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1. Mask of Agamemnon, size 12” (35cm), Location Mycenae, Greece, Date 1600-1500 BCE. The medium used is Gold. Hip Pendant of the Iyoba (Queen Mother) Idia, size 9 3/8 (23.8), Location Benin Kingdom, Nigeria, Date 16th Century CE. Medium Ivory, iron, and copper. 2. The Mask of Agamemnon illustrates the flat face of a man, the color is gold since is made out of gold material. The face is long and you can appreciate a wide forehead. The nose, however, has dimension, it is fine and pointy. The lips are thin and closed shut. In addition, you can appreciate the eyebrows that are thin and shaped with parallel lines. The face in this mask has a mustache and what looks like a beard, that is defined by lines. You can also appreciate the cheeks Both of the masks physically differ from one another since The Mask of Agamemnon is more flat in shape and wider than the Hip Pendant of the Iyoba. In addition, the ears are definitely different from the one from the Mask of Agamemnon, they are very much separated from the face. The nose is also different in shape, the Agamemnon mask is more thin and pointy and the mask if Iyoba is wider and the nose holes are much wider. Furthermore, the Mask of Agamemnon has no visible hair and the eyes are shut, while in the Mask of Iyoba the eyes are wide open and there is visible hair. 4. The masks are similar in appearance because they both depict a lot of detail in the ears you can clearly appreciate the ear folds and each of the mask. Both of the mask show complete facial features such as two eyes, a nose, lips a chin, cheeks and a forehead. 5. The mask of Agamemnon is three-dimensional and wide in shape. There are straight lines that depict the mustache, the eyebrows and beard. The eyebrows are arched in shape. The beard has a triangular shape. In addition, there is a single straight line across the center of the eyelid. The eyes are oval in shape. The chin has a circular shape. Overall the mask has a highly saturated look, it looks so vivid and it has a pure hue since its made out of gold. The ears are overlapping the face. The textured looks hammered and An Iyoba refers to the title of Queen Mother and this title is given to the woman who bears the “Oba” or first son, which is the future ruler of the kingdom. The “Iyoba” is believed to never have any other children and devote her life to raising the one son. Idia held the title of Iyoba while Esige was the Oba. She played an important role in her son's life since she helped to negotiate the end of the war during her son's reign. To honor her; her son gave her the title of Iyoba (Queen Mother) and it is believed that in order to commemorate her, her son Esigie “ is said to have worn the mask as a pectoral during rites”. Up to date, similar pendants are worn during spiritual
To conclude, both sculptures do not have much in common, but it is obvious that the artists had knowledge in human anatomy and was able to sculpt them spectacularly. It is also obvious the break from somewhat idealistic to realistic human nature. The change is so drastic that one might not believe that both sculptures come from the same Greece because it is so well-known for its astonishing artworks found in temples, building, etc.
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
The pieces of sculpture are both carved using the subtractive method of sculpting from stone. However, the types of stone used were very different. The sculpture of Mycerinus and Kha-merer-nebty II was carved from a stone called greywacke, a dark colored, very hard stone the Egyptians prized for sculpture despite the fact t...
Both pieces to me seem to represent godlike features. For example, in the palette the king is shown as larger than his enemies and in the stele the king is standing over the people and is much higher than them. As rulers, they are both depicted as strong and heroic and as humans, they are depicted as
A piece of art can leave distinct impressions with the viewer. The Assyrian Winged Protective Deity provides a plethora of stimulants for the eye. The relief emulates brute strength and power through the overall stature of the figure. The cuneiform writing above the relief greatly influenced the impression a viewer can receive through its narration about the figure. Other than Gilgamesh and the Assyrian Winged Protective Deity both being from Mesopotamia, they have numerous similarities.
Gudea wears a long garment that does not cover one of his shoulders and contains inscriptions written by Gudea himself. In the inscription he dedicates the statue to Geshtinanna, a goddess who interpreted dreams. Because the garment leaves the shoulder bare, viewers are able to see Gudea’s well-defined muscles. His eyes are wide open, symbolic of intense concentration, and he wears a wide brimmed hat. In the work, Gudea is seen as an amicable, strong, and righteous leader.
In ancient times, shields spoke yields of their owner and their beliefs. Sometimes, they even showed their owner’s eminent fate. In the Iliad and the Aeneid, the shields of heroes—Achilles and Aeneas—are described both similarly and differently. There are many similarities in their shields: both having received the shields from their goddess mothers. Both shields were made by Hephaestus/Vulcan. The shields were also described in depth, making the shields seem comparable. However, they differed in the images on the shields. In the end, the Iliad’s description of the shield was the more effective symbol of the two stories.
Odysseus and Agamemnon are heroes who fought side by side to take down the city of Troy during the Trojan War. In Homer’s The Odyssey, why is Agamemnon slaughtered when he arrives home while Odysseus returns to find his loved ones still waiting for him? The reasons for the heroes’ differing fates are the nature of their homecoming and the loyalty of their wives.
Marble statue of a kouros (youth), Greek, Attic, ca. 590-580 B.C. Fletcher Fund, 1932. Accession number: 32.11.1
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
In the past there were two types of shamans, the good and the bad. The good ones
Next, we should look at the brilliantly and elaborately detailed armor of Ares. The shield’s handle, the rivets along its edge and the circular decoration around the inside of the shield are meticulously done. Additionally, the shadow created with the change in hue, saturation, and value on the inside of the shield help create the depth and curvature of the shield. The body armor also implements a well-crafted mixture of shadows and smooth curved lines as well as color change to create depth. Had this not been so craftily accomplished, the shield would have taken on a flat and dull appearance. This is true for the lion head on the shoulder of Ares , which is able to convey the concept of layered gold on top of iron without using the layering of paint to create the three dimensional character. The more time I spent viewing the particular parts of the armor, the more admiration I had for Batoni as an artist. The helmet, with the golden dragon atop and ram around the lower front are also finely detailed.
The mask he wears could also be the link between actor and character. This is a similar idea in Six Characters as well with the fact that it is a blurred line often between who the actor is and who the character in the play is.
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
The main characters in Aeschylus’ Agamemnon formulate two different narratives about the death of their daughter, Iphigenia. As a result of their stories and coping mechanisms being different, the unity of their home is disrupted. Like most stories with multiple authors there are discrepancies, exaggerations, disregarded information, and changes in the way the story is told in order to support the narrators’ agenda. In Agamemnon, Aeschylus reveals through the transformed relationship between Clytemnestra and Agamemnon-as a result of the death of Iphigenia-that when marital partners have discrepancies in shared personal memories that their ideas of home and homecoming are also inconsistent.