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A cream cracker under the settee analysis
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The Creation of Sympathy for Dorisin in Bennett's A Cream Cracker Under the Settee A monologue is a method of telling a story using only one person. This person may be talking to themselves or to another group of people, telling them an event or story, a discussion, or what is going to happen. They may also comment on their thoughts and feelings during that moment. Bennett chose to use a monologue with Dorisin 'A Cream Cracker Under the Settee' where Dorisspeaks to herself. She is talking in an empty silent house to and she has no one else to speak to. Bennett has particular parts of the monologue that make us feel more sympathetic for Doris than others. Near the beginning, Doris is portrayed as an out of touch, slightly mad old woman. The perspective of Doris is changed from being a laughable character to feeling sorry for Doris when she says, 'I sat for a bit looking up at me and Wilfred on the wedding photo. And I thought, 'Well, Zulema, I bet you haven't dusted the top of that. I used to be able to reach only I can't now.' We now realise that Doris is quite incapable and also that she feels sad that Wilfred has gone. This quote also shows that Dorishas shrunk in size due to old age; this helps us to further develop our image of her. Another part we feel sympathetic for Doris is 'The policemen comes past now and again anyway. If can catch him. Maybe the door's a better bet. If I can get there I can open it and wait while somebody comes past'. This shows us that Doris wants to be rescued but as we see a while later in the monologue she won't ask for help because she does not want to be moved to an old peoples' home. She believes that all her memories with Wilfred are linked with Stafford House and she still believes that she is very capable of looking after herself. This makes us think that Dorisis stubborn and unwilling for a change which again
Wilfred’s eyes gave away nothing. No emotions at all. Not even how exhausted he should have been. He stepped out of the room before returning with a food cart. “Lord Zaroff, do forgive me for hindering your sleep, but if we don’t stick to the schedule you had intended for today, we won’t have everything ready.”
Then she goes on to talk about her marital status in lines six and seven “ It belongs to a woman who sleeps in a twin bed even though
Doris talks a lot about the preparations she made for the arrival of her child and this creates a real sorrow, 'This is where we had the pram.' The audience are helpless as all they can do is feel sad for Doris. As the play progresses we realise that whenever the subject of John arises Doris does one of two important things. Firstly there is a use of
“Just weeping. I can still hear her weeping now sometimes. I know the exact sound of it, like a note you hear or a song that keeps spinning around in your head and you can’t forget it.”
She then started shouting, “By the cross of God, you loathsome sot, you’re not going to come in here tonight. I will not tolerate this conduct of yours any longer, It’s time I showed people the sort of man you are and the hours you keep.” She accuses him of drinking and sleeping around, and the people surrounding the yelling couple believe her and the people gave him a
"Like the face, the whole countryside seemed to flow into her eyes. Fern's eyes said to them that she was easy."
For some people, the meaning of life is to be a good parent. When a parent loses a child for a moment or a lifetime, the pain that comes with is unbearable. Some people lose control of his or her entire life due to the loss of loved ones. The ability to gain control over life is tough because of the emotional and sometimes physical obstacles. While there is a meaning to life for some people, others feel as if there is no hope to live after losing a child. In Joan Didion’s novel, Play It as It Lays, Maria exhibits a lack of identity and the struggle to regain control over her life is shown through her journey to be with her daughter Kate.
Jane is told that she must go to the Red Room she says 'O Aunt! Have
In the Nag Hammadi Library, there are a multitude of texts that revolve around various themes that are present in religion. The texts that have been chosen for analysis are The Thunder: Perfect Mind, The Thought of Norea, The Sophia of Jesus Christ, and Exegesis of the Soul. A parallel that can be drawn between each of these texts are their references to the feminine presence as one that is deific in nature and the spiritual principles that this presence conveys. Each of these texts share similarities and are significant in different ways in regards to the message being delivered and understood, and how they are interpreted.
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