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The death of King Arthur
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“Arthur himself, our renowned King, was mortally wounded and was carried off to the Isle of Avalon, so that his wounds might be attended to,” records Geoffrey of Monmouth in his The History of the Kings of Britain (261). Geoffrey, a twelfth century cleric, writes this line detailing the mystical disappearance of his most popular figure, King Arthur, from historical recollection. Using liberally both established historical writers before him—such as Nennius, Bede, and Gildas—and other mysteriously hinted at sources, Geoffrey attempts to fashion a tale that will provide a history for the island of Britain and her people, the Britons. It is patterned after the style of romance literature, a popular trend increasing in influence at the time, and is crowned with Geoffrey’s tragic figure of King Arthur (Gransden 186). King Arthur provides Geoffrey the element of a war-like, fiercely individual hero needed for his historical work. Arthur enabled Geoffrey to achieve his own personal purposes in writing the history and to generate an energizing character of national identity for the Britons, who is celebrated and remembered even today. Though Arthur has been proven to function as a literary character more than a historical figure in Geoffrey’s The History of the Kings of Britain, he is still a crucial element in this account that retells and reinvents the medieval past of Britain.
The history of Geoffrey of Monmouth, like that of his renowned King Arthur, is one filled with shadows and gaps, adding to the questions surrounding his writings. Nothing at all is known about his early life, and a birth date of about 1100 is considered more of an educated guess than a hard fact (Loomis 72). The identity “Geoffrey of Monmouth” has been construct...
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... Britons a source of hope and racial unity. Without his renowned King Arthur and his legendary tale of heroic deeds, Geoffrey of Monmouth would not have become an important portion of the development of English literature, and the Britons would not have their “once and future king.”
Works Cited
Geoffrey. The History of the Kings of Britain. Trans. Lewis G. M. Thorpe. Harmondsworth: Penguin, 1966. Print.
Gillingham, John. “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain,” Anglo-Norman Studies 13 (1990).
Gransden, A., Historical Writing in England c. 550–c. 1307 (London, 1974).
Loomis, Roger Sherman, ed. Arthurian Literature in the Middle Ages: A Collaborative History. Oxford: Clarendon, 1959. Print.
Nennius. British History and The Welsh Annals. Ed. John Morris. Vol. 8. London: Phillimore, 1980. Print. Arthurian Period Sources.
The Arthurian cycle shows a sporadic awareness of the impossibility of mere humans fulfilling all the ideals that Arthur and his court represent. The story of Lancelot and Guenevere, Merlin's imprisonment by Nimu‘, and numerous other instances testify to the recognition of this tension between the real and the unrealistic.
- - - The New Penguin Atlas of Medieval History. London, England, Penguin Books, no publication
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
Coghlan also mentions Malory as “the standard ‘history’ of Arthur” (Coghlan, 1995). As there are various texts that tell Arthur’s origin and his legend, this essay will focus on one of the more prominent texts, The Death of King Arthur by Peter Ackroyd. In the typical tale, good will triumph over evil, however, in Arthurian tales, the line between good and evil often becomes blurred. In modern times, we hear of King Arthur as brave and selfless.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
Malory, Thomas, and Keith Baines.Malory's Le morte d'Arthur: King Arthur and the legends of the Round Table. 1962. Reprint, New York: New American Library, 2010.
To tarnish Arthur’s image of perfection demands a closer inspection at where his story begins. For those familiar with Malory’s Le Morte d’Arthur, it is common knowledge that Arthur was a child begotten by means of adultery when his father, Uther Pendragon, disguised himself with magic...
Jami Ake. Studies in English Literature, 1500-1900 , Vol. 43, No. 2, Tudor and Stuart Drama (Spring, 2003) , pp. 375-394
The Mabinogion is a collection of eleven tales from the Welsh myths, preserved in two manuscripts, the White Book of Rhydderch and Red Book of Hergest. The tales from the Mabinogion are divided into three categories: the first four tales belong to the Four Branches; the next four are the Independent tales; and the last three are called the Three Romances, which show strong association to the French romances written by Chretien de Troyes. Historia Peredur ab Efrawg shares significant material in common with Chretien’s Perceval or Le Conte du Graal; the Welsh romance of Owain, subtitled Chwedl Iarlles Y Fynawn is clearly related to Yvain, Le Chevalier du Lion; and the chwedl (Welsh tale) Geraint ab Erbin follows the plot-line of Chretien’s Erec et Enid perfectly. These similarities immediately call into question the origin, history, and influences of the tales – or so called mabinogionfrage. Through examining the work of Chretien de Troyes and historical and thematic evidence, we will elucidate the relationship between these parallel stories and attempt to explain the mabinogionfrage.
Geoffrey of Monmouth, the author famous for being credited with the Legend of King Arthur, also created his own theory on Stonehenge, his theory is known as the “Merlin Theory” (1). According to Geoffrey, the giants who first colonized Ireland brought the stones from their original home in Africa to Mount Killaraus for their miraculous virtues. In the 5th century AD, Aurelius Ambrosius, a half-real, half-mythical king of Britain, sent Merlin, Uther Pendragon (King Arthur’s father) and 15,000 knights to remove the stones and to place them in England on the Salisbury Plains. After a very bloody battle Merlin used his sorcery to send the stones 137 miles to the Salisbury Plains. With this theory, I find it is necessary to really look at the historical context to understand how and why Geoffrey of Monmouth ca...
Roger Babusci et al. Englewood Cliffs: Prentice-Hall, 1994. 115-136. Print. “The Medieval Period: 1066-1485.”
There are a multitude of events and rulers that generated an influence on England before the 1200s. The topics discussed will be centered on a similar time period, but assisted in the heightening of England’s power as a country. As a result, England becomes a potent country, and runs along with many other powerhouses at the time. Without the Norman Conquest, Anglo-Saxons, and William the Conqueror, England would not have developed and flourished well into the 1200s. Several results of these pivotal events include becoming the most powerful monarchy in Western Europe, compiling the greatest governmental system in Western Europe, and modifying the English language and culture, while distancing themselves from the French.
...er, Geoffrey. ""Prologue" to The Canterbury Tales." England in Literature. Eds. John Pfordrester, et.al. Inglewood Cliffs: Foresman, 1972.
Gascoigne, Bamber. "HISTORY OF GREAT BRITAIN (from 1707)." History World. (2001): n. page. Print. .