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Themes of poetry love
Essay on love in English poetry
Essay on love in English poetry
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“The Century Quilt,” is a poem that illustrates the narrator finding a quilt that she hopes will hold the same significant power as her Meema’s Indian blanket. In this poem, the narrator uses the theme, symbolism, and personification to illustrate the coming of age and dreams. First, the theme of the poem is the narrator’s coming of age and dreams. Based in lines nine through twelve it states,” […] I’d planned to inherit that blanket, how we used to wrap ourselves at play in its folds and be chieftains and princesses.” This statement examples the coming of age in the theme because the narrator is discussing that she will soon be at the age where she will be passed the blanket and then reminisces on her and her sister’s adolescents playing with the blanket. Also, in lines thirty-six through forty-three it states,” Perhaps under this quilt I’d dream of myself, of my childhood miracles […] Within the dream of myself perhaps I’d meet my son oy my other child, as yet unconceived.” These lines show the theme of dreams because when she is under this quilt, she wants to be able to dream of her childhood memories and dream of her future and want it holds just as her Meema dreamed under her blanket. …show more content…
The symbolism in the poem is Meema’s blanket and the narrator’s new quilt because they symbolized protection from reality.
For instance, in lines twenty-one through twenty-five it states,” I think I’d have good dreams for a hundred years under this quilt, as Meema must have, under her blanket, dreamed she was a girl again in Kentucky […].” The blanket symbolized protection from reality because as Meema lay under it, it caused these dreams of her childhood and innocence to recur and gave her a chance to hide away from reality. The narrator also wants the chance to escape reality and dream about her childhood memories and future just as Meema
did. Lastly, the other literary device is personification which also supports the theme of coming of age. As people become older, they become more aware of reality and the quilt was protecting her from that reality of growing older. For example, in lines eighteen through twenty it states,” Each square holds a sweet gum leaf whose fingers I imagine would caress me into the silence.” These lines illustrate that the narrator gave the “sweet gum leaf,” which are leaves with an average of five peddles slightly attached to each other like a hand, the characteristic of having fingers like humans. In conclusion, the coming of age and dreams, symbolism of protection, and personification is illustrated clearly understood in this poem.
Quilt making in the African American community has a long history dating back to the 18th century and has been important for ways of communicating social and political conditions. During the time when African Americans were enslaved, quilting became a popular way of communicating safety to African Americans escaping their way to freedom, up north. The tradition of Quilting was past down form generation to generation, by mother’s to daughter’s as a way of teaching the daughter about the past and giving them a valuable skill that could add to their lives. In the series Bitter Nest by Faith Ringgold, Ringgold’s communicates her life experiences with her daughters though using the art of story telling, traditional African materials, the art of quilting, and elements of art to make a unique story-quilt that appeals to African Americans of all ages.
In this poem, there is a young woman and her loving mother discussing their heritage through their matrilineal side. The poem itself begins with what she will inherit from each family member starting with her mother. After discussing what she will inherit from each of her family members, the final lines of the poem reflect back to her mother in which she gave her advice on constantly moving and never having a home to call hers. For example, the woman describes how her father will give her “his brown eyes” (Line 7) and how her mother advised her to eat raw deer (Line 40). Perhaps the reader is suggesting that she is the only survivor of a tragedy and it is her heritage that keeps her going to keep safe. In the first two lines of the poem, she explains how the young woman will be taking the lines of her mother’s (Lines 1-2). This demonstrates further that she is physically worried about her features and emotionally worried about taking on the lineage of her heritage. Later, she remembered the years of when her mother baked the most wonderful food and did not want to forget the “smell of baking bread [that warmed] fined hairs in my nostrils” (Lines 3-4). Perhaps the young woman implies that she is restrained through her heritage to effectively move forward and become who she would like to be. When reading this poem, Native American heritage is an apparent theme through the lifestyle examples, the fact lineage is passed through woman, and problems Native Americans had faced while trying to be conquested by Americans. Overall, this poem portrays a confined, young woman trying to overcome her current obstacles in life by accepting her heritage and pursuing through her
Heritage in a family can be preserved in many different ways. Be it a diary written by your great great grandpa or a pot your grandma passed on to your mum who passed it on to you, nothing compares to the great comfort in understanding ones heritage especially when it involves the deep love and devotion of a strong mother. In the poem "My Mother Pieced Quilts" by Teresa Acosta and the short story "Everyday Use" by Alice Walker, both authors use imagery and figurative language to establish a quilt as a symbol for a mothers love of her children to illustrate their themes.
The symbols that stand out to understand the central concern of the poem are the camera, the photograph of the narrator and the photograph of the narrator’s grandmother. The camera symbolizes the time that has passed between the generations of the grandmother and the narrator. It acts as a witness of the past and the present after taking the photos of the narrator in the bikini and the grandmother in the dress. Her grandmother is wearing a “cotton meal-sack dress” (l. 17), showing very little skin exposure, representing
There exists, in each and every individual, a desire to belong to something greater than one’s self. While there is much in life that one must discover on their own, the security ensured through the bonds of acceptance provides many with a means of identification. Such classification is exemplified in the poem “The Century Quilt” by Marilyn Nelson Wenick, where familial bonds are examined through the means of a family coverlet. Through the utilization of literary techniques, the author effectively develops the complex meaning of the century quilt.
