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Going along with someone’s beliefs is costly. When someone is open-minded, it is considered a positive investment in one’s growth. Removing one’s self from one’s ideas and way of life is another type of investment, one yielding high risk and little rewards. The incentive of being a part of something is very much worth the risk to many people. In the stories, “Just Walk on By” and “Happy Endings,” the tone is shared between Brent Staples and Mary B. who both conform to someone else’s mind-set for a sense of belonging.
Whether a healthy love life or acceptance amongst peers, almost everyone is capable of falling victim to a very familiar vibe: nurturance. Insert respect to the equation and being treated fairly without ridicule and prejudice becomes immediately significant in what individuals want for them. There is always a decision to be made in going after what one wants. The choice begins with a wager bearing unknown results. One essential item a majority of people consider; life without progress is one not worth living.
Mary gave in to John’s notion of faking a relationship for sexual gratification, when she was faking sexual enjoyment for a relationship. Mary invested her time and body into John, hoping she would be compensated with the title “Mrs.” Mary auditioned for the role tirelessly. She cooked whenever he came over, although he never showed any gratitude in return with an evening dinning out. Mary cleaned up after John while he slept, so he would be assured that she is not regarded as unkempt. This woman even kept herself unbelievably presentable when he wakes up the next morning, only to have him ignore her metamorphosis.
Mary grows emotionally fatigued from giving herself to a man that does not care. With an exc...
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..., yet agreeable tenor whenever pulled over by police. Brent also showcases his whistling talents with others during those late evening walks. He whistles numbers from Beethoven and Vivaldi, to alert others in the area that he is a safe, law-abiding, tax-paying citizen just like them.
Brent wanted to be looked at as plain and not menacing in his environment, so he adopted some irregular habits to fit in. He molded himself in the image of what others thought a safe black man should be. He conforms just like Mary B., but the major difference lies in Brent changing with his personal survival in mind. Mary B. was willing to do anything even if it cost her own life.
Works Cited
Atwood, Margaret. “Happy Endings.” Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 11th ed. New York: Longman, 2010. 482-85. Print.
Harmon, William, William Flint Thrall, Addison Hibbard, and C. Hugh Holman. A Handbook to Literature. 11th ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2009. Print.
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
Brent Staples is fearful because he is constantly threatened, both physically and emotionally. Staples has justified reason to feel afraid, as he resides in a world where hate and judgement fill the minds of those around him. Due to the prejudice
Brent confronts her reader one on one in order to reemphasize her point. She uses the family and sentiment to appeal to and challenge the 19th century white women reader in order to effectively gain their support in the movement for abolition. Understanding what was going on in our nation, in the southern states, and in the northern states is incredibly important when reading this story. Slaves were nothing more than property and, in many cases, were treated with less respect than the family dog.
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
... the miserable life that African Americans had to withstand at the time. From the narrator’s life in Harlem that he loathed, to the drug problems and apprehensions that Sonny was suffering from, to the death of his own daughter Grace, each of these instances serve to show the wretchedness that the narrator and his family had to undergo. The story in relation to Baldwin possibly leads to the conclusion that he was trying to relate this to his own life. At the time before he moved away, he had tried to make a success of his writing career but to no avail. However, the reader can only be left with many more questions as to how Sonny and the narrator were able to overcome these miseries and whether they concluded in the same manner in the life of Baldwin.
Ostensibly, the narrator's illness is not physiological, but mental. John concludes that his wife is well except for a "temporary nervous depression--a slight hysterical tendency," a diagnosis that is confirmed by the narrator's own physician-brother (Gilman 10). John's profession, and moreover his diagnosis, is a license to closely observe, scrutinize, watch, gaze upon, seek out, and investigate his wife and her ailments, which consequently permits him to deploy seemingly inexhaustible (medical, scientific) means for (re)formulating and (re)presenting the hysteric female--not only for the purpose of giving her discursive representation, but in order to "de-mystify" her mystery and reassure himself that she is, finally, calculable, harmless, and non-threatening. To speak of John in psychoanalytic terms, his preoccupation with his wife, her body, and her confinement, reveals unspoken anxieties: the fear of castration and the "lack" the female body represents.
Works Cited: Atwood, Margaret. Happy Endings.
At the beginning of the story, in plot “A”, John and Mary are introduced as a stereotypical happy couple with stereotypically happy lives of middle class folks. Words like “stimulating” and “challenging” are used repetitiously to describe events in thei...
Brent Staples was a twenty-two-year-old graduate student just moved to Chicago. Staples’ first encounter happened late at night on the streets of Hyde Park. A woman, white, and in her twenties, was walking
Common sense tells us to go with the crowd not to go against it. What would you do, go with it or be different and stand out?
Kennedy, X. J., and Dana Gioia. Literature: an Introduction to Fiction, Poetry, Drama, and Writing. New York: Pearson Longman, 2007. Print.
Conformity, or going along with the crowd, is a unique phenomenon that manifests itself in our thoughts and behaviors. It’s quite simple to identify countless examples of the power of conformity in virtually all aspects of social life. Conformity influences our opinions and relationships with others, often to a higher extent than we realize. It is posited that people generally conform to the group in order to fit in and avoid rejection or because they truly believe the group is more knowledgeable than they are. After analyzing numerous studies and experiments on the nature of conformity, one will find that the motive of social acceptance is the greatest driver of conformity.
Motte, Brunhild de la. "Shakespeare's 'Happy Endings' for Women." Nature, Society, and Thought 1:1 (1987): 27-36.
Kennedy, X. J., and Dana Gioia. Literature: an Introduction to Fiction, Poetry, Drama, and Writing. New York: Pearson Longman, 2007. Print.