Edgar Allen Poe wrote a tale about two friends, Montresor (the main character) who feels very offended by an insult that Fortunato (his friend) made towards his family. The insult is unknown, but Montresor won't give up until he gets his revenge on Fortunato. The story is told from a first person point of view. The reader is led through the story by the narrator, Montresor. And in order to get the reader to understand the situation and the time that it takes place, Edger Allen Poe uses details of setting -- clothing, rooms, and sounds -- to create a mood of horror for the readers. Poe's description of the clothing of Montresor and Fortunato suggests an atmosphere of darkness and evil. Fortunato is introduced as being part of the Italian carnival season and wearing a costume of a jester, "The man wore a motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells." (744). Montresor is introduced in the book as wearing, "A mask of black silk and drawing a roquelaire (a knee-length cloak) closely about my person" (745). Besides the detail of the characters' clothing to create a mood of horror, Poe also describes in vivid detail of the underground rooms of Montresor's house. The journey taken to the underground rooms were described as going through several rooms and down a long winding staircases that ended at length to the foot of the descent on the damp ground of the catacombs of the Montresors (745). The vaults were described as, "insufferably damp and encrusted with nitre that hangs like moss upon the vaults" (745-6), and having a "white web work which gleams from the cavern walls" (745). And it also described them passing through, "walls of piled bones, with casks and puncheons intermingling" (746). The deep crypt was said to have a foulness sent in the air, the walls lined with human remains, and a mound of bones thrown down on the floor (746)."Within the wall thus exposed by the displacing of the bones, we perceived a still interior recess, in depth about four feet, in width three, in height six or seven." (746-7) was the description that Poe gave to described the area where Fortunato would be chained for the rest of his life. Perhaps the most striking details of the setting to evoke horror are the author's description of sounds.
However, the struggle goes deeper once one has read the entire story. With great detail, Montresor is telling this tale fifty years after the fact. Why take the nearly last piece of evidence Poe has left, “For the half of a century no mortal has disturbed [Fortunato’s bones]” as the key source of information to shine the light upon? (Poe) This quote is the link to the growing suspicion that this murder is not so perfect.
The setting of a story lays the foundation for how a story is constructed. It gives a sense of direction to where the climax is headed. The setting also gives the visual feedback that the readers need to picture themselves into the story and comprehend it better. Determining the setting can be a major element towards drawing in the reader and how they relate to a story. A minor change in the plot can drastically alter to perception, interpretation, and direction of the message that is delivered. These descriptive elements can be found within these short stories: “the Cask of Amontillado”, “The Storm”, “The Things They Carried”, “Everyday Use”, and “The Story of an Hour”.
While at the carnival, Montresor bought some of the finest Amontillado wine to use in his vengeful plan to murder Fortunato. He then meets his "friend," Fortunato. Fortunato is wearing "a tight fitting parti-striped dress and head is surmounted by the conical cap and bells" (Poe 528). By him wearing this outfit, makes it great for the narrator because he is going to make a fool out of Fortunato. Montresor is a manipulative person. He challenges Fortunato's connoisseurship on wine tasting and leads him to his family estate.
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
To some of the most fanatic and most creative Poe fans the question may arise: could I reproduce the great Edgar’s works? And if the answer is yes, then how? We might assume that Edgar Allan Poe is one of the most recognizable authors and poets not only of his age but of the whole modern literature, but still we would face numerous difficulties in trying to imitate his writing. Also, placing him into a certain style or literary movement would give us some really tough hours. Poe can be considered either a Romantic or Gothic writer but we could find a number of arguments and counterarguments for this matter. Poe, in fact, reinterpreted the whole Gothic horror style and created a unique, distinct brew of Gothic fiction, Romanticism and his own gloomy mind. On the basis of A Cask of Amontillado and The Tell-Tale Heart, we can deduct that despite the uniqueness of Poe’s works there are some recurring elements in Poe’s short-stories. Generally, if anyone wanted to write a Poesque short story, here are the ingredients: a fine case of murder, a big spoonful of madness and a pinch of revenge.
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
... details to demonstrate one man’s need for revenge. He choses the characters names, the wine, and how they are dressed all for the very specific purpose of revealing their character and their intent. Poe’s attention to this detail is what intensifies the awareness of how badly Montresor is set of getting his revenge on Fortunato.
1. What can the reader infer about Montresor’s social position and character from hints in the text? What evidence does the text provide that Montresor is an unreliable narrator? We learned from paragraph 23 to 24 that Montresor owns a Palazzo and also has lot of retainers based on that evidence, the reader can infer that Montresor is a very wealthy and successful man. About his character, the reader can imply that Montresor is a heartless, cold blooded, sneaky, manipulative, and untrustworthy man, as well as a man who hold on to grudges. Moreover, Montresor is an unreliable narrator, because he reveals in the first paragraph that he intends to have a revenge on Fortunato, but he did not indicate or clearly prove to the readers how Fortunato
When Montresor decides he is going to kill fortunato he chooses a very odd place to do such in, the “vaults” under his “palazzo”. The definition of vaults is a large room or chamber used for storage, especially an underground one. The word vault originated in italy around the 1800’s. The meaning of the word palazzo is a palatial building, especially in Italy. When bringing a story to life poe used the basic words used in that time period to portray his story. Poe uses vocabulary remarkably in showing the setting and plot of this
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Poe baffles his readers with stories that appeal to emotion and intrigue. Montresor opens the story with how he “must not only punish, but punish with impunity” (Poe 291). This opening is a brilliant way of taking a gothic tale to another level of horror. Tactics such as this draw in the reader to learn more about the characters, while also maintaining a certain standard of writing. However, a beautiful gothic horror story can not be complete with only dark writing and symbolism. This is where varying literary devices come into play in order to create a masterful
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Fear of the unknown, and fear of what is to come in our lives, has generations of people wondering what will our lives be like tomorrow or the next day. Death is always there and we cannot escape it. Death is a scary thing. Our own mortality or the mortality of our loved ones scares us to the point that we sometimes cannot control how we are dealing with such a thing as the thought of death. Why do we fear such a thing as death? We don’t know what happens after we don’t how it feels. The fear of death is different for most but it is most certain to come and we cannot hide from it. For death is just around the corner and maybe it’s will come tomorrow or the next day! We fear not death, but the unknown that comes from death, that is the
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.
His superego is telling him all the things that could go wrong, but his ego is telling Montresor to go through with getting revenge by murdering Fortunato. Kevin J. Hayes states in his book The Annotated Poe, that the motivation for Montresor to murder Fortunato was Poe’s own desire to get revenge on a former friend, Thomas Dunn English (Hayes 351). Montresor, like Edgar Allan Poe, felt like he has been wronged and needed to punish that person. Fortunato shows up wearing a motley, similar to a joker’s attire. Scott Peoples says in the book “Social and psychological Disorder in the Works of Edgar Allan Poe” that his belief is that Montresor is committing this murder out of an act of jealousy. Also, Montresor has created an enemy to place all of his disappointments and failures upon (40). According to Montresor it is accurate because the joke is on Fortunato. Fortunato does not have a clue what is about to happen to him in the catacombs. He thinks he is just showing Montresor the difference between Spanish sherry and Amontillado; he is too drunk to even consider that this is a death trap. After seeing Fortunato’s attire, Montresor decides to go ahead with the murder plan. Montresor is dressed in all black and fits the attire of the carnival, but his clothes have another meaning. Criminals dress in black to blend in with the night. To avoid the victim’s