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Influence of history on literature
Literature as a reflection of history
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The Cold Embrace
The night in the city was going to be especially cold tonight. The sky had been overcast for almost the entire day, leading to a brief although torrential downpour in the mid-afternoon. The streets of the Bronx outside the third-story apartment window that Leonard Jefferson Bennings now looked out were saturated from the July rainstorm and shone with a glimmer he remembered seeing from his bedroom window in Massachusetts many years ago. He wondered if he would ever get to see his childhood home again, and, if he did, would the world of his youth still exist even there? Like the final beams of sunlight of the day, his hope was growing faint as he looked out on what had once been the metropolitan heart of his country.
Leonard turned away from the window, looking back into his temporary residence. It was a simple apartment, three rooms, furnished with trappings of a world that now existed only in memory. Strewn about the living room were such memorabilia as a 1946 Bing Crosby Christmas album, a chess set that looked to be a family heirloom, an assortment of furniture and coffee tables, and a 1939 globe, showing the way the world had looked in simpler times. Leonard could easily identify each country on the globe, a skill greatly useful to a high school geography teacher, and could just as easily identify how few of those countries still existed. South America was still correct north of Brazil, and most of North America was still as the sphere portrayed it. Europe, Asia, and Africa, however, would require the globe to be completely redone. Leonard had studied the globe many times in his short stay in this house, and it never failed to bring him almost to tears.
From the couch on the wall far...
... middle of paper ...
...ump. And then, the infinite fall, broken only by the cold embrace of the Atlantic.
Nineteen minutes since they had left the ammunition room. Leonard floated alone in the water. The other sister had been hit in the shoulder during the jump and had sunk when she hit the water. He was sure he had heard a small explosion on the deck as he fell; Christina was dead, as was everyone else by now. Leonard would join them soon. He could do little more than float with the wound in his side. If the explosion happened, he would be too close to escape. If it didn't, he would drown when he got too tired to float. He looked up at the ship one last time. As he did, a pillar of fire erupted out of it. In the light it cast, he could see the sky had cleared. The morning would have sunlight. He took one last, gasping breath, and sank beneath the waves forever.
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
The children in this book at times seem wise beyond their years. They are exposed to difficult issues that force them to grow up very quickly. Almost all of the struggles that the children face stem from the root problem of intense poverty. In Mott Haven, the typical family yearly income is about $10,000, "trying to sustain" is how the mothers generally express their situation. Kozol reports "All are very poor; statistics tell us that they are the poorest children in New York." (Kozol 4). The symptoms of the kind of poverty described are apparent in elevated crime rates, the absence of health care and the lack of funding for education.
In September 1954, he moved out of Northwood in Long Island onto the Northern State Parkway to see his new house in the countryside. He specifically said that Long Island had been one of the most beautiful places in the United States, and his house was one small reason it would not remain that way much longer. His new house lacked in exterior grandeur, but it made up for comfort inside and costs in all together $25,000. Kunstler got his first glimpse of what real American towns were like when he was sent away to a boys’ camp in Lebanon, New Hampshire. He visited his hometown Northwood when he became a teenager and saw how it has entered into a coma with so little for one to do there. Northwood had no public gathering places, so teens were stuck in their little holes who smoked pot and imitated rock and roll. For the teenagers there, the waiting transforming moment was when one became a licensed driver, as I can say the same about my town. Kunstler went to a state college in a small town, Brockport in western New York State. The college was the only thing that kept the town alive with healthy conditions where it was scaled to people, not cars. He ends the chapter by pointing out that this book is an attempt to discover how and why landscape of scary places, the geography of nowhere, has simply ceased to be a credible human habitat happened and what we might do about
History textbooks seem to always focus on the advancements of civilization, often ignoring the humble beginnings in which these achievements derive. How the Other Half Lives by journalist-photographer Jacob A. Riis explores the streets of New York, using “muck-racking” to expose just how “the other half lives,” aside from the upbeat, rich, and flapper-girl filled nights so stereotypical to New York City in the 1800s. During this time, immigrants from all over the world flooded to the new-born city, bright-eyed and expecting new opportunities; little did they know, almost all of them will spend their lives in financial struggle, poverty, and crowded, disease-ridden tenements. Jacob A. Riis will photograph this poverty in How the Other Half Lives, hoping to bring awareness to the other half of New York.
Jacob Riis’ book How the Other Half Lives is a detailed description on the poor and the destitute in the inner realms of New York City. Riis tries to portray the living conditions through the ‘eyes’ of his camera. He sneaks up on the people flashes a picture and then tells the rest of the city how the ‘other half’ is living. As shocking as the truth was without seeing such poverty and horrible conditions with their own eyes or taking in the experience with all their senses it still seemed like a million miles away or even just a fairy tale.
