The Character of the Green Knight in Sir Gawain and the Green Knight
In the most general sense, the Green Knight is an anomaly to the story of " Sir Gawain and the Green Knight," the only supernatural element in what is otherwise a very believable and wholly real rendering of a specific length of time. Gawain is momentarily tricked into believing‹or, rather, hoping‹that the garter is magical in nature, but both his fear and the Green Knight dispel him of that heathen notion. Thus on the one hand the poet warns us of the danger of accepting the supernatural qua supernatural, while on the other he demands that we understand the Green Knight to be an expression of the "power of Morgan le Fay," who is "well taught in magic arts." The effect of this then is to thrust the Green Knight into an even greater shroud of mystery than normal for Arthurian tales, which usually feature a whole cast of impossible characters.
From this isolated line of thought, it would seem as if the Green Knight ought to be held only to his own, strange, separate rules. Since he is the sole f...
A mysterious knight shows up at the king’s castle and calls himself the Green Knight. The Green Knight then challenges one to play a game which he challenges the king to strike him with his axe if he will take a return hit in a year and a day. Sir Gawain steps forward to accept the challenge for his uncle King Arthur when nobody else in the castle would. He took the King’s role in the game to protect him from the Green Knight. He must learn to accept his responsibility as a knight, in accepting his fate.
The Green Knight is a mysterious being where his actions are often left up for interpretation. The Green Knight is a supporter of the law and its justice system. The Knight who is viewed as monstrous does not have the typical monstrous personality however it is supernatural. As stated in the poem, “He met with the lord in the midst of the floor, and all with joy did him greet, and gladly he said:‘I shall fulfill the first our contract now, that we settled so speedily sparing no drink.’Then he clasped the lord and kissed him thrice, as strongly and steadily as he well could.‘By Christ,’ quoth the other, ‘you’ve found much luck in transacting this trade, if your profit was good.’” By creating a verbal contract with Sir Gawain, it shows the Green Knight has a binding trust with the law and justice system of his society. The Knight who is in respect with the law and justice system of the society forms a connection between the wilderness and natural
Of all the themes in Sir Gawain and the Green Knight, the one which stood out the most to me was that of deception. With the Green Knight, the “evil” and Sir Gawain, the “good”, we see both forces partake in deceptive practices to achieve the desired outcome they sought. Throughout the poem, Sir Gawain’s moral compass was constantly being tested with deception being used to gage his level of loyalty, morality, and chivalry. The “game” that the Green Knight was hell bent on playing was not an honest one. He utilized a host of deceptions to gain the results that he sought after—there was little to no room for error with him. First, he presented a challenge in which he alone knew that he would not perish. When he asked for a volunteer to strike him with the ax, the Green Knight
Over the course of the poem Sir Gawain and the Green Knight, Sir Gawain faced situations that influenced his character which can be taken and analyzed for a teenager today. A teenager typically faces the issue of blending in and accepting who they are in high school, and by viewing Gawain’s experiences and changes, we can use it to adapt along with our peers in school. Initially, he is seen as a humble and unpopular knight amongst every other at the round table in Camelot. However this changes after engaging in a violent game with the Green Knight. Gawain gained fame over the course of a year, and as a result it had changed his initial outlook on his loyalty to the chivalric code, as well as his values on life.
I woke up at John Morris’ house, on his coach. As I knocked a flyaway hair out of my face I noticed my face was wet, with tears, and then it all hit me at once that my Dad and Mrs. Borden were dead. Suddenly I couldn’t breathe. I heard John Morris ask if I was alright, but that seemed like a completely different world, I responded with a meek okay, so Mr. Morris wouldn’t see me like this. That didn’t work though, I saw his tall shadowy figure ducking under the door frame with tea. As Mr. Morris sat down and put the tea on the coffee table in front of us, I turned my head and quickly wiped the tears from my eyes in hopes he wouldn’t see.
