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Characteristics of colonialism literature
Features of the post colonial literature
Features of the post colonial literature
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V.S. Naipaul’s writing is unique due to the fact that the majority of his characters are just normal everyday people, whose fictional lives hold deep meaning. One example is his book, A House for Mr. Biswas, which was inspired by the life of Naipaul’s father, many of whose traits were expressed through the fictional character Mohun Biswas. In A House for Mr. Biswas Biswas forgoes the typical literary model of a rags to riches story and gives an honest and realistic story of a man who begins and ends life searching simply for a house. As the story progresses, the reader becomes more aware of Naipaul’s pessimistic tone. Mohun’s life is one driven by a seemingly unattainable goal of finding a home of his own; however, even as the end of the book nears Mohun’s life take no extreme turn for the better. Unlike most books written by other authors, V.S. Naipaul refuses to allow his characters to find complete happiness. The following passage gives an example of Naipaul’s dismal tone, “ In all Mr. Biswas lived for six years in at The Chase, years so squashed by their own boredom and futility that at the end they could be comprehended in one glance” (Naipaul 174). This tone follows the story to the very end, and even when Biswas has finally found a house that pleasure rapidly diminishes, “The very day the house was bought they began to see flaws in it. The stair case was dangerous…” (Naipaul 9). This melancholy nature of this tale continues to the very end. The story finishes with Mr. Biswas’s death, which is described as simply another death. The cremation of Mr. Biswas is “conducted on the muddy banks of a muddy stream” and “afterwards, the sisters returned to their respective homes and Shama and the children went back in the Prefect to... ... middle of paper ... ...ur flag, planted coconut trees and our hedges. You asked a man what he did…he simply said he worked for the Americans” (Naipaul 258). This passage seems to display the opinions of Naipaul towards the colonialism of foreign nations in third world countries; the narrator states that it was the Americans who recovered the unpleasant lands that once were Trinidad and created from them a beautiful beach. It is for this reason that Naipaul faces the criticism of writers such as Walcott, whose writing praises the history of Trinidad as rich and beautiful while Naipaul tends to focus on the dark side of third world development and foreign imperialism. In conclusion, over V.S. Naipaul’s career he has proven his aptitude in the wielding of the English language and introduced to the literary world his own unique style while also attracting the animosity and criticism of many.
To begin with, it is imperative to understand the premise and dialog of the book. Walker divides Shaky Colonialism into eight chapters. These chapters detail the inhabitants’ perceptions, struggles, efforts, etc. through the eyes and ideas of Walker. He begins in Chapter One with the explanation of the main points that will be discussed within the book. Chapter Two discusses the people of Lima’s reasons as to why they b...
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
History can significantly influence the ways in which a place, along with its community, evolves. Now considered postcolonial, not only are Hawaii and Antigua heavily defined by their colonial pasts, but they are also systematically forced into enduring the consequences of their unfavorable histories. Through their unconventionally enlightening essays, Jamaica Kincaid and Juliana Spahr offer compelling insights into how the same idea that exists as a tourist’s perception of paradise also exists as an unprofitable reality for the natives who are trapped in their pasts yet ironically labeled as independent. The lasting impacts of colonialism on the history of Antigua and Hawaii can be noted through their lasting subservience to their colonizing
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
...his cauldron of powerful themes were heavily evident in the ways in which Spanish conquistadors treated Native peoples of the Americas. In the book Wonder and Exile in the New World by Alex Nava the elements of wonder, exile, deprivation and to an extent religion are shown to be driving forces that led to many beneficial and negative transgressions. The analysis of the adventures of Cabeza de Vaca and Las Casas proves that such elements do have the power to revolutionize a person’s way of life. In all, by understanding the different themes and concepts entwined in Nava’s book it is easy to comprehend a new appreciation and identification about the fact that many components throughout history have been at play in shaping today’s modern world.
Initially, the reader is introduced to Pangloss as the intellectual head of the household who maintains the philosophy that humankind lives in the "best of all possible worlds."1* In the story, Pangloss experiences the tragedy and sorrow that permeates society as he falls from favor, acquires a sexual transmitted disease, and is hanged. Throughout the story, Pangloss maintains this philosophy despite the overwhelming amount of experience that portrays the contrary. The absolute absurdity of this philosophy is e...
