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Love in much ado about nothing
The presentation of love in much ado about nothing
Essay on the character of claudio in much ado
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The Character of Claudio in William Shakespeare's Much Ado About Nothing
"Much Ado about Nothing" is not unlike other Shakespearean comedies.
These stories usually deal with the main idea of young people who are
in love with each other. They encounter difficulties which they have
to deal with so that they can both live together, happily ever after.
In "Much Ado about Nothing", Claudio and Hero are the young characters
in the play, who along with other characters struggle through their
difficulties to make their lives better. Claudio, the main figure in
"Much Ado about Nothing" is more of a romantic hero in the play. He,
like other heroes in Shakespearian comedies, has a fault in his
character. This fault leads to an error on his part in which he has to
suffer through the consequences before being regenerated, forgiven and
deemed worthy of true love. However Claudio is a less than perfect
romantic hero. Notably, he constantly changes his character throughout
the play. In Act1 Scene1, Leonato is reading from a letter sent to him
by Don Pedro who "bestowed much honour on the young Florentine called
Claudio", also the messenger in Act1 Scene1describes Claudio as the
"noble Claudio" these sentences tells the reader that Don Pedro and
the community obviously thought well of "young" Claudio who performed
very well during the battle. Hence, Claudio arrives on stage in a high
mood similar to that of one who has just won a battle. This just goes
to show that he is experienced and prosperous in battle but the public
still think of him as too young to have won those battles.
Furthermore, Don John's insulting description of Claudio in Act1
Scene3 ...
... middle of paper ...
...uty. He does not sound
very much interested in their inner qualities such as character and
personality.
Then again, Claudio is sincerely amazed and happy at the discovery
that hero was alive where he exclaimed in Act5 Scene4 "Another Hero!"
In conclusion, at the end of the play, Claudio has transformed to have
many different personalities, some noble, others loathing. Still, he
is very much the romantic hero that he was at the first instance of
the play. Readers would assume that Claudio has been matured by the
experiences he had endured; they would feel that he is now more
capable than he was at the beginning to know the entity of love.
Finally, Claudio's actions have a very religious factor where he sins
against Hero and her family, he asks for forgiveness, he is forgiven
and life becomes blissful ever after.
When Aunt Alexandra first arrived at the Finch house, she took over as if she had been living there her whole life. When arriving home, Jem and Scout found her, “sitting in a rocking chair exactly as if she had sat there every day of her life.”(p. 168). From the very beginning, Aunt Alexandra felt she should be completely in charge. The first thing she said was, “‘Put my bag in the front bedroom, Calpurnia,’” (p. 169). Aunt Alexandra treated Calpurnia as if Calpurnia was her servant. Aunt Alexandra was a strong influence within the Finches home, from the beginning. It did not do much of anything in the end, yet Jem and Scout saw a different side of their father, Atticus. “Atticus suddenly grew serious. In his lawyer’s voice, without a shade of affection, he said: ‘Your aunt has asked me to try and impress upon [Jem] and Jean Louise that you are not from run-of-the-mill people, that you are the product of several generations’ gentle breeding−’”(p. 177). This may have been one of the first times that the children...
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
In the play, “Much Ado About Nothing”, love and romance play a major role throughout the play.It takes place in Messina. The play has a lot of characters that fall in love with each other. Besides romance and love there is a lot of jealousy in the play. Characters will have up and down moments throughout the book, but they will all get together at the end of the story. Many scenes in the play will be about characters making other characters fall in love by telling one another that one likes the other. The play is all about characters getting together and being happy.
Aunt Alexandra is Atticus' sister. She moves to live with Scout and Jem because she wants to teach them the right way of growing up since their mom is dead. As she watches them grow up, she grows up mentally also. “People up there set them free, but you don't see them setting at the table with them. At least we don't have the deceit to say to them ‘yes, you are as good as we are but stay away from us’ said Mrs.
Daydreaming that the girls will all be fawning over him, Sammy makes a stand against Lengel and his motive is to receive thanks from the girls for his brave deeds. Yet, 180 degree turn for his expectation when he quits and departs from A&P, “they are gone of course” (835). Sammy may have quit his job and announces it loudly, the girls think about the embarrassment they had before and left Sammy with resentment. The idea dawned upon regarding in this situation is Sammy made an involved mistake. This type of mistake is familiar with nature of a person but take efforts to prevent it. Without distinguishing what is right or wrong, defending from the right side may results a fake vision and the wrong side may leads the person to misery. Along with the depression from the being left behind, Sammy regrets about the gestures that is “[fold the apron, ‘Sammy’ stitched in red and put it on the counter]” (835), he made before he walks out of the doors. As soon as he steps out of A&P, Sammy does not know what to expect or do. All he realized is that he was forced to be a dynamic character when he quit his job and has to put away in juvenile self to go into adulthood. This reveals one complex mistake which is making decisions that has unpleasant outcomes and unable to avoid them. The complex mistake that young people tend to results make is making a sudden
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Aunt Alexandra is a negative influence on Jem and Scout. She is a refined lady with great knowledge about good conduct, and tries to impose this especially on Scout in ways that are unsuccessful and even hazardous to her growth and self esteem. She is strongly opposed to Scout’s attire which consists of overalls and pants, and demands that she act lady-like by changing into a skirt or dress. She is making Scout conform to the ideal vision of a stereotypical girl in the Nineteen-Thirties, which gives Scout a message that her individuality is unacceptable.
At the beginning of To Kill a Mockingbird, Jem and Scout are typical and carefree children who haven’t seen the world outside of Maycomb. Unfortunately, they are exposed to evil much too early in their lives due to their father’s profession as a lawyer. Scout, the younger and more ou...
STUDENT - A tragic hero finds his psychological mistakes himself. He goes discovering his mistakes – what is the problem with him
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
The parenting techniques that Atticus employs for Scout and her older brother Jem seem, at first blush, to lack the necessary structure that his children need to learn proper manners. This may partially be due to his work obligations, and the fact that his wife died which Scout was only a baby. Instead of their mother, his colored house maid and cook, Calpurnia, is a positive influence on the children and maintains order in the home. His sister, Aunt Alexandra, is critical of this parenting approach. She is especially particular about making Scout into a lady, declaring that Scout “wasn’t supposed to be doing things that required pants” and that she should “behave like a sunbeam” to brighten her father’s lonely life (Lee 81). Men and women like Aunt Alexandra who hold the ...
...d weakness along with his experience of his father's failure that is considered his flaw. It is his dislike for whatever his father likes and how this reflects on his personal character and the way he treats others that will lead to his downfall.
self- doubted person, which had led him into making the inaccurate decisions and taking the
The Development of the Character of Othello as Shown by his Use of Language and Imagery in William Shakespeare's Play
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.