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Relationship between falstaff and hal henry iv part 2
Relationship between falstaff and hal henry iv part 2
Character of Falstaff in Henry 4 part 1
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The Character Falstaff in Shakespeare's Henry IV
Sir John Falstaff has a number of functions in 1 Henry IV, the most obvious as a clownish figure providing comic relief. His many lies and exaggerations entertain because of the wit and cleverness he employs to save himself from paying debts and answering for crimes. He in many ways represents an everyman--a sinner with little shame or honor, who nonetheless maintains at least an outward concern for honor and appearances. "If sack and sugar be a fault, God help the wicked! If to be old and merry be a sin, then many an old host that I know is damn'd. . . . [Banish the others] but for sweet Jack Falstaff, kind Jack Falstaff, true Jack Falstaff, valiant Jack Falstaff . . . banish plump Jack, and banish all the world." (II.iv) Clearly, Falstaff hopes to exculpate himself by arguing that his sins are no worse than everyone else's.
And it is this aspect of Falstaff, that he is like the others, that is perhaps the most intriguing--Is Falstaff a foil or mirror of the other characters, notably Hotspur and Prince Hal? We see Shakespeare setting up parallel situations that reveal how we should read the characters. For example, many critics see a kind of teacher/student or even father/son relationship in Falstaff and Hal's relationship. This relationship is not filled with mutual respect however. Falstaff no doubt hopes that his fraternizing with the young Prince will mean a pay-off in titles, money, and prestige when Hal comes into power. Falstaff asks the Prince, "Do not thou, when thou art king, hang a thief" (I.ii); thieving is after all Falstaff's "vocation," so he shows here that he is already thinking of how to gain an advantage of the future king's influence. As for Hal, he c...
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...honor of the bawdy house, of the drunken boast, but true honor that is based in fact and in deed. He can rise to the occasion of besting the best of the foemen. He rejects his false "father" Falstaff and rushes to the aid of his real father, saving him in battle. Yet, he has taken something from Falstaff too, and that is his humor, his flexible mind, his joy of life. He lets stand Falstaff's absurd claim that he Falstaff has killed Percy. In this, Hal shows modesty and true self-confidence. To that he has blended Hotspur's valor and honor while avoiding Hotspur's brittle hair-splitting and unalloyed pride. In Hal, Shakespeare successfully merges the two extremes of Falstaff and Percy into a human and humane whole.
Works Cited:
Shakespeare, William.Henry IV.In The Norten Anthology of English Literature.Eds.
M.H. Abrams et all. 5th Ed. New York: Norton, 1987.
Through characterization, Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play, Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince. Hal’s remark to his father indicates a strong, independent mind, predicting that Douglas and Hotspur will not accept Henry’s offer because of their love for fighting. Henry’s reply, in turn, indicates a change in attitude towards his son, a newfound respect. Acknowledging Hal’s prediction, the king orders preparations to begin, and we see he has his own set of solid moral values: knowing that their ‘cause is just’ helps him to reconcile with his highly honourable conscience that there is indeed cause for war.
Prince Hal is initially portrayed as being incapable of princely responsibilities in light of his drinking, robbery and trickery. Yet, Shakespeare reveals that Hal is in fact only constructing this false impression for the purpose of deceit. Prince Hal’s manipulative nature is evident in his first soliloquy, when he professes his intention to “imitate the sun” and “break through the foul and ugly mists”. The ‘sun’ Prince Hal seeks to ‘imitate’ can in this case be understood as his true capacity, as opposed to the false impression of his incapacity, which is symbolised by the ‘foul and ugly mists’. The differentiation of Hal’s capacity into two categories of that which is false and that which is true reveals the duplicity of his character. Moreover, Hal is further shown to be manipulative in the same soliloquy by explaining his tactic of using the “foil” of a lowly reputation against his true capacity to “attract more eyes” and “show more goodly”. The diction of “eyes” symbolically represents public deception, concluding political actions are based on strategy. It is through representation and textual form that we obtain insight into this
first we think that as Falstaff is the older one of the two, that he
one's eyes as time passes, but because it reigns the ebb and flow of the tides.
Humans are addicted to judging others on their first impression. Humans will never read into the book, they just look at the cover. Many people, both fictional and nonfictional can not be judged until you study them. Someone who first appears to be only comic relief, could end up to be a very important character. Sir John Falstaff is but one of these people. Falstaff's righteousness hides under his vocalization. John Falstaff's character is hard to understand without analyzing his words. He loves to play games with his speech. Falstaff tricks his audience with complex words and phrases. Often John would win over his opponent by tricking them into saying things that they did not mean or getting them to think that he is not that bad. Falstaff said this in Part I act II scene IV. "... A question not to be asked. Shall the son of England prove a thief and take purses? A question to be asked. There is a thing, Harry, which thou hast often heard of, and it is known to many in our land by the name of pitch. This pitch, as ancient writers do report, doth defile; so doth the company thou keepest. For, Harry, now I do not speak to thee in drink, but in tears; not in pleasure, but in passion; not in words only, but in woes also; and yet there is a virtuous man whom I have often noted in thy company, but I know not his name." In this passage, the Prince and Fastaff trade places in speech and try to make the other look dumb. Fastaff later goes on to say that this wonderful person that the King is talking about. The way Falstaff does this proves him to be very keen. He proves that even though he may look dumb, he will still put up a good fight. Falstaff is very bold about his thoughts and opinions. He stands out because he is not afraid to think his own way. While most people agree, because of the other people around them, Falstaff chooses to make his own decisions and think for himself. This is proven when Falstaff and the prince switch places in a verbal fight. Every one else in the book thinks of the Prince as a perfect young man because he is the prince, however Falstaff is too smart for this, he points out that the prince is a thief.
