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Annotated Bibliography
Holland, Lora L. "Last Act In Corinth: The Burial Of Medea's Children (E. Med. 1378-83)." The Classical Journal 4 (2008): 407.Literature Resource Center. Web. 27 Oct. 2015. In this journal, author Lora Holland proposed several ideas as to why Medea buried her children in Hera’s temple. Holland searched through a cause for the mother of two to feel forced to not only murder her children, but also bury them in a safe place. The author found that there were four plausible reasons for her actions. Whether it was her enemies, her previous part in other tragedies, the fact that the bodies of their children might be disrespected, or fear of the ghost of her children, Lora explored all of the possible causes of Medea’s burial choice in great detail.
Of course, this article is very well written and, more importantly, it cleared up the little confusion that I previously had. However well written it was, what caught my eye was neither the structure nor the choice of words, it was the fantastic evaluation of the ancient civilization’s rituals, beliefs, customs, etc. In each section, Holland dissects the significance of each particular topic for the polytheistic civilization in ancient Greece. The journal may not help the essay directly but in my own understanding of the culture in which the tragedy Medea was written. With
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Jacobs describes the way a marriage between a man and a woman can end if they follow a pattern similar to that of Medea’s divorce to Jason, and compared it to real life study of a family of seven going through a horrid divorce. It analyzes the smallest of details and explains the reason for which the adults acted in such horrible manner towards the children they had in the marriage, children they both love. As the author digs through the psychological details behind the actions of the formerly married couple, Jacobs discloses the similarities in the plot of Medea and that of the couple the author
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
With no husband, no country to turn to, and no one she can really depend on for rescue, Medea is trapped by her circumstances. Instead of becoming crushed, however, Medea turns it against those she hate. She attacks the weaknesses in her enemies’ character. Knowing Jason would feel guilty about his abandonment, Medea sent her own children to deliver the poisoned gifts, despite the certain death her children would face being involved in such a plot. Knowing the princess would not resist flashy gifts, she cursed the dress and crown. Knowing the king’s love for his daughter would cause him to rush to her aid, Medea formulated the curse to spread to those who touched the daughter as well. As each facet of her plan had to be executed perfectly to succeed, Medea demonstrated the full potential of her capabilities. She proves that when a society completely scorns and devalues women, everyone will pay as women are incredibly strong.
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
Death is the end to the natural cycle of life and is represented as dark, melancholic and even menacing. The underworld is depicted as a murky and sinister realm where the dead are trapped in a world of eternal darkness. Ancient drama, however, defies the conventional perceptions and representations of death. Despite the foreboding associated with it, characters in ancient drama embrace death in its frightening glory, rather than face the repercussions of their actions, especially when their honor and pride are at stake. Deceit is also an integral part of ancient drama and characters, particularly women, fall prey to it and unwittingly unleash chaos that more often that, negatively impacts the lives of the characters. This paper demonstrates how gender biases can be interpreted from the depiction of death and the characters’ justifications of it in two of Sophocles’ plays – Ajax and Women of Trachis and also demonstrates how female deception leads to the death of the principal character(s).
As Jacobs’s contribution to the American Journal of Psychotherapy named it, the “Medea Complex” (Jacobs. 2). The Medea Complex is the explanation for the downfall of Medea and her family. The famous Greek tragedy begins with Medea’s
The play in all entirety is a major spectacle but Medea’s burning desire for revenge was what captivated viewers the most. As spectators we watch with fascination and horror how the series of events unfold. The chorus also watches Medea’s cutthroat destruction of her enemies. Some might perceive this as an unsettling spectacle. Nonetheless the genius and cunningness of her action is revered not only b...
Euripides. "Medea." The Norton Anthology of World Masterpieces. Ed. Sarah Lawall. New York and London: W. W. Norton & Company, 1999.
Throughout a person’s life, one goes through the process of rebellion. In the play Medea, a work in translation by Euripides, mythology is symbolic of rebellion. This statement will be proven through the analysis of mythology as fully symbolic of suppression. It will also be proven through an analysis of the world around the character Medea and analysis of Medea’s actions.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Culture creates difference in gender through social issues such as marriage, education, childbearing and employment. Women in many of today’s cultures are represented by the roles they choose rather than have imposed on them, although sexism is an ongoing issue presented in everyday life. Medea has little choice on her represented role due to society in that period of time. She uses her manipulative ability and cleverness to get what she wants. Her life is made difficult due to society’s restrictions and is stereotyped into many things in which she is not. This clearly shows that women’s lives are represented by the roles they either choose regarding social restrictions or the roles they have imposed on them.
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
Lawall, Sarah N. “Medea.” The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 690-720. Print.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.
Medea's plan was set into motion. She has nothing to loose. She is even angrier because she betrayed her own father and her people for him. She even bears the burden of having Pelias killed by his daughters for Jason. She decides to take revenge out on Jason's bride and poisons her. She also doesn't want Jason to take the children from her. She decides to kill them, but agonizes over this decision before killing them. Some critics view this as a pathetic attempt at motherhood. I know there is a certain bond between mother and child. She just wants to hurt Jason as much as she has been hurt. "She first secures a place of refuge, and seems almost on the point of bespeaking a new connection. Medea abandoned by the entire world, was still sufficient for herself." (blackmask).