that he does not care about money by saying “oh, let her have it, then! We can get some more with the other,” (Lawrence 800). This proves how different both characters are and how not all people are materialistic even if they come from the same family. He is willing to give his mother all the money he has earned just to make her happy. This proves how important his mom is to him and how money is not important to him because he is willing to give up all the money he
Stephen's relationship with the opposite sex begins to develop early in his life. Within the first few pages of the novel lie hints of the different roles women will...