Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The plot of the bride comes to a yellow sky
The plot of the bride comes to a yellow sky
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The plot of the bride comes to a yellow sky
A lawman has returned to deal with the town‟s notorious “terror.” Telling you that this story took place in the old west, the knee-jerk reaction is to expect this confrontation to be settled with pistols at dawn. Our hero, however, has crossed a threshold that is foreign to most of the western heroes we‟re familiar with, changing the dynamics of the game entirely. He‟s just gotten married.
Speaking of Stephen Crane, Donald Vanouse of the State University of New York writes,
“Crane is comparable to both naturalists and impressionists in his desire to shock readers with new and often disturbing ideas and perceptions” (516). Although Crane arguably lets readers down with his rather anticlimactic ending in “The Bride Comes to Yellow Sky,” he certainly
…show more content…
Blondie, with few friends and his own set of rules, never regretted anything he did.
Potter, on the other hand, is left feeling “heinous” and guilty of “an extraordinary crime,” having never consulted the “innocent and unsuspecting community” he has been charged to protect
(535). Potter is not a lone ranger who is free to come and go as he pleases. More realistically, however, he has a reputation, friendships, and a title to uphold. Ironically, however, as Eric
Knickerbocker points out, the first member of this “innocent and unsuspecting community” to hear the news of Potter‟s marriage is Scratchy Wilson (par. 21). Even though Scratchy is not considered one of Potter‟s close friends who we would think to be hurt by Potter‟s seemingly hasty lack of consideration, Scratchy is arguably the most affected by the news. This startling revelation to Scratchy causes the opponents‟ relationship to shift dramatically and dynamically.
The new Mrs. Potter breaks the formulaic mold as well. The damsels in distress in classic westerns are usually young and beautiful. Potter‟s wife is described as being neither.
Neither is she even a damsel in distress. In fact, it is her presence that sends Scratchy
Cantecul Miresei, a piece also known as “Bride’s Song” is a Romanian piece, which by the english title is used for weddings. The ensemble playing it consists primarily of a brass sections with trumpets, tubas, trombones, and baritones, giving allowing the melody to be doubled in a higher and lower octave. The lower instruments also articulate the polymeter structure: triple meter with 2 extra beats. This meter is made more prominent by the scratch board and percussion. The dynamics stay mostly constant, until the closing of the piece where the quick diminuendo leads to nothing and the tempo stays constant. The melody travels between octaves, first starting with the trumpets, making it bright and piercing, virtually impossible to mistake. The
What is most remarkable about Crane's series of letters to Mrs. Crouse is the tone of his love-stricken entreaties. He gracefully plays off of his burgeoning fame and his growing success as a published artist with good-natured self-deprecation and a propensity to undermine his own endeavours. The series of letters commences with a carefully constructed communique crafted to provoke a sympathetic response from Mrs. Crouse. Employing "inside" reactions to his celebrity to impress, he relies on an aura of exotic settings and playful humor to win a reply. Having succeeded in securing an apparently satisfactory response, he eagerly raises the temperature of the correspondence in his second letter. Without compromising further relations with Mrs. Crouse, his words adopt a more acute degree of intimacy, with Crane even going so far as to volunteer to accept her literary advice.
Now where there is comparing, there is always contrasting so my contrasting is that when Harry’s friend’s die he stays with them (if he can).
mind, he would not let her, and that made her feel like she was less of a
Mr. Potter influenced everyone very negatively. Because of him George and his company had to go through many hardships by losing money, and almost George’s life. Also, the town suffered because of his greed and manipulative
Utilizing adverbs such as “tremulous” to amplify “shake” and “violently” to amplify “move” create a perceivable image of interaction; here, the violent move is not truly an actual motion, rather, it is a physical manifestation of the intangible mental shock that the narrator experiences. However, it is important to note that, to the narrator, the most physically shocking and moving thing in this interaction was not the “finger” of this stranger, but the tone, the intangible abstraction of the “solemn admonition” in the “low whisper”. This abstraction had the electrical current of a “galvanic battery” to “shock” the non-physical soul of the protagonist. The complexity of this excerpt is seen through the multiple dependent clauses, lists of adjectives, and conjunctions; this complex and “serious” style is what Allen Tate, in his essay found in “Modern Criticism”, believes “makes the reading of more than one story an almost insuperable task” (Foster 389). However, this failed criticism does not truly comment on the Poe’s style, but rather, comments on the reader’s interpretation. This style doesn’t create an insuperable task of reading, but rather creates a gradually intensifying sense of Poe’s methodical complexity that incentivizes the reader to keep reading, while providing specific ambiguities through indirect concretizations like the aforementioned “shock” to
Moreover, Crane’s genius as "an observer of psychological and social reality" (Baym 1608) was refined after witnessing battle sights during the late 19th century. What he saw was a stark contrast of the peacefulness and morality preached in church and this thus led him to religious rebelliousness. As a prisoner to his surroundings, man (a soldier) is physically, emotionally, and psychologically challenged by nature’s indifference to humankind. For instance, in the story, "what traps the Swede is his fixed idea of his environment," but in the end, it is the environment itself -- comprised of the Blue Hotel, Sculley, Johnnie, Cowboy Bill, the Easterner, and the saloon gambler -- that traps him (Stallman 488).
