Section 1: A description of the dark side of human nature.
Human nature is the general psychological characteristics, feelings, and behavioural traits of humankind, regarded as shared by all humans.” (Oxford dictionaries). The dark side of human nature is the part of humans that dwells in negative thoughts or actions such as revenge, hate, violence, murder, and all seemingly evil things. But what is the dark side of human nature and how does it motivate evil, and how is it perceived differently? Evil is profoundly immoral and/or malevolent and occurs when someone knows what they are doing is wrong and continue to do so. Dark Romantic authors like Edgar Allen Poe and Nathaniel Hawthorne use gothic elements in order to portray the dark and gloomy undertones of the psyche of the stories’ characters, and through the characters, essentially the nature of all humans.
Section 2: Hawthorne and Poe consistently revealing the dark side of human nature.
The Dark Romantics focuses on the psychological effects of the conflict between good and evil, guilt and sin, and psychotic behaviour. It shows the dark side of human nature through stories of revenge, shame, obsession, and madness. Both Poe and Hawthorne examine different aspects of the darker side of human nature. Dark Romantics emphasizes human unreliability and proneness to sin and self-destruction, having a less optimistic view on mankind, human nature, and religion like Emerson’s transcendental thinking. (http://web.a.ebscohost.com/ehost/pdfviewer/pdfviewer?sid=03296e7a-93dd-402a-8825-d2a1431ae5b9%40sessionmgr4001&vid=8&hid=4114).
Poe is most famous for his psychological thrillers where he reveals his thoughts that all human nature is dark and malicious. He expresses dark and gloomy ...
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... symbol for the secret sin that all people carry within themselves. At the end of the story, on his death bed, the minister says that he sees “on every on visage a Black Veil” (End of book). The minister is saying that all men hide behind their sin and it causes people to examine their own lives and guilt for their own sins. Another symbol is the Puritan interest in the concept of “sin”. The Puritanical view on sin is that each person is predestined to an eternal life in either Heaven or Hell. The black veil could be method for Hooper to reveal to humanity that he was sinful being. In wearing the veil, Hooper is criticized for doing so, which could be Hawthorne saying the Puritans are insensitive and hypocritical, and far from moral beings.
Conclusion:
To both Poe and Hawthorne, humanity is an evil being that is infinitely plagued with sin, guilt, and mortality.
In reality the black veil was worn to teach a lesson. The lesson was to show how easily people are judged when unaware of one’s true intentions. This being said, Hooper is explaining how he was judged and his life changed for the worst just because he was wearing the black veil; he was hated for something that his friends and family had no clue about, but believed it was for the
During the American Renaissance, writers were put into one of two categories. The categories were the Dark Romantics and the Transcendentalists. Some Dark Romantics include Edgar Allan Poe, Nathaniel Hawthorne and Washington Irving. The Dark Romantics stories included creepy symbols, horrific themes, and psychological effects of guilt and sin. The Devil and Tom Walker by Washington Irving gives a few examples as to why life is meaningless to some people.Humans are not all good, there are some cruel people in this world. The Pit and the Pendulum tells you exactly why.
Edgar Allen Poe is known for his dark yet comedic approach toward the his theme of his stories. Likewise, Poe’s themes have gathered many fans due to his impression of reasoning in his stories. The author uses thinking and reasoning to portray the theme. Poe’s unique diction comprehends with the theme of the story. Poe has a brilliant way of taking gothic tales of mystery, and terror, and mixing them with variations of a romantic tale by shifting emphasis from, surface suspense and plot pattern to his symbolic play in language and various meanings of words.
Hawthorne's parable, "The Minister's Black Veil," uses symbols to illustrate the effect of shame and guilt. In the story, Mr. Hooper represents the average Christian with a deep longing to be holy, and have fellowship with man. However he allows the cross that he bears to come between himself and the latter. His secret is represented by the veil he wears. The veil itself is black, the color of both secrecy and sin. Spiritually, the veil embodies the presence of evil in all of mankind. In the physical realm it serves as emotional barrier between himself and everyone else (Timmerman). During his first sermon after donning the veil, it is observed that, "... while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?" (par 10). The veil made Mr. Hooper a powerful preacher. But even the people his messages touched the most would shudder when Mr. Hooper would move close to comfort them, his veiled face making them tremble (par 45). His personal relationships all but ceased to exist. Outside of church, he was seen as a bugbear, or monster. (par 44). Seemingly, the only one that did not fear the veil was his loving fiancée, Elizabeth. Elizabeth symbolizes purity. She is innocent and...
