Actions are valued more than words, silence is an acceptable form of communication, manliness is next to godliness, and respect and loyalty are key. These are a few guidelines that belong to the infamous cowboy code John Grady lives up to in “All the Pretty Horses”. According to critic Jane Tompkins, the code consists of "self-discipline; unswerving purpose; the exercise of knowledge, skill, ingenuity, and excellent judgment; and a capacity to continue in the face of total exhaustion and overwhelming odds.”
Ever since he was a sixteen year old boy, Grady longed to follow in his grandfather’s footsteps into becoming a cowboy. He lives life according to the code which is valuing honor and loyalty. He loves the ardency in horses and the cowboy lifestyle. Grady also valued the ardency that was in his grandfather. He was raised on his grandfather’s ranch, which his mother sold after his grandfather’s death. After the ranch was sold Grady felt the need to move because he no longer felt an attachment to Texas while still trying to be faithful to the cowboy code, so he went to Mexico to find what went “missing” in his hometown.
It is uncertain whether Grady attempts to adhere to the cowboy code that he looks up to and believes in. Many times Grady proved to the reader that he likes to do the right thing, instead of doing things in his favor. He does what is necessary even if it costs his happiness. A great example is when he refuses to bribe Perez. Instead of bribing Perez to get his safety, he invests the money into a knife to defend himself. Grady does this because he is sworn to fight as a noble cowboy.
Another example is when the crossing of the Rio Grande River. This was when Rawlins and Grady met Jimmy Blevins. They talk about w...
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...m to track down Alejandra and not to take Perez's offer. Adhering to his moral code is what makes him do the right thing in many instances.
John Grady is shines in the aspect of withstanding any challenges that he faces. If you look at the cowboy code, his character to almost all of them. He becomes an existential hero by demonstrating ardency despite his new awareness. Ultimately, he becomes aware of the reality of power and culture. He becomes authentic.
Overall, Grady represents the ideal cowboy because he is yearning to live free, adventurous and is honest. He does get into bad situations at times but it is not his fault, it is the outside forces or other individuals that do not view life the same way he does. He tries to live up to his code no matter what situation he finds himself in which is impressive. He hold himself to his morals without compromise.
Characters that have different aspect are far more interesting to read about than average characters. Callum Roe, who is the main character in the story seems to base his personality and his actions off his past events, this makes him a very interesting protagonist for an Adventure novel such as The Darkest Path. For instance the relationship Callum shares with his family. Callum has a very strong bond with his brother, James. Everything Callum does reflects back to the moments with his brother and their family. Callum has a very loving personality, it's very interesting to see how he can still find love when the whole nation is at war and him and his family are split from each other. It's important that stories have characters like Callum.
Ellsworth was mean, and it was ugly. The stench of the its streets fell second to the odor of the unbathed saddle tramps who had just delivered 150,000 cattle from San Antonio to its freight yards. Adding to these smells were the blends of whisky, tanning leather, kerosene and carved carcasses, a revolting combination. Gunfights were spontaneous, either over a woman or a card game. When Wyatt crossed the Smoky Hill River into Ellsworth in 1873, he may have remembered the "rules of the gunman," but had no intention of employing them. The two main “rules of a gunman” were to take his time and always be armed. Although many people had warned him that it would be naive to go westward without being properly armed, Wyatt didn’t own a gun. All he hoped for was to find a peaceable job. But, only hours after hitching his horse in town he began to wonder if perhaps everyone was right. The most boisterous spot in town was Brennan’s Saloon, off Ellsworth Square; its faro and poker tables buzzed 24 hours, bartenders tapped beer and ...
McCarthy’s plot is built around a teenage boy, John Grady, who has great passion for a cowboy life. At the age of seventeen he begins to depict himself as a unique individual who is ambitious to fulfill his dream life – the life of free will, under the sun and starlit nights. Unfortunately, his ambition is at odds with the societal etiquettes. He initiates his adventurous life in his homeland when he futilely endeavors to seize his grandfather’s legacy - the ranch. John Grady fails to appreciate a naked truth that, society plays a big role in his life than he could have possibly imagined. His own mother is the first one to strive to dictate his life. “Anyway you’re sixteen years old, you can’t run the ranch…you are being ridiculers. You have to go to school” she said, wiping out any hopes of him owning the ranch (p.15). Undoubtedly Grady is being restrained to explore his dreams, as the world around him intuitively assumes that he ought to tag along the c...
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
...Mexico teaches him that the world is completely different. The real world is filled with hardship and disappointment, not his idea of simple innocence. John also learns that the romanticism he finds in horses only exist in horses and cannot be applied to people like you and me. His relationship with the horses exists on so many levels: he uses them for friendship, comfort, transportation, and as spiritual mentors. Also, McCarthy describes the horses passionately. John's distinct relationship with the horses causes him to believe humans are like that. Yet, on his journey he learns that men do not have the same passion as horses but instead are violent creatures that make the world ugly, not pretty because of all the heartbreak, and death he has to go through on his long journey.