In "Everyday Use" by Alice Walker, two sisters want the handmade quilt that is a symbol of the family heritage. Alice Expresses what her feeling are about her heritage through this story. It means everything to her. Something such as a quilt that was hand made makes it special. Only dedication and years of work can represent a quilt.
The poem is about the early stages in the narrator’s pregnancy. The doctor gives her news that the baby may be unhealthy. In a state of panic, we see the narrator turning to the methods of her homeland and native people to carry her through this tough time, and ensure her child’s safe delivery into the world. Da’ writes, “In the hospital, I ask for books./Posters from old rodeos. /A photo of a Mimbres pot /from southern New Mexico /black and white line figures—/a woman dusting corn pollen over a baby’s head/during a naming ceremony. /Medieval women/ingested apples/with the skins incised with hymns and verses/as a portent against death in childbirth” (Da’). We not only see her turning to these old rituals of her cultural, but wanting the items of her cultural to surround her and protect her. It proves her point of how sacred a land and cultural is, and how even though she has been exiled from it, she will continue to count it as a part of her
Quilt of a Country by Anna Quindlen and Making the Future Better Together by Eboo Patel are two different books that overlap with each other multiple times. Eboo Patel focuses mainly on the future of our youth while Anna Quindlen writes about our patchwork nation. In both essays you see talk of diversity and unity.
The main objects of topic throughout the story are the quilts that symbolize the African American Woman’s history. Susan Farrell, a critic of many short stories, describes the everyday lives of African American Women by saying “weaving and sewing has often been mandatory labor, women have historically endowed their work with special meanings and significance” and have now embraced this as a part of their culture. The two quilts that Dee wanted “had been pieced together by Grandma Dee and then Big Dee and me [Mother] had hung them on the quilt frames on the front porch and quilted them” (par. 55) showing that these quilts were more valuable as memories than they were just blankets. The fabrics in the quilts “were scraps of dresses Grandma Dee had worn fifty and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the piece of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War” (par. 55) putting forth more evidence that these are not just scraps, but have become pieces of family history. The q...
Sexton connects her misfortunes in life to the memories of her childhood and she awakens herself from the dream she has fabricated over time to the truth of her reality. As the poem progresses from the line mentioned above, Sexton becomes more frantic and distraught.
"Recollection" is defined by the Merriam-Webster Dictionary as the action or power of recalling to one's mind. In the lives of people, the moments we recall are usually the ones that make an impression on us, or the moments that mean the most to us. Certainly this moment in the author's life holds meaning and made a lasting impression on her. She recalls being both tired and "very merry," an emotional state obviously effected or even brought on by her partner. Whether this unnamed person is a sibling, a lover, or merely a friend is unclear, but the way in which the author remembers the night suggests romance. "We were very tired, we were very merry- We had gone back and forth all night on the ferry." These are the first two lines of the poem. The author wants the reader to know that while they were drained of energy, they were still in high spirits. We know this is important to the tone of the poem because the first two lines of each stanza are these same two lines, repeated a total of three times throughout the poem. It is a testament to human will that even without sleep and exhausted, the company of another person can keep the emotions positive.
Although the little girl doesn’t listen to the mother the first time she eventually listens in the end. For example, in stanzas 1-4, the little girl asks if she can go to the Freedom March not once, but twice even after her mother had already denied her the first time. These stanzas show how the daughter is a little disobedient at first, but then is able to respect her mother’s wishes. In stanzas 5 and 6, as the little girl is getting ready the mother is happy and smiling because she knows that her little girl is going to be safe, or so she thinks. By these stanzas the reader is able to tell how happy the mother was because she thought her daughter would be safe by listening to her and not going to the March. The last two stanzas, 7 and 8, show that the mother senses something is wrong, she runs to the church to find nothing, but her daughter’s shoe. At this moment she realizes that her baby is gone. These stanzas symbolize that even though her daughter listened to her she still wasn’t safe and is now dead. The Shoe symbolizes the loss the mother is going through and her loss of hope as well. This poem shows how elastic the bond between the daughter and her mother is because the daughter respected her mother’s wish by not going to the March and although the daughter is now dead her mother will always have her in her heart. By her having her
exactly what's going on and begins to resent Wangero even more. The quilts themselves are symbols in the story, interpreted in different ways, by the narrator, the author, the reader, and Wangero. Again, Walker uses the narrator's simplicity to her advantage. While Wangero sees the quilts as a symbol of her heritage, the narrator. sees them only literally, as blankets to be used, not saved for. cultural posterity.
“ maybe it is her birth which she holds close to herself for her death which is just as inseparable and the white wind that encircles her is a part just as the blue sky hanging in turquoise from her neck oh woman remember who you are woman it is the whole earth”(1-12). This poem besides being short it gives a brobdingnagian message which for me the blanket means memories, which this particular authors writes about, as memories is used for the
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...