The Cult Figure: Maximon, A Cult Figure

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Maximón (pronounced maa-shee-MOHn) is a folk saint venerated in various forms by Maya people of several Guatemalan towns in the highlands of Western Guatemala. His effigies are found in Nahualá and San Jorge La Laguna, and is especially famed in Zunil, San Andrés, Itzapa, and Santiago Atitlán (Eidt 2012). He is one of Guatemala’s goodtime guys. A snappy dresser, he loves a drink and a cigar, and has a reputation as a womanizer. Despite this, Maximon is a cult figure, a special sort of saint in the highlands of Central America. Depending on who you ask, Maximon is a god, a pagan saint, Jesus’ brother, Judas Iscariot, or a devilish deity. In the name Maximón, ximon means “tied or bound one,” and Ma is the title of respect given to adult men. …show more content…

Regardless of representation, he loves to smoke and drink. Petitions should be accompanied by gifts of alcohol, cigarettes, and cigars (Eidt 2012). A god of travelers, merchants, medicine men/women, mischief and fertility, that was conflated with the Christian figure of Saint Simon. His visitors are men and women from the village, businessmen from the capital, prostitutes from the coast, traders from Mexico. They come to him to ask for cures, for money, for cattle, for a husband, or to kill an enemy (Hart 177). He is held as the principal healing god above Jesus, for he is incarnated form their own dying and reborn Maya hero/demigod Hun Hunahpu. If one’s “dream soul” encounters Maximon on the road at night, he often induces terrible fright in the dreamer— “susto”—causing illness from “loss of soul.” Yet, it is Maximon the priests call upon to retrieve the dreamer’s soul and restore the person back to health (Shalit …show more content…

Ironically, in Aztec mythology, Maximon is a trickster deity (Stanzione 15) who creates conflict (Bezanilla 8). Even though Maximon is not explicitly seen in the surviving Maya texts, he appears most like Mayan deity, God L, “The Smoking God.” L was a god of the underworld; associated with agricultural fertility and merchants (Bezanilla 34) -- all attributes associated with Maximón. James Stanzione compares Mam (meaning sun in Mayan language) in his role as the “Lord of Sexual Hunger” to the deities of swirling rain clouds, thunderbolts, earthquakes living in subterranean and celestial abodes, but does not name which one he is and states that, “Mam acts as much like the hero twins of the Popol Vuh as he does the Central Mexican Tezcat0lipoca. He is sometimes an axe-wielding rain deity not unlike Chak-Xib-Chak, while at other times he is the incarnation of the conquistador Pedro de Alvarado. Mam, therefore, is a multivalent being from many places and many times,” (Stanzione 13-16). There are also similarities to the god Ekchuah, a divinity of the merchants, who was dressed in black (Landa 46). It is not important to

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