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Virgil and the aeneid and the romans
Leadership style of Augustus Caesar
Leadership style of Augustus Caesar
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Throughout Virgil’s epic poem, The Aeneid, the hero Aeneas undergoes a personal journey of establishing Rome, not only in the corporeal sense, but also in establishing the example of how a true and virtuous Roman acts. In the first six books, Aeneas struggles with the concept of gravitas, shown in his lack of true understanding of what was at stake. In the last six books, Aeneas struggles with his own pietas, trying to become the leader that his people need him to be. Eventually, Aeneas conquers the Latins, founds the glorious Roman Empire, and obtains the ultimate achievement of becoming immortalized in history. However, Virgil is in fact attempting to persuade his commissioner, Augustus Caesar, to become a more upright leader by tempting …show more content…
Virgil uses Aeneas’ process of understanding gravitas to help Caesar fully understand the sweetness of immortality. Previous to book six, Aeneas attempts to settle his people in several different lands despite the clear and repeated warnings that his promised empire was the land of Latium. The gods made this painfully clear, going as far as simply stating “these are not the shores Apollo of Delos urged. He never commanded you to settle here on Crete” (The Aeneid 3.197-199). Therefore, the reader naturally questions why Aeneas seems so willing to give up the promise of being the father of the Roman Empire. The answer is the Roman concept of gravitas. Aeneas is simply too immature to understand that he has the opportunity very few will ever know; Aeneas has the opportunity to become immortal. Since it is so obvious to the reader while Aeneas remains oblivious, the natural reaction for the reader is to attribute it to foolishness. Cleverly, as Virgil is using Aeneas to parallel Caesar, Caesar’s initial reaction will be to attribute that same foolishness to himself. This foolishness is defined as Aeneas’ unwillingness to sacrifice, even when there is so much to gain. The first six books are nearly defined by Aeneas attempting to avoid hardships by ending his …show more content…
In Sabine Grebe’s article, Grebe explains the significance of a ruler’s power and his ancestors. A ruler’s power depended on his ancestors, as “a Roman official had to act within the boundary of authority established by the ancestors” (Grebe 36). In ancient Rome the law was second to tradition.1 Ancestors of rulers establish not only the extent of Caesar’s rule, but also how he ought to rule. Consequently, Virgil is making Augustus a more powerful ruler by displaying Aeneas as powerful leader. However, even while Virgil pleases Augustus by making his rule more legitimate, he also establishes Aeneas as leader of pietas, causing the people of Rome to expect the same morals and virtues that Aeneas shows from Augustus. Virgil is nearly forcing Caesar to become the leader he wants him to be, but his persuasion is nevertheless effective because Caesar commissioned him to ascertain the foundation of his power. Virgil knows as long as he fulfills this one goal he can add anything else he pleases, thus using his own commission to his advantage. Additionally, since Virgil had the luxury of defining what pietas would be, he added that a leader of pietas, due to their duty to the citizens, only uses violence to establish peace. Virgil’s epic poem is filled with anti-war sentiment,
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
While the Aeneid does outline the future of Rome, it also highlights the pains of war, and also exposes his audience to a culture of violence, which they may be unfamiliar with. The act of balancing one’s duty towards others and his or her personal desires was a conflict that many people struggled with. By presenting the struggle between balancing inner desires and and personal responsibilities, Virgil offers his audience a framework that enhances their overall understanding of the poem.
Virgil lived in a time that went through many changes. He was born in 70 BCE to a peasant family in Northern Italy. After the civil war, Augustus became Emperor of the Roman Emperor and wanted to preserve Roman values and tradition. Virgil also wanted to see Rome rebuild after the civil war and to be a thriving city again. Virgil had always wanted to write a great epic like The Odyssey or The Iliad. He wanted to write a national epic similar to what The Odyssey had become for the Greeks. Since Virgil was a client of Caesar Augustus, he had sworn loyalty to him, both in day to day life and in all political aspects. In return,Caesar Augustus would give “kindness” to Virgil, such as enough financial stability for him to continue his poetry and
In both characters loyalty and dutifulness is a central ideal that they stick to. In The Aeneid Aeneas’ loyalty and sense of duty is seen in many instances, such as when they arrive on the shores of Italy and takes refuge Dido’s city of Carthage. While there, Aeneas and his people feast and live well, and Aeneas has the opportunity
By mentioning the downfall of his people during the Trojan War and foreshadowing his destiny by "Sparing the conquered" Trojans and "battle down the proud" Greeks, can be looked upon as a reinforcement of his duties not only to his dead father and family, but to the entire Trojan population. To let another character found and rule Rome would just prove the failure of his people again, as shown through the Trojan war. Aeneas feels great pride and energy regarding his role in history and is anxious to continue on his journey. The gods are trying to convince Aeneas to value duty to his city and family, a kind of affiliation or relation by virtue of descent as-if from a parent, above duty to a lover by mere affiliation, or arbitrary association. This perspective on an appeal to authority still hinges on a relationship between Aeneas' desire for affiliation and public authority as the authority of filial priority. We learn early on in this epic that Aeneas is a very important character because of his divine parentage. After all, his mother is the Goddess Venus and his father's brother was the King of Troy. His mother is more concerned with his destiny than with his happiness. She makes Dido fall in love with Aeneas and then he falls in love with the Carthaginian queen in return. Despite the fact that he is happy, his mother is one of the gods working to make him fulfill his destiny. This "destiny" is truly revealed to Aeneas in the underworld when he encounters a few fellow Trojan comrades.
