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Plot Of The Story The Cask Of Amontillado
Revenge as a theme in literature
Revenge as a theme in literature
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“The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” Montresor has completely had it with Fortunato, but it makes one wonder: what exactly did Fortunato do to deserve his last breath? In the reading, “The Cask of Amontillado” by Edgar Allan Poe, the answer is left out from the short story to pull the reader in, and to focus more on the setting, the plot, and the theme. The climax with Montresor is under way to trick Fortunato to dome, and the setting in a creepy wine cellar with old bricks and bones scattered around; is what really makes the theme, revenge, strong throughout “The Cask of Amontillado.” Fortunato insulted the family of Montresor and that’s when Montresor decided to do something about it. In the reading Edgar Allan Poe states, “But he had one great weakness: he liked to drink good wine, and indeed he drank much of it.” The fact that Fortunato loved wine, gave Montresor the best approach to trick him into the family’s wine cellar. Montresor was a smart man and knew exactly what to do, so that Fortunato would not suspect anything. Montresor’s approach was to inform Fortunato that he had Amontillado wine …show more content…
The climax is the fact that Montresor was going to get his revenge by tricking and killing Fortunato. Then we have the setting, where it takes place in an old wine cellar that lead to the theme death. In the wine cellar there were old bones of the Montresor family along the wall, which I found quite interesting because Fortunato insulted the family name of Montresor and is now going to die with the Montresor’s family. It’s a perfect plan for revenge; if one insults the family name, one will die with remains of the family that one insulted. Therefore, both the climax and the setting help make the theme revenge and death strong throughout the
Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with his societal prominence.
The setting is an important part of any story, whether it be a poem or a novel. The setting consists of all the places and/or things surrounding the character at any moment through any literary or visual media. A literary setting is often full of details and vivid imagery due to the lack of visual aids that are present in videos and movies. These details often take paragraphs to describe single settings to give the reader an imaginary vision of what the area would look like. Edgar Allan Poe is no exception to these rules and he clearly writes out the setting for his short stories and poems. Poe does an excellent job of using details to describe the setting of his stories and shows great care in choosing the wording of each description he makes to display his exact intentions for each descriptive setting. In the short story, “The Cask of Amontillado,” by Poe, the setting has a direct correlation with the mood in the story. The further into the story you read, the deeper and darker the surroundings of the two main characters get, just like the main plot of the story.
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
Montresor takes full advantage of the fact that Fortunato has a soft spot for fine wines. Montresor seeing that the only opportunity that he would have to exert revenge would be when wine is to be drunk in surplus decides to wait until the Carnival Season. We are told of one evening during the season when Montresor invites Fortunato over to his place. The major reason for the invite is to have Fortunato taste a sample of sherry that he had acquired to ascertain if the s...
The Sanity within The Cask of Amontillado Is Montressor sane? In the story by Edgar Allen Poe, "The Cask of Amontillado," the narrator, Montressor premeditates the murder of Fortunato from vowing revenge to having the tools in the catacombs ready and waiting. When Montressor and Fortunato reach the end of the catacombs, Montressor continues with his plan and walls Fortunato into the catacombs returning the previous skeleton to its rightful place. At the end of the story, Montressor feels guilty as he tells the story of what happened fifty years prior and tells Fortunato to rest in peace.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
The story “The Cask of Amontillado” is written in first person point of view and this story is fairly simple to understand. This story is affected by the narration when looking at what the narrator's focus is, the narrator’s thoughts or opinions, and how the reader interprets the story.
The major theme in the story is the deep hatred buried within the outwardly congenial Montresor. This makes it vital that the story be told with Montresor's thoughts known to the reader. The tale simply would not work if it were told from Fortunato's point of view, or from a dramatic/objective angle. An omniscient view would function, but by knowing only Montresor's thoughts the reader develops a trust in him, and this causes the story's theme to have a more personal effect on the reader.
In his article “On Memory Forgetting, and Complicity in “the Cask of Amontillado”” Raymond DiSanza suggests that an act of wrongdoing is always at the heart of good horror stories. (194) DiSanza’s article on “The Cask of Amontillado” by Edgar Allan Poe describes Poe’s writing in a way I didn’t think of myself. DiSanza finds Poe’s language in this story to “taste like amontillado: smooth, slightly sweet, and appropriately chilled”. (DiSanza 195) Throughout his article he mostly talks about what possibly could have been Montresor’s motive to kill Fortunato? And why did Montresor wait fifty years to tell the story?
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Among Poe's most intriguing tales is "The Cask of Amontillado," first published in Godey's Lady's Book in November of 1847. A surface reading of that story reveals only a simple description by Montresor (the narrator) of how he kills another man who was called, ironically, Fortunato. Montresor exploits Fortunato's vanity concerning the connoiseurship of wine; specifically, Montresor pretends to want a wine cask of Amontillado verified as genuine. Montresor chooses a time when Fortunato is drunk to dupe him into going down the spiral stairs into the catacombs, which serve as a sort of family burial grounds for the race of Montresors. But rather than a mere cask of wine, Fortunato finds his death; for Montresor bricks him into a niche of the catacombs which has remained undisturbed for the fifty years since the murder was performed. How simple!
The Cask of Amontillado is an eloquent story narrated from the murderer’s point of view. Montressor seeks revenge against Fortunato for numerous insults the reader can only imagine. In order to determine the severity of the apparent injustices, Fortunato himself must be understood. Montressor describes him as being “rich, respected, admired, [and] beloved,” as well as “a man to be … feared” (Poe 274-276). Fortunato was a flawed individual, however. His greatest imperfection was his love for wine. Fortunato’s “connoisseurship” (274) of wine resulted in his intoxicated state throughout the short story. His physical and mental capacities were impaired by his drunkenness, and as a result, he was unable to resist Montressor’s lure into the catacombs.
The story begins with, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge.” Montresor cites what must have been in his mind, the ultimate betrayal imaginable, at least in his mind. A betrayal that
Edgar Allan Poe’s “The Cask of Amontillado” deals with the inebriation and, ultimately, the live burial of the antagonist, Fortunato. The most prominent motifs in the story are revenge and pride, conveyed through Poe’s use of irony and symbolism, both of which are also used to show that one cannot truly “punish with impunity” as the protagonist, Montresor, so claims to do, thus tying in the nature of guilt as a theme. “The Cask of Amontillado” allows the reader to enter the mind of a murderer, as the story is largely told from the point of view of Montresor, who wants to exact revenge against Fortunato because “he ventured upon insult,” which Montresor views as a slight against him. Therefore, the revenge Montresor so desires is also a point of pride; his pride has been wounded, so Montresor feels that by avenging the