Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Role of CIA in contemporary media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Role of CIA in contemporary media
In the book, The CIA in Hollywood, by Tricia Jenkins, Jenkins explains a brief and clear demonstration on how the CIA has heavily sought to team up with Hollywood to develop certain plans since the 1990s. Jenkins’ intent is to inform the ‘largely hidden history of the CIA in Hollywood’ and to specify how ‘this model of secret influence’ functions (53). Jenkins covers CIA portrayal and involvement, from the Cold War, when it was mostly ‘depicted in a very negative light,’ (133) to the current 9/11 era, as it is ‘trying to circulate whitewashed images of itself through popular media.’ (137).
In the beginning, Jenkins explores the sources of the CIA’s decision to participate with Hollywood from the 1990s and forward. The main reason is a want to counter its essentially negative portrayal in Hollywood programs. The first Chapter summarizes this image by showing how CIA agents have always been interpreted as assassins, dishonest leaders, unprotected by their hierarchy, morally bankrupt, and ineffective. Jenkins asserts nonetheless that other reasons were just as if not more conclusive: ‘...
“When a great democracy is destroyed, it will not be because of enemies from without, but rather because of enemies from within.” During the late 1940s and early 1950s, these words of Abraham Lincoln were all on the minds of Americans (McCarthyism). After fighting against Communism for decades, the fear of it taking down the country terrorized people’s thoughts. Even more so, people were extremely frightened of the idea that there could be Communists within the spotlights of American influence that were plotting the destruction of the United States. A fear swept the country for almost a decade, and it transformed every aspect of American culture. This transformation began in the entertainment industry and hit here the hardest. The fear of Communism completely spun the industry upside down and distorted everything that made American showbiz so distinct. Even today, the controversies of the 1940s and 1950s have left an impression on the current entertainment industry.
In Hollywood political conflict was also paving the way for what would later occur in Hollywood as the HUAC would attack the industry. Big business controlled the lucrative industry and the companies that controlled the market were eight major studios in Hollywood. The Metro-Goldw...
Prados, John. Safe for Democracy The Secret Wars of the CIA. Chicago, IL: Ivan R Dee, Publisher, 2006.
As always, I’m your host Damien Carrick and welcome to yet another instalment of ABC’s The War on Terror: Behind the Battlelines. Tonight the ABC welcomes 2 very distinguished guests to explore this looming issue. We will be discussing the truth behind the lines: the grey-areas surrounding American foreign policy, the scepticism over extraordinary renditions and covert operations, and the role of hidden agencies such as the CIA. Has the United States government been fighting terrorism effectively and justifiably? To discuss all this I welcome Mr Jeremy Scahill, accredited author and journalist made famous for the Oscar nominated documentary Dirty Wars, based off the novel, and Blackwater: The Rise of the World’s Powerful Mercenary Army. Joining Mr Scahill, I am pleased to welcome Mrs Lisa Monaco from Harvard University, former assistant Attorney General for National Security and current Homeland Security Advisor to President Obama
The CIA’s 50-year history of smuggling drugs into America is generating hatred for the United States throughout the world. Like Pontius Pilate, CIA washes their hands of the human tragedies and the corruption of government offices. They do this by remaining and by refusing to recognize the evidence, supporting corruption. For the past 50 years, the CIA has abused its power by deliberately drugging and corrupting America; and therefore should be prosecuted.
The book ‘Clear and Present Danger’ is a novel written by Tom Clancy in 1989 and published in 1990 by Thorndike-Magna Publisher (Beetz 824). This book has one thousand one hundred and forty pages, with the latest edition published by Berkley Books having six hundred and eighty eight pages. This novel like most of Clancy’s writings relies on a basic formula of good versus evil where the United States is represented as a nation that is on the right side (Sharp 398). In this novel, a United States ambassador and the visiting chief of the Federal Investigation Bureau are assassinated by Colombian drug lords. This assassination prompts a mystifying underground response and a series of investigations of the actions by the United States and the Colombian drug lords by Jack Ryan, the main character in the book (Clancy 524). This paper is review of this literary work by Tom Clancy.
L.A. Confidential is a movie of cops that are more corrupt than the criminals they arrest. Throughout the movie Bud White is portrayed to have a personal hatred for women abusers despite becoming enraged and hitting Lynn Bracken. At the beginning of the movie, Bud and two other officers are seen sitting in a car, observing a man beating his wife. Officer White gets out of the car, approaches the house, and then pulls the family’s Christmas decorations from the roof. When the man comes outside to see what is making all the noise is about, Bud White immediately begins to beat him. Afterwards, Bud handcuffs the man to a rail.
