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The chivalric code is a theme in almost all medieval tales of knights, and Parzival is no exception. The big difference between Parzival’s view of the chivalric code, and that of many other tales from the time is that, Parzival wasn’t raised with the code and only learned of it in his late teens, whereas the other knights were raised believing in it since birth. This puts Parzival in an interesting light, he is unbiased when learning about chivalry, yet he is so sheltered that he doesn’t much of it.
There are references to the chivalric code in literature dating back to the 8th century. The earliest story relating to, and directly approaching the chivalric code is the Song of Roland. A French epic that follows the trials of the nephew of Charlemagne, Roland. It was written sometime during the 12th or 13th centuries, but the story is set under Charlemagne's rule in 9th century AD. To this day it is one of the most clearly written, and easy to understand accounts, outlining of the chivalric code. It is given in seventeen commandments:
To fear God and maintain His Church ...
Code of Chivalry The code of Chivalry can be described as a brave, loyal, courteous, distinguished courage or ability that is admired for their brave and noble qualities. Chivalry is a system of ethical ideals that arose from feudalism and had its highest development in the 12th and 13th centenry.(Columbia ElectronicEncyclopedia).Respect is an essential part of chivalry.
There was never an authentic code of chivalry as such, yet there were qualities idealized as chivalric such as bravery. Bravery was shown through satire during the film as King Arthur and his knights would run into many things that would exemplify their bravery and they retreat or fall back. One example would be when King Arthur and his knights go through the forest and run into the knights of “Ni.” The Knights of “Ni” would back King Arthur and his knights down by using the term “Ni” and force them to find shrubbery to move forward. King Arthur and his Knights would then go get the shrubby to come back for the Knights to say they are no longer the Knights of “Ni” and that King Arthur needs to find another shrubbery. King Arthur and his knights would not knowingly use the word “it” to back the Knights of “Ni” down so they could follow on with their quest to find the Holy
This code of chivalry all came from King Arthur. It all began with Arthur’s father, Uther. Uther gets a sword from the Lady of the Lake and this sword is named Excalibur. Later on in the battle among England, Merlin (the magician) grants Uther his wish in return for whatever he asked for. As for this wish, Uther slept with Egrain’s wife as he asked and impregnated her with his soon to be son, Arthur. When Arthur was born Merlin came for what he was promised, and took Arthur away with him, raising him. What Merlin did know was that Uther’s son was soon to be the new King of England. This soon to be king, Arthur, must become a knight and granted the right to be king. However; there are three examples of chivalry from the two texts, "Sir Gawain and the Green Knight" and "Morte d’Arthur" are courage, honor and to protect the queen and all women.
T.H. White's novel The Once and Future King presents a code of chivalry that outlines the expected knightly behavior of the time. This particular code stresses loyalty to one's liege, love and respect toward women, and absolute devotion to justice. At the height of Arthur's kingdom, this code was widely accepted by all. However, as Arthur's kingdom begins to decline, the code of chivalry begins to hold less importance among the people. The fall of Arthur's kingdom is directly related to the absence of the code of chivalry in the behavior of the Knights of the Round Table. Sir Lancelot betrays Arthur when he has an adulteress affair with Guenever. Sir Lancelot also disrespects women when he leaves Elaine to be with Guenever in Camelot. King Arthur himself is disloyal to justice when he allows Guenever to be rescued by Lancelot.
Romantic gestures have been seen as a useful motive to win hearts of women for centuries. However, as society constantly changes, the effectiveness of these chivalrous acts has diminished. In James Joyce’s “Araby” and John Updike’s “A&P”, this theory is explored, both telling the story of a boy whose efforts to impress the girl of their desires fail. As said by Well’s in his critical analysis of these stories, “Both the protagonists have come to realize that romantic gestures—in fact, that the whole chivalric view [sic] --- are, in modern times, counterproductive”. These stories, despite the differences between the two characters, clearly show that the character’s world is changing, with chivalry becoming more obsolete.
Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very real, and obvious flaws, as a sort of social commentary on the way that knight's were perceived in the 14th century. To that end, he gave the Knight some qualities that could be termed as the antithesis of the qualities that a good and honorable knight should have. The second way I see Chaucer as satirizing chivalry is through the Knight's Tale. The Knight's Tale presents the "ideal" knights. They follow the codes of chivalry. They follow the graces of courtly love. They have duels. Have battle honorably. And, they also make fools of themselves on more than one occasion. Palamon and Arcita are so perfect, that they become parodies of the perfect knights. And, in the end of the tale, everyone ends up somewhat unhappy, and there is no clear winner. By writing this parody, Chaucer is trying to convey the idea that a lot of the ideals of chivalry are a bit silly. And, as all of the different tales reflect back on the characters of the pilgrims who tell them, the ideas in the Knight's Tal...
Chivalry began in the 12th century in the form of a knightly code of conduct,
Throughout literary history authors have created and restored figures from all times that seem to represent what is honorable and chivalrous. The two literary legends compared in this paper are Beowulf and Parzival. These two figures in their own way find within them what is virtuous.
Chivalry was a big part of this fourteenth century and it was embodied throughout the men of king Arthurs round table. In General, Chivalry was a set of religious values and moral goals that medieval knights
The epic poem, “The Lay of the Nibelungs” (1200’s), set to practice the major pillars in the code of chivalry that the Duke of Burgundy in the 14th century eventually condensed and ascribed to the Burgundian Knights: Faith, Charity, Justice, Sagacity, Prudence, Temperance, Resolution, Truth, Liberality, Diligence, Hope, and Valor. Though values bear merit, “The Lay of the Nibelungs” teaches that true worth and longevity comes from assessing the situation and applying intellect to the code, from submitting to God, and from not cheating the system (the laws and cultural norms of the time that be).
...ghthood within their story. Both poets remind the readers of the disparity between the ideals of chivalries presented in romances, and the reality of lived knighthood, highlighting how problematic the understanding of chivalry and Christianity (knighthood) could be for medieval audiences. Though chivalry shines as a brilliant light of the high civilization in the fourteenth century, both tales suggests that chivalry is at best a limited system, which achieves its brilliant at the cost of a distortion of natural life. It was part of the social and ethical system but did not take into account the entire range of human needs, mainly the fact of human morality and sense of human frailty. The context in which knights are depicted and celebrated in the medieval romance does not support a smooth connection between the harsh realities of a century of internecine strife.
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
In the middle ages knights in every kingdom were expected to follow basic rules set forth by the code of chivalry. According to this code a knight was supposed to show all of the following characteristics; prowess, justice, loyalty, defense, courage, faith, humility, largesse, nobility and franchise. If a man showed these characteristics he was said to be a good "chevalier," a French word for knight (Burgess 1). Marie De France, one of the more well-known female writers of the medieval period, used the term "chevalier" quite often in her Lais when referring to respected male characters. Unfortunately for women, the code of chivalry also meant that women would be held at a lower status than men and traded between the men of the court. In the article "Chivalry and Prowess in the Lais of Marie de France," Glyn Burgess notes that "most of the characters in Marie's Lais belong to the upper classes, and thus issues of loyalty, service and expertise in battle and hunting predominate" (1). These men adhere to the code of chivalry. Sharon Kinoshita, the author of "Cherchez la Femme: Feminist Criticism and Marie de France's `Lai de Lanval'," takes the opposing position and argues that in Lanval, "the title character's ultimate rejection of chivalric society is an expression of Marie de France's feminism" (1). While some male characters in the Lais of Marie De France do indeed show elements of the chivalric code, Lanval goes against the code and is eventually praised for it. In Equitan and Laustic while some male characters adhere to the code of chivalry, in the same Lais, some men defy it. Kinoshita says Marie shows feminism in Lanval by having the male protagonist go against the code of chivalry. Unlike in Lanval, the characters...
A good, chivalric knight should hold ladies in esteem. He should do all in his power to serve and protect ladies. Perceval’s mother instructs him to never “withhold [his] aid” from a lady or a “maiden in distress” (Lawall 1333). She says that “he who does not yield honor to ladies, loses his honor” (Lawall 1333)....
Chivalry dealt with loyalty honor, and service to women on and off the battle field’ (“The Medieval Period: 1066-1485” 76). The Knight in The Canterbury Tales is the perfect example of someone who follows the code of chivalry. Chaucer describes him with much admiration as “a most distinguishable man, who from the day on which he first began to ride abroad had followed chivalry, truth, honor generousness and courtesy” (Chaucer, "The Prologue." 117). While Chaucer praises the knight for ... ... middle of paper ... ...