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Analysis of importance of history
Analysis of importance of history
Analysis of importance of history
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Josephine Tey’s The Daughter of Time is a historical novel that looks at the belief that Richard III, King of England, murdered his two nephews in order to maintain his power. This novel also supports the belief that the “truth comes out through time.” In the novel the main character, Grant, is concerned with what he believes is a unknown fact of whether or not the long ago King of England was guilty. Throughout his search for the answer Grant discovers many history books which all tend to view Richard in different ways. It is from these different views of the same man, that one can draw the conclusion that bias plays a major role in the validity and credibility of documents and personal accounts. So what is the role and in what ways does the truth come out through time? As historians we must look at what it is that we are reading. In saying this it means we must read between the lines. And not just see the words but where they came from and what the writer is trying to say. As was demonstrated in The Daughter of Time, the documents which Grant read all differed in the way they viewed Richard III. This could have been because the writer’s attitudes towards Richard were all different. For example, in the novel, Sir Thomas More’s and later accounts of Richard III were derived from John Morton, Richard’s bitterest en enemy. Sir Thomas’s account was from the view of someone who hated Richard and is therefor considered biased. As a historian it is important to realize that some ...
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Richard III's Usurpation and His Downfall Richards rule was always unstable due to his unlawful usurpation to the throne and his part as far as the public was concerned in the death of the two princes. As a result right from the start he didn't have the trust or support from his country. As soon as he became King people were already plotting against him. After he was crowned he travelled the country trying to raise support by refusing the generous gifts offered to him by various cities. However unknown to him a rebellion was been planned in the South.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Richard did not manage to recover from the usurpation of Edward and after allegedly murdering the two Princes in the tower his reputation had fallen greatly. He had lost a lot of respect from nobles and from the populus. Killing the Princes could be seen as one of the major factors of his downfall. It was common place in monarchical families to have brothers and sisters "put out of the picture", but even in these primitive times, the murder of innocent children was a taboo.
“I am determined to prove a villain / and hate the idle pleasures of these days. / Plots have I laid, inductions dangerous, / by drunken prophecies, libels and dreams.” Richard III, the evil Duke of Gloucester, is fighting a bloody road to the crown in Shakespeare's dramatic play. Stopped by nothing and with brilliant intelligence, Richard fights his way to the king’s position, clothing his villany with “old odd ends stolen out of holy writ.” With no one to fully trust, Richard breaks many hearts by killing all people in his way, and becomes the unstoppable villain. He hides behind a shield of kindness and care, but when he is alone, his real soul comes alive. Sending murderers, or killing people himself, he has no mercy. Manipulating Lady Anne to marry him and promising Buckingham rewards for his deeds, he knows what he is doing, and won’t stop until the crown lies at his feet.
Richard was born to an alcoholic, authoritarian father and a mentally-ill mother. His parents fought quite often and lost their home to financial issues. He was torturing animals, setting fires, and wetting the bed. He developed hypochondria at an unknown age. In adolescence, he had reportedly been exhibiting unusual behavior among his peers. For example, he believed he had blood poisoning and the solution was to drink the blood
to behave in the same way as King Richard, and since he is acting this way, the
As the inspector begins to investigate the murders of the boys he collects history books that he believes will give him insight into Richard III and his horrible crime. The first history book he comes upon is a historical reader which bears “the same relation to history as Stories from the Bible bears to Holy Writ.” This book explains the tale of the princes in the tower using short paragraphs and full page illustrations which teaches an important moral, but adds no insight to the real story of Richard III. The second text he uses to investigate the crime is a proper school history book. The first realization he comes to while reading this book is that all school history books seem to separate history into easy to digest sections associated by the different reigns that never intersect or overlap. The second realization is that Richard III must have had a towering personality to have made himself “one of the best-known rulers” in two thousand years o...
Richard had weakened since he had become king and was no longer ruthless as he had no reason to be ruthless. He had got what he wanted and was pleased with himself. He thought he was invincible, and he was too confident, which cost him his life. If he had been more careful, he would have been aware of the danger that lied before him. But, he did use some similar techniques in both the scenes.
The comparison of Richard to a shadow is especially clear in an exchange between Richard and Queen Margaret:
Shakespeare portrays Richard as a man with overpowering physical desires; although his role as a soldier and a man demands physicality, he has too much desire. Yearning for his brother, King Edward’s, death and plotting against his other brother, Clarence, Richard thinks that once both of them lay on their deathbeds, he can easily obtain the throne of England. Richard marries Lady Anne, a daughter of a noble, to have connections to settle a feud between the families. He wants to ask for her hand in marriage and tells himself, “The which will I, not all so much for love as for another secret close intent by marrying her which I must reach unto” (9). Richard foll...
The director's interpretation of this film focuses more on the use of metaphors in a comic state of humor amongst the villainy in a Hitleresque setting with Richard at the helm of this tyranny. Loncraine uses Shakespeare's play on words to make scenes more memorable, (i.e., trains, spiders, food,). He shows the abuse of power, greed and corruption of Richard with flare. The actual dialogue heard is true to the original text, as nothing was added, it is only severely out of order. Loncraine took an ordinary, simple play and made it into something enjoyable to watch. Although the scenes tend to be out of order and cut, this is still a successful adaptation of Richard III as the overriding theme is developed and enjoyable to watch. Richard is humorous in life as he lies, cheats and steals the throne from anyone in his way.
This contributes to a very villainous role. Richard begins his journey to the throne. He manipulates Lady Anne. into marrying him, even though she knows that he murdered her first. husband.
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
Edward V and his brother so that he could be next in line for the crown. But that is not true for Richard really didn’t do it.