Through many writers’ works the correlation of mortality and love of life is strongly enforced. This connection is one that is easy to illustrate and easy to grasp because it is experienced by humans daily. For instance, when a loved one passes away, even though there is time for mourning, there is also an immediate appreciation for one’s life merely because they are living. In turn, the correspondence of mortality and a stronger love for life is also evident in every day life when things get hard and then one is confronted by some one else whom has an even bigger problem, then making the original problem seem minute. This is seen as making the bad look worse so then the bad looks good and the good looks even better. The connection of mortality and one’s love for life is seen in both T.S. Eliot’s The Wasteland and Yulisa Amadu Maddy’s No Past No Present No Future.
Green, Cencilia. (1997). Historical Roots of Modern Caribbean Politics. Against the Current. Vol. 12, (4), 34-38.
To show how stories can affect colonialism, we will be looking at British authors during the time of colonialism. During this period of British colonialism, writers like Joyce Cary, author of “Mister Johnson” wrote novels about Africa and more specifically, a Nigerian named Johnson. Johnson in this novel is represented as “[an] infuriating principal character”. In Mr. Cary’s novel he demeans the people of Africa with hatred and mockery, even describing them as “unhuman, like twisted bags of lard, or burst bladders”. Even though Cary’s novel displayed large amounts of racism and bigotry, it received even larger amounts of praise, even from Time Magazine in October 20, 1952. The ability to write a hateful novel and still receive praise for it is what Chinua Achebe likes to describe as “absolute power over narrative [and...
During the era of maritime exploration and the discovery of the Americas, assumptions were made of the land likening it to not only a paradise, but one that was overrun with cannibalistic natives. These suppositions led to a desire to explore the lands and conquer the savages that posed a threat to man and civilization itself. The consequences of this mass colonization and dehumanization of the natives paved the way for literary pieces that pose as critiques of the era when viewed through a post-colonial lens. When looked at through a post-colonial perspective, a few common themes prevail amongst compared texts. Focusing on the theme of the journey, what it means, and what is at stake, Garcilaso de la Vega’s “The Story of Pedro Serrano” and Juan José Saer’s The Witness both touch on all these themes with great severity, dissecting the purpose of the journey and what it means to be a civilized man.
...xtent will this essay bring about a change in Antigua? The Antiguan scene can only be modified by the government choosing to run the country in a more manner that will benefit everyone associated with Antigua, especially its natives. The native’s behaviours are related to their jealousy of tourists, and of the tourist’s ability to escape their own hometown to take a vacation. While a tourist can relate to the idea that the exhaustion felt after a vacation comes from dealing with the invisible animosity in the air between the natives and themselves, having this knowledge is almost as good as not having it, because there is nothing that the tourist, or the reader, can really DO about it! If Kincaid’s purpose is solely to make tourists aware of their actions, she has succeeded. If Kincaid’s purpose is to help Antigua, she may not have succeeded to the same magnitude.
Langley, Lester D. The United States and the Caribbean in the Twentieth Century; The University of Georgia Press (Athens, 1982).
Edgar Allan Poe’s haunting poems and morbid stories will be read by countless generations of people from many different countries, a fact which would have undoubtedly provided some source of comfort for this troubled, talented yet tormented man. His dark past continued to torture him until his own death. These torturous feelings were shown in many of his works. A tragic past, consisting of a lack of true parents and the death of his wife, made Edgar Allan Poe the famous writer he is today, but it also led to his demise and unpopularity.
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.
When writing occurs, the works are distinguished, but no unified meaning is deciphered. It is the option of the reader to decide whether a text contains an inherent meaning or the inability to find meaning at all. The Novella, Balthazar’s Marvelous Afternoon, allows the reader to determine meaning and to distinguish whether Balthazar’s generous approach possesses an underlying meaning. This concept is relevant to Barthes’s work, which criticizes the author’s intentions versus the interpreted context. The Death of the Author, discusses the theory of how an author enters his own death as the act of writing is taking place. This theory no longer allows the author to have definitive authority over the reader. To prevent “interpretive tyranny,” the reader must be able to separate a work from the inventor and conclude one’s own viewpoint.