In his essay, “ Brooklyn Bridge,” the author explores the “appetite” of a particular New Yorker. This woman is described as staring,full of awe,at the New York Skyline from another borough. She is ambitious and sees New York as full of endless possibilities. Throughout the collection he portrays New York transplants or prospective residents as being driven by the longing to grab a piece of the city for themselves.This drive is a pattern that is repeated in these works of Whitehead. In his essay “Port Authority instead of focusing on the New York ideal of one individual Whitehead focuses on a body of people about to move to New York. Througout the collection Whitehead switches back and forth between focusing on an individual and focusing on a crowd. In this essay Whitehead also highlights the sameness within the people hustling and bustling in and out of Port Authority. He implies that the same quality of brokenness has led them all here, “They’re all broken somehow… Otherwise they would have come here differently,”(15). Even though they are all from different places and all have different destinations the essence of New York has drawn them all here. Colson’s account of the passengers shows that they are all feeling the same feelings of hope in regards to coming to New York. Although they all hope for different things the theme regarding the passengers is
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
Ellis portray New York as a city where it is horrible to live, filled with homeless men,
The tenement was the biggest hindrance to achieving the American myth of rags to riches. It becomes impossible for one to rise up in the social structure when it can be considered a miracle to live passed the age of five. Children under the age of five living in tenements had a death rate of 139.83 compared to the city’s overall death rate of 26.67. Even if one did live past the age of five it was highly probable he’d become a criminal, since virtually all of them originate from the tenements. They are forced to steal and murder, they’ll do anything to survive, Riis appropriately calls it the “survival of the unfittest”. (Pg.
Baldwin gives a vivid sketch of the depressing conditions he grew up on in Fifth Avenue, Uptown by using strong descriptive words. He makes use of such word choices in his beginning sentences when he reflects back to his house which is now replaced by housing projects and “one of those stunted city trees is snarling where our [his] doorway used to be” (Baldwin...
Michael MacDonald’S All Souls is a heart wrenching insider account of growing up in Old Country housing projects located in the south of Boston, also known as Southie to the locals. The memoir takes the reader deep inside the world of Southie through the eyes of MacDonald. MacDonald was one of 11 children to grow up and deal with the many tribulations of Southie, Boston. Southie is characterized by high levels of crime, racism, and violence; all things that fall under the category of social problem. Social problems can be defined as “societal induced conditions that harms any segment of the population. Social problems are also related to acts and conditions that violate the norms and values found in society” (Long). The social problems that are present in Southie are the very reasons why the living conditions are so bad as well as why Southie is considered one of the poorest towns in Boston. Macdonald’s along with his family have to overcome the presence of crime, racism, and violence in order to survive in the town they consider the best place in the world.
The book asks two questions; first, why the changes that have taken place on the sidewalk over the past 40 years have occurred? Focusing on the concentration of poverty in some areas, people movement from one place to the other and how the people working/or living on Sixth Avenue come from such neighborhoods. Second, How the sidewalk life works today? By looking at the mainly poor black men, who work as book and magazine vendors, and/or live on the sidewalk of an upper-middle-class neighborhood. The book follows the lives of several men who work as book and magazine vendors in Greenwich Village during the 1990s, where mos...
...pecially for second generation Torontonians, but detangling themselves from the family past and unhomeliness allows for the city to be seen as a much brighter place that enables them to come out and discover themselves further. In conclusion, in order to find “What We All Long For”, it is within ourselves to discover and reflect influences in our lives that weighs us down, to then either deal or cope with the situation to finally live a life free of anxiety, loss and pain.
When Willy and Linda purchased their home in Brooklyn, it seemed far removed from the city. Willy was young and strong and he believed he had a future full of success. He and his sons cut the tree limbs that threatened his home and put up a hammock that he would enjoy with his children. The green fields filled his home with wonderful aromas. Over the years, while Willy was struggling to pay for his home, the city grew and eventually surrounded the house.
His 2005 memoir, “Made in Detroit,” turned a coming-of-age story into a portrayal of a city on shipping pallets. This time around, he turns his time spent inside Budd to offer a disconcerting perspective at the declination of the American working class. It’s a retrogression, the story of a “reverse lifecycle,” Paul says. “Rather than distinguish the coming into being of a butterfly,” he says, “I wanted to capture the primal qualities exposing what was left; A chrysalis, fractured and shorn of its