Dissimilar to King Arthur’s opulent and boyish description, the Green Knight appears earthly, like an overgrown lumberjack in a debutante ball. His very entrance to the narrative aims to shatter Camelot’s superficial relationship with earthly trials. While Arthur seeks pleasure in hearing tales “of some fair feat” (92), the Green Knight undermines all formality known to be chivalrous challenging the king to a life risking game. With a “broad neck to buttocks” (137), (opposed to Arthur’s’ court depicted in the ever regal color red,) the Knight is clothed in green, the color of nature. He appears with no armor other then his faith, merely a utilitarian woodsman’s ax. While Green Knight is described like an animal who is said to have “wagged his beard” (306) yet understands the cyclical nature of life and truth of mans futility, it is only after Sir Gawain proclaims his lack of strength (though he says it at that point as a matter of chivalry) that he is able to ...
The Green Knight begins to mock the court; and then boldly, King Arthur accepts his challenge. Sir Gawain realizes that this should not be the king’s responsibility for there are others present worthy of the challenge including him. Symbolically, this scene can be seen as a Christian standing up for what he believes in. Gawain says, “I am the weakest, well I know, and of wit feeblest;/ And the loss of my life would be least of any; (354-355). Here, Gawain humbles himself before his lord, just as a Christian should in prayer to God.
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
In Gawain and the Green Knight, the narration shows a complex level of characteristics of Sir Gawain including what makes him the embodiment of a Christian man and how he 's also very much human. When he juxtaposed to the Green Knight, who 's the symbol of nature and the Pagan ideas, his character is shown through even more.
"Out, Out--" by Robert Frost is a poem about a young boy who dies as a result of cutting his hand using a saw. In order to give the reader a clear picture of this bizarre scenario, Frost utilizes imagery, personification, blank verse, and variation in sentence length to display various feelings and perceptions throughout the poem. Frost also makes a reference to Macbeth's speech in the play by Shakespear called Macbeth which is somewhat parallel to the occurrences in "Out, Out-."
Sir Gawain and the Green Knight fit in with the concept of a romance; it has all the elements that would make one consider the text as so. The tale holds adventure, magic, a quest and an unexpected reality check that even those who are considered “perfect” are also just humans. The author used this story as a way of revealing faults in some of the aspects of knighthood through the use of intertwining chivalric duty with natural human acts; thus showing to be perfectly chivalrous would be inhuman.
No poet does a better job of stressing the abruptness of death as Frost in his poem, “Out, out –”. Death is the one of the more central themes among most works of art and normally befalls on the speaker’s loved one. In this case, “Out, out –” is about an innocent boy who accidentally severs his hand with a buzz saw; the entire scene and the family’s reactions described by an observer. Throughout the poem, Frost finds creative ways to intensify the boy’s death and readers may wonder why he focuses on such a heavy and distressing issue. Every verse builds up upon one another, sometimes enjambed together with a variety of figurative language, until the boy succumbs to his injury. By combining an irregular form of iambic pentameter with dark symbolism, Frost captures the inevitability of death and its cruel, unpredictable appearances.
“Neither Out Far Nor In Deep” by Robert Frost chose to use multiple short, complete sentences for each stanza. The first stanza, for example, has three sentences; with the start of each unique sentence, the action being described is new and different from the first one. He could have blended the actions all into one sentence, yet he didn’t. Instead, he wrote, “The people along the sand/ All turn… They turn… They look…”. The frequent stops force the reader to slow down when reading; it forces them to pay more attention to what’s being said and the severity of it. There is also an interesting juxtaposition between the actions throughout the poem and the actions described only in the last stanza. Prior to the final stanza, each action is absolute.
There have been many interesting and appealing poems written throughout history. One of the most interesting and appealing poems is Robert Frost’s “Out, Out”. The poem has the ability to make the reader visualize an event in vivid detail without making it into a short story. The poem depicts a very dramatic scene and makes it seem as if the reader is really there. Poems are generally thought to be about love and feelings, but some poems can actually be like a short story; these are called narrative poems, which means that they tell a story. The poem “Out, Out” is a great example of a narrative poem, telling the story of a young boy cutting a tree.