... strategies, CIA run uprisings to out undesirable leader. Like previous overthrows, the Cold War regime changes occurred "only when economic interests coincided with ideological ones." The CIA is a dogmatic instrument used, but perceived as an independent immoral and dishonorable force during the Cold War, that lead regime in the fight against civil liberties and insurgence. In the regards to the CIA, Kinzer shines light to the similarities amongst the event and role of the CIA in the Chilean Coup against Salvador Allende in 1973. The CIA abided by the rules and did as they were told even, when personnel cautioned the intervention. Not only was the brutal dictatorship of General Augusto Pinochet proof of this sentiment, but when the Senate Select Committee on Intelligence investigated the coup in years after, it found president Nixon, not the CIA, most responsible.
Earley, P. (2014). CIA Traitor Aldrich Ames — The Story — Crime Library. Retrieved April 10, 2014, from http://www.crimelibrary.com/terrorists_spies/spies/ames/1.html
Inevitably, there comes a point in everybody’s life at which they have an experience that completely alters their view of the world. This moment is when one loses his or her innocence, or comes of age, and he or she realizes that they do not live in a utopian Golden Age. Parents are charged with the monumental duty of protecting their children’s innocence, but everybody inescapably grows up. This experience can be anything from an embarrassing situation at school to coming within seconds of death. In the short story “Ambush” by Tim O’Brien, the author tells the true story of his daughter confronting him and asked him if he had ever killed anyone. In an effort to be a good parent and protect the nine-year-old’s innocence, the author does not share with her the story he goes on to tell to the reader. He explains how many years ago, he was serving in the army and was taking a shift guarding his troop’s campsite when all of a sudden, a young man from the opposing army came walking up the trail. Without a second thought, O’Brien killed the boy with a grenade, and he lost his innocence after realizing he had killed a defenseless man without hesitation. Tim O’Brien develops Ambush as a coming of age story through the use of literary devices.
One of the most interesting features about today’s media is that it connects many individuals in perplexingly short amounts of time. Through constant streaming, society has become extremely vulnerable by allowing themselves to be engrossed by the presented reality. The outcome is unsuspecting citizens that are mentally deformed by the adverse lies told to them. Gary Shteyngart exploits this reality through his successful novel, Super Sad True Love Story (2010) in which he creates a fictional world focusing on consumerism and commercialism. This fictive work creates an environment of secrecy in which the government actively displays more cover-ups and less controversial activity. Similarly, but to a much larger extent, Peter Weir’s film The Truman Show (1998) presents a city consisting of theatrical illusions surrounded by
...ant" operating above the law as it plotted assassinations, illegally spied on thousands of Americans, and even drugged citizens in its effort to develop new weapons for its covert arsenal ("Mind Control").” It is reported that there is probably thousands and thousands of people that have once been under mind control under the CIA. Within those thousands and thousands only 99% of the people still don’t know whether they were under mind control.
Hollywood’s Blacklist developed out of complex social, political, and economical conditions. The Hollywood’s blacklist was a method utilized by the federal government to deny employment to many professionals in the entertainment industry, including but not limit to screenwriter, actor, producer, director, musicians, and animators. These professionals were “blacklisted” as a result of suspected political association with the Communist party. The manufacturing of the blacklist sprung out of panic and fear of communist reconnaissance as a result of many events that were taking place around the world such as the Soviet Eastern Europe, Berlin blockade, Chinese Civil War, confessions of high-ranking government officials of espionage for the Soviet Union, Korean War and , Atomic bomb,. The Hollywood’s blacklist was also a manifest of extreme paranoia related to the Cold War. Americans indentified a threat to their freedoms of society and democracy which facilitated a climax of intense anti-communist sentiment during the 1940’2 and 1950’s. This study will examine the creation and influence of the Hollywood’s blacklist on a political platform, and economical consequence, and a social exile of civil liberties.
Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was necessary and consensual. The Watchmen exist in an American reality that does not depend on them as the archetypal hero as demonstrated by the fact that their presence is not necessary to the survival of the world. Collectively the characters of Watchmen parallel the tumultuous relationship that as a superpower the United States of America has with the rest of the world.
Among the spies of the 20th century, Kim Philby was a master of his craft. “To betray, you must first belong,” Kim Philby once said. Philby betrayed his colleagues, his friends, his wives, and most of all his country. He did all this in the secret service of the Soviet Union. The effects of this master spy’s operations set the stage for post-World War II in Europe.