Falstaff who seems to be Hal’s role model while in the Tavern, is putting forth a great deal of effort to have Hal conform into the lowlife that he himself has made himself out to be. Falstaff teaches Hal how to lie, cheat, and steal, but Hal seems to have a mind of his own. He tells his father that at any given moment he can change his character and be what his father wants him to be. Henry declines to believe these statements.
...in themes similar to those found in the two Henry IV plays, such as usurpation, rebellion, and the issue of lineage of royal right. But Richard II and King Henry V are decidedly more serious in tone, and in comparing them to I Henry IV and II Henry IV, the argument can be made that it is these two latter plays which resound with greater realism with the broader spectrum of life which they present. Shakespeare carefully balances comedy and drama in I Henry IV and II Henry IV, and in doing so the bard gives us what are perhaps the most memorable characters in all of English literature.
At the start of the play, the reader sees that Prince Hal has been acting in a manner which has disappointed his father. The King compares Hotspur to Hal, saying that Hotspur is ìA son who is the theme of honour's tongue,î and that ìriot and dishonour stain the brow of [Hal] (I.i.3).î He even wishes that the two were switched: ìThen would I have his Harry, and he mine (I.i.3).î The King obviously does not approve of Hal's actions, and believes that, if Hal does not change his ways, he will be a poor successor to the throne.
Shakespeare, William. "Henry V." The Norton Shakespeare: Histories. Eds. Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katherine Eisaman Maus. London: Norton, 1997. 726-795.
Hal understands that those of high birth have a greater responsibility to be honorable. The jealousy that comes with the persistent protection of one’s honor is a characteristic seen in almost every noble figure, but Hal’s attitude toward honor is different than those around him- especially Hotspur. Unlike Hotspur, who serves the code of honor, Hal intends to abuse it by postponing his acquisition of honor so that when he eventually attains it his reputation will seem greater than it would’ve originally.
Meditation comes in two forms, focused-attention and open-monitoring meditation. Focused-attention meditation is where one focus on one specific thing, such breathing or a particular object outside of you. The point of this type of meditation is to focus strongly on one point and continually bring your attention back to that focal point when one is distracted. Open-monitoring meditation is slightly different in nature. In this type of meditation, one simply pays attention to all that is happening around them. This is done without reacting to any outside forces.
He is happy being a drunkard and someone who indulges what he wants. But he also realizes that it is not the type of life that a prince, or a king, should associate himself with, which leads him to his pleading—another reason the scene is prophetic. He pleads with Henry about his morality, much like he will do later in the play and in Henry IV: Part II. Though the play extempore is supposed to prepare Henry for his encounter with his father. Falstaff realizes it may be a good time to practice the inevitable encounter that he will have with Hal once he becomes king. This argument can be further developed when one realizes that it was Falstaff that called for the play extempore, not Hal. Falstaff knew he wanted a trial run before Hal’s kingship, so he gave himself one. However, Hal’s only reaction to Falstaff’s final speech is his line, “I do, I will” (2.4. 465). Some may take this as his answer to Falstaff that he will pardon him, and continue to be his friend. But the argument could be made that Hal is saying that line more to himself than to Falstaff. He is saying that he will do what’s necessary to be a good king. That he does have what it takes to leave a life he enjoys for a life of
Steps for concentrative meditation, (1) find a quiet place, (2) sit in a comfortable position upright, (3) find an object to dwell on, for example your breathing, or on a particular word that is repeated, (4) a passive attitude, meaning do not get upset when distracting thoughts
This questioning of what is actually important, physical needs or conceptual ideals, was relevant in Shakespeare’s time, and still is today. Living under Elizabeth I, the product of major religious upheaval, Shakespeare may have been disillusioned with the worlds of kings and queens of which he wrote. The belief in the importance of honor and reputation was still very popular during this time period, and in a play in which the entire plot revolved around these ideals Falstaff’s speech sticks out. This may have been a subtle critique of these values held so dearly by Shakespeare’s
The power of thought is an incredible force that controls our actions and emotions. Often these thoughts can lead to distractions, suffering, and stress. However, many forms of meditation ease and diminish the negative ideas that humans face. Meditation has been practiced since ancient times and has a variety of different approaches and methods, but I will focus on what has helped me the most in my life, Zen meditation. As an individual who battles with anxiety and obsessive-compulsive thoughts daily, conscious-altering methods such as meditation have allowed me to escape my compulsive and frightening thoughts and relax my body