Satire criticises and makes fun of the norms of human society. It adds an intellectual humour along with the archetypes that is present in the story. In The Princess Bride, by William Goldman, satire is in a wide variety of parts in the story from the communication between others to the character themselves including the Spaniard, Inigo Montoya. The author portrays Inigo as a Spaniard who becomes a fencer to seek revenge on the six-fingered man for the murder of his father, Domingo Montoya and he becomes a henchman to the criminal Vizzini. He is a very caring man to people he cares about, but he can only act on vengeance since he truly loves his father. With his attention only on reprisal, it can blind him from achieving the results he wants and that can significantly affect his personality as he is driven by it. When he finds the six-fingered man, he prepares after many years of training with famous fencers and even has a saying that he plants in his brain so that it is the driven force of vengeance. He is the ‘evil figure with an ultimately good heart’ archetype as he is a part of Vizzini’s group with Fezzik, but he has a change in heart that he needs Westley’s help to storm the castle. Although Inigo is a prestigious fencer who only cares about revenge, the author plays with satirical devices that portray the faults and weaknesses of his characteristics while maintaining his status as the best swordsman in his generation.
The 18th century is well known for its complex artistic movements such as Romantism and Neo-classical. The leading style Rococo thrived from 1700-1775 and was originated from the French words rocaille and coquille which meant “rock” and “shell”; used to decorate the Baroque gardens1. Identified as the age of “Enlightenment”, philosophers would ignite their ideas into political movements1. Associated with this movement is England’s John Locke who advanced the concept of “empiricism”. This denotes that accepting knowledge of matters of fact descends from experience and personal involvement1. Locke’s concept assisted the improvements of microscopes and telescopes allowing art students in the French academy to observe real life1. Science and experience influenced painting more so in Neo-Classicalism. Locke fought for people’s rights and the power or “contract” between the ruler and the ruled. Reasoning that “the Light in Enlightenment referred to the primacy of reason and intellect…and a belief in progress and in the human ability to control nature”1. Hence, the commence of experimental paintings such as Joseph Wright’s (1734-1797) oil on canvas painting: Fig.1 An Experiment on a Bird in the Air Pump. This image was developed through science by placing a bird in glass container and pumping air to see the effects it would have on the bird (White cockatoo)1. Throughout the late 18th and early 19th century in Western Europe, Neo-Classical art became the “true Style” and was accepted by the French Revolution under Louis XIV. Neo-Classical art was a reaction to Rococo’s light hearted, humour and emotion filled pieces.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
“Burn the witch!” has been a condemning cry for centuries, but those flames are not always real. Words, looks, and guilt can burn a sinner far more effectively than the pyre ever could, as evidenced by the torments inflicted on the sinners in The Scarlet Letter, by Nathaniel Hawthorne. Each of the characters was burned in a different way, just as they represent different types of sin. Hester Prynne, the adulteress, represents open, acknowledged, and public shame. Through her, we recognize that acknowledging sin eventually leads to forgiveness and healing, in contrast with Reverend Dimmesdale, who represents the festering wound of concealed sin. And the depraved man who seems to be sent to torment them both, Roger Chillingworth, represents revenge, and punishment for sin. Hester Prynne, who wears the Scarlet Letter, has her ignominy before the whole world. Her scarlet A reminds both Hester and everyone else that she is an adulteress. Much of The Scarlet Letter talks about her treatment at the hands of the townspeople, because her transgressions are out in the open, and they can punish her. On the other end of the spectrum is the Reverend Dimmesdale, who fairly goes mad from guilt. Every person considers him a godly, amazing man, while he has actually sinned as much as Hester. His concealed sin eats away at him, and he constantly wishes that he would be brave enough to confess. Some of Dimmesdale’s torments are the cause of Roger Chillingworth, Hester’s former husband. Through Chillingworth, Hawthorne reveals the evilness of revenge. He also represents the punishment for Hester and Dimmesdale’s sin, and is a physical manifestation of their torment. At the same time, Chillingworth is both revenge and punishment. And in addit...
When Harry's friends here about him being expelled they are speechless. Hermoine just can't understand why he might be expelled when he saved Dudley. She is aghast. Ron is stupefied.
Just to quickly run through the two previous books; Harry Potter is a wizard, who’s parents were killed by the worst dark wizard ever known. The reason why Harry Potter is still around, is because Lord Voldemort failed to kill Harry. His spell hit Harry, but then backfired on Voldemort taking all of his powers with him. Harry is so famous for two things. Withstanding the powers of Lord Voldemort, and, taking him back in to the underworld in hiding. In the first book, Harry receives a letter from Hogwarts School of Witchcraft and Wizardry. He’s eventually allowed to go, and spends the next six months there learning magic, getting into trouble, and trying to solve mysteries of his past, and the school. In the second book, Harry goes back to his second year at Hogwarts, and gets into more trouble, figures out many astonishing mysteries and learns loads more magic. His best friends in the two books consist of Ron and Hermione (two of his fellow wizard students) and Hagrid the gamekeeper who was expelled from Hogwarts but allowed a job as the gamekeeper.
Due to the subjective nature of the impressionistic art and literary style, both mediums possess an ambiguous quality. According to Bernard Dunstan, in Painting Methods of the Impressionists, impressionism “has come to have overtones and associations which can obscure its true meaning,” (11). This is also true for impressionistic literature. However, Metz argues that “ambiguity surrounds the process through which the impre...
...ticed the Dark Arts so completely that he was a part of the Death Eaters at a very young age and was only probably recruited by Voldemort when it was shown they had similar goals. Despite his pursuit of the Dark Arts the death of Lily Potter changed everything. His intense love was apparent from a very young age and only continued to grow to her death. This can be seen from the changing of his Patronus to the doe and his begging of Dumbledore to help Lily hide from Voldemort. My creative writing creates a situation where he switches from a man who enjoyed the torture of mudbloods to the polar switch of a man begging to have Dumbledore protect the woman he has always loved. Without a crucial switch in thought process to help the one person he loved he would have stayed on Voldemort's side. If it wasn't for love the First Wizarding War would have gone vastly different.