Nathaniel Hawthorne was one of the first American writers to pioneer the unprecedented and unforeseen gothic genre which resulted in the exposure of darker themes across America in the 19th century. This new genre sprouted the “brooding” romantics who revolved around the human’s capacity for evil as a main theme of their works. Being one of the “brooding” romantics, Hawthorne followed the Puritans’ belief that everyone is a sinner as a result of being a descendent of the Puritans associated with the infamous Salem witchcraft trials. Not only was he related to the despicable Puritans, but also, he had to live with the guilt that his dishonorable great-great grandfather, Judge Hathorne, was “the only one who refused to apologize for his role
There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.
Hawthorne and Poe were great romantic writers and displayed the true conviction of knowing life and death in many different measures. It was this aspect that separated them from each other and made them completely different from each other. With all of the works between the two writers The Birthmark, The fall of the House of User, Annabelle Lee, and Rappaccini’s daughter these four would be both simultaneously the same and different. What has been said about these two writers can only be matched by the over whelming view on what their cherished more than the other. With Hawthorne was truly the gift of life, even though his wife died and his children had horrible tragedies of death due to sickness. It was the sense that Hawthorne knew he had fought for the love of his wife even though she was deathly ill and that postponed their marriage. It made him think that no matter what you have in this world you must cherish the good in it. This was evident in his stories and like Rappaccini’s daughter where the loss of the daughter truly affected the father in ways unimaginable. Even though he cherished her in a different light than others would Rappaccini looked at his frail daughter just as Hawthorne did his wife with all the love in the world. Poe was not the same though when the audience read his work. It was as if you knew there was a dark cloud that lingered over his work to portray that ultimate sense of gloom. As in Poe’s life he had tried several time s to find love and when he truly found it when he married Virginia Poe. With Poe he did not take the view of cherishing his loved ones but in fact sought the darker side of life when his wife died from the illness. This was the point where he would ever be haunted by his wife trying to prove to her that he will always love her no matter what burden he may
Parson Hooper, the Reverend in The Minister’s Black Veil, is the cause of the internal and external conflicts that arose in this story. Complications in the town, as well as disputes with his relationship, derived instantly after his enrobing of the black veil. For example, the single veil that lay upon the Reverend’s face, disrupted the whole town, “At the close of the services the people hurried out with indecorous confusion, eager to communicate their pent-up amazement, and conscious of lighter spirits the moment they lost sight of the black veil” (Hawthorne,1042). As Hooper dealt with the backlash of the town and his fiancé, Elizabeth, leaving him, Hawthorne also used symbolism to show the conflicts Hooper was dealing with internally. Hooper revealed to Elizabeth, “I perhaps, like other mortals, have sorrows enough to be typified by a black veil” (Hawthorne, 1045). Which led me to infer that Hooper is dealing with the sin of adultery, being the first day the veil was worn, was at the funeral of a lady who passed away, as well as the reasoning behind the veil being kept from his finance. “This dismal shade must separate me from the world; even you, Elizabeth, can never come behind it” (Hawthorne 1045). Displaying Hooper’s reasoning behind wearing the veil, it also introduces us to the overall, deeper message of what the veil truly sym...
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Poe is renowned for his authorship of tales dealing with morbid psychology. Critiquing his work, Edmund Clarence Stedman says of Poe: "His strength is unquestionable in those clever pieces of ratiocination...and especially in those with elements of terror and morbid psychology added". Stedman goes on to say, "His artistic contempt for metaphysics is seen even in those tales which appear most transcendental. Th...
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
Human nature is the most debated topic to date. Many people think that mankind is programmed to be evil; on the other hand people argue that it is naturally good. Nathaniel Hawthorne gave his argument with the novel, The Scarlet Letter. The Scarlet Letter showed that mankind is innately good by Chillingworth’s measures, Hester’s capitulates and Dimmesdale’s noble qualities.
Of the Romantic Movement, two of the most well-known Gothic literature writers were Nathaniel Hawthorne and Herman Melville. Gothic writers mainly wrote about themes that showed that they did not believe that people were ‘good’ by nature and the stories they wrote focused on the evils and flaws of mankind. These two authors presented their respective stories “Bartleby the Scrivener” and “The Minister’s Black Veil” as novels that explore the lives and behaviors of other human characters. Although the stories have different perspectives and settings, they both reveal more about how the other human characters are and what dark or unusual traits and motives they have.
As a short-story writer, Poe was a fascinating man of imagination. In theme, Poe places the human mind under investigation and probes insanity beneath the surface of normal existence. He was the first author in American literature to make the neurotic, the heroic figure, the protagonist, in his stories. Poe's most enduring tales are those of horror, the horror coming, from the working of an irrational or criminal mind, driven to evil or insanity by a perverse irrational force which, to Poe, is an elementary impulse in man.