He is expressing his opinion to his audience in the hopes that they will recognize this and try to change how the world is; Cormac McCarthy is hoping that someone will decide that they need to become more just, and thus begin to bring justice back into the world. Throughout the novel Cormac McCarthy is expressing his idea that justice no longer exists, which he views as a problem, through having John Grady search for justice yet never find it. Not only are we presented with the issue at hand but we are also presented with the solution; be a just person and bring back the justice that is lacking in the world today. He shows us this solution when he has John Grady search for the true owner of Blevins horse even though the judge has labelled the horse as
Cormac McCarthy, All the Pretty Horses, is an incredulous story with no happy ending, where no one attains what they were attempting to achieve in the end. The story begins with a flat tone, but eventually grows to be suspenseful .[It] is set in a world of comparative [regularity], which is not to say it is any less dominated by evil ,any more controlled by rationality , logic or a divine purpose, than that of its predecessors.”(McCarthy) John and Rawlins are seventeen year olds, who have left their hometown to seek a better life,but what John doesn't know is that things will only turn for the worse. Both individuals come across a boy named Blevins ,who will be a very important character throughout the novel. As the story progresses, John will be faced with many poisonous encounters . John will face evil and evil will face him in the wake of the resurfacing of the heinous crimes that Blevins has committed, which leads them to being arrested and tortured atrociously. From having everything he will go to having nothing. Nothing.. This was
At the same time, the author makes clear the harsh realities and disappointments of John Grady’s chosen way of life. When John Grady leaves Texas at the age of 16, he seems to have a plan. He wants to become a cowboy and have a close relationship with nature. John Grady’s character is hopelessly romantic; he takes action without caring about repercussions. In All the Pretty Horses, John Grady falls in love with people or things that are unable to love him back at the same level.
The times are changing and he's unwilling to give up the past. The world is becoming modernized and people like him, cowboys and ranchers, are slowly disappearing. He runs away from home because he desires to find peace within himself as well as a place where he can feel he belongs. Here begins the adventure of John Grady and his best friend Lacey Rawlins. It is important to note here the means of travel. The story is taking place after World War II, a time when cars are fairly common, yet these boys decide to go on horseback, like in the fading old days. This is just another concept of how they are unwilling to give up a fading past. When they first begin their journey, the boys are having a good time. In a sense they?re two buddies on a road trip with no real motive. Rawlins even mentions, ?You know what?I could get used to this life.? Then they meet Blevins, the foil in the plot that veers the two boys of their course and also has plays a role in the lasting change of their personality. Their meeting with him gives an insight into Grady?s character. Rawlins is against letting Blevins come along with them, but because of John?s kind nature he ends up allowing Blevins to come. It?s because of this kindness and sense of morality, he gets into trouble later on.
When looking at the vast lands of Texas after the Civil War, many different people came to the lands in search for new opportunities and new wealth. Many were lured by the large area that Texas occupied for they wanted to become ranchers and cattle herders, of which there was great need for due to the large population of cows and horses. In this essay there are three different people with three different goals in the adventures on the frontier lands of Texas in its earliest days. Here we have a woman's story as she travels from Austin to Fort Davis as we see the first impressions of West Texas. Secondly, there is a very young African American who is trying his hand at being a horse rancher, which he learned from his father. Lastly we have a Mexican cowboy who tries to fight his way at being a ranch hand of a large ranching outfit.
The cowboy hero, The Virginian, as portrayed in Owen Wister’s novel was the first of his kind and today is known as the stereotypical mythic cowboy figure which our view of the western frontier are based from. The Virginian was the first full length western novel apart from the short dime novels which marked the final stage in the evolution of the cowboy hero to a national icon. The Virginian was published in 1902 and at that time was wildly popular because of the settlement of the west. The story of the cowboy who had the skill and courage to take control of the untamed frontier enthralled people. The cowboy hero had a few distinguished qualities, he was a self-appointed vigilante, he had a very strict moral code, he had exceptional perception skills and he had the ability to adapt. Owen Wister’s The Virginian was the first to portray these qualities and really created a deeper cowboy character.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
Billy and Wyatt of them go through a series of adventures, first stopping off at a motel where they're rejected, regardless of the glowing vacancy sign. This shows that their culture is not accepted in the rest of the world. They leave the motel and camp out in the wilderness. At a point, Wyatt's bike gets a flat, and they stop at a farm to fix it. It is at this point that the film makes a comparison of the bikers to cowboys. As Wyatt is fixing his tire a man in the background is shoeing his horse. This is making the point that Wyatt is the new version of the cowboy and his chopper is the new cowboy’s horse. During this scene there is an exchange between Wyatt and the farmer where Wyatt tells the farmer how much he admires his farm because he built it with his own hands. This is the first time that you get an idea of Wyatt’s values.
As Ethan rides towards his brother’s homestead, he is greeted by awestruck stares. He rides with the brutal desert behind him, sun glaring at his eyes while his brother’s family is framed in shadow of their own home. A hopeful tune plays in the background as he approaches. In this opening scene of The Searchers John Ford establishes Ethan—played by none other than John Wayne—as the rugged individualist, the one who tames the wilderness. This cowboy is integral to the “Myth of the United States,” he is the one who tames the savage wilderness its residents (Durham). However as the film unfolds, Ford explores Ethan’s tortured psyche, his motivations, his neuroticism, even the Indians and their motivations in order to deconstruct deconstructing the myth in order to show that the cowboy is a relic of the Old West.
Contrary to the story’s focus on horses, the movie focuses on the romance between John Grady and Alejandra as its poster has the couple with a greater presence compared to the miniscule graphic of horses shoved on the bottom; whereas the book’s cover is graced with the image of a horse and only of that horse. Of all the events that were absent from the movie, the romance scenes are the most kept intact as well as an odd addition of an onlooker dancing when John Grady finishes talking with Alejandra on the phone after being bailed out of jail. In fact, it feels like horses are more of an afterthought in this adaptation because John Grady does not put any emphasis on them as he does in the novel. While in jail, John Grady had a dream about horses, “… in the dream he was among the horses running and in the dream he himself could run with the horses …” (McCarthy 161) In the fashion of flickering images for a subliminal message, brief, flashing visions of Alejandra are injected into this dream when there were none. Romance is pushed as the main focus of the story, but it fails to make the couple fulfilling since the dynamic between John Grady and Alejandra is not developed well enough to make it