In order to try to guess why Virgil believed the Aeneid to be such a failure, it is important to first be familiar with what Virgil was trying to accomplish with the story. Augustus wanted it to be an epic which glorified Rome and ultimately himself. Virgil himself had a passion for Italy and the peace, order, and security that could come as a result of the Augustan age. He had grown up in the midst of civil war and experienced first hand the pain and suffering that it caused. Uniting all Italy under one rule would put an end to civil war and this was Augustus' plan. So in that sense Virgil shared Augustus' vision and was an ideal choice to write the epic.
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
In Virgil’s The Aeneid, there are many parallels found in Homer’s The Odyssey. In each epic, the heroes, Aeneas and Odysseus, are on a journey “home.” Aeneas is on the search of a new home for he and his companions to settle since Troy has been destroyed, Odysseus on the other hand is attempting to return to his home he left years earlier to fight the Trojan War. They both have Gods against them and helping them, both Aeneas and Odysseus are both held back by women, both voluntary and involuntarily, and they both have experiences visiting the Underworld. Despite these similarities, there are differences between the two characters and it reflects their values and the society they live in. Aeneas relies on his strength as a warrior, where as Odysseus uses his deception to survive which reflects how Aeneas is truly Roman is versus Greek.
An empire is, literally, a group of nations or peoples ruled over by an emperor, empress, or other powerful sovereign or government. However, what is sacrificed or given up during the process of creating and maintaining an empire; what is the “cost” of empire? In the Aeneid of Virgil, Virgil depicts these costs from three different perspectives. The first viewpoint is on a personal level; during the course of the epic, Aeneas paid the price when his father, wife, lover, and son of his ally were killed, or killed themselves. The second perspective is on a much grander scale, claiming that cultures and beliefs of other nations will either be retained or destroyed while creating and expanding the empire through almost constant and necessary war. Lastly, a cost is associated not only before, but even after constructing the empire; the emperor or leader will face (almost certainly clandestine) opposition to his methods of the formation or rule of the empire. This premise is largely supported by Virgil himself because the epic in its entirety is both a commendation and more importantly, a criticism of Rome, ingeniously crafted and written right under the emperor’s nose. For these reasons, the cost of empire is defined like so: that in order to create the empire, the pain brought about by the death of many individuals, possibly cherished by the founder, is required; the combination, assimilation or destruction of many other cultures by means of necessary war will occur; and the recognition of the formation of opposition who will contradict the customs of the empire is inevitable.
In many ways, judging and comparing Vigil’s Aeneid and Ovid’s Metamorphoses is inevitable because each of the writers lived at roughly the same time in history, both sought to create a historical work that would endure long past their mortal existences, and while each man was ultimately successful in their endeavors, they achieved their desired goals in vastly different ways. That being said, the epic poem by Ovid is superior because unlike Virgil, whose epic poem utilized a character centered narrative steeped in historical inferences and a theme that celebrated the moral virtues of Greek and Roman society, Ovid defied tradition by creating an intricate narrative that looked
We also see in the story what someone must sacrifice in order to fulfill their goals. Though Aeneas's destiny was much more grand than many of our own, we still must make choices that can sometimes hurt others. I really thought that Vergil captured our inner emotions with the affair between Dido and Aeneas.
I believe that the ending of the Aeneid shows that Aeneas is very heroic. According to Webster’s New Dictionary, “a man of distinguished bravery” and “admired for his exploits.” Aeneas is very brave when he fights Turnus, especially because it is known that the gods are on his side. He successfully killed Turnus, which is an achievement that calls for admiration.
To begin, both the leadership qualities and flaws of Aeneas and Odysseus must be examined in order to determine who the better leader is. Virgil presents Aeneas very differently than Homer presents Odysseus. They are both certainly heroes, but Aeneas seems more accessible and a stronger leader, due to the way Virgil presents him. Virgil illustrated Aeneas as a man that had to participate in many tests and tempering’s, and from that, his heroism was seen as flawless. The same goes along with Homers’ Odysseus, yet in a different, more astounding way.
The protagonists of both poems are heroes, nevertheless, they are heroes from two separate cultures. Aeneas embodies the Roman value of duty. He is given a task by the Gods to leave Carthage and found an empire in Rome. Immediately after receiving this message, Aeneas is prepared to obey. “Aeneas was truly overwhelmed by the vision, stunned, his hackles bristle with fear, his voice chokes in his throat. He yearns to be gone, to desert this land he loves, . . .”. (137) It is Aeneas’ instinct to obey the command of the Gods. Aeneas is willing to comply despite the fact that he knows he will be deserting “the land he loves”: leaving his lover, Dido and the satisfying and peaceful life he could have had. Aeneas sacrifices his personal happiness for the good of his people and his
Aeneas is often referred to as 'pious Aeneas', and this is also how even he...