Toni Morisson's novel The Bluest Eye is about the life of the Breedlove family who resides in Lorain, Ohio, in the late 1930s. This family consists of
the mother Pauline, the father Cholly, the son Sammy, and the daughter Pecola. The novel's focal point is the daughter, an eleven-year-old Black girl who is trying to conquer a bout with self-hatred. Everyday she encounters racism, not just from white people, but mostly from her own race. In their eyes she is much too dark, and the darkness of her skin somehow implies that she is inferior, and according to everyone else, her skin makes her even "uglier." She feels she can overcome this battle of self-hatred by obtaining blue eyes, but not just any blue. She wants the bluest eye. Morrison is able to use her critical eye to reveal to the reader the evil that is caused by a society that is indoctrinated by the inherent goodness and beauty of whiteness and the ugliness of blackness. She uses many different writing tools to depict how "white" beliefs have dominated American and African American culture.
The narrative structure of The Bluest Eye is important in revealing just how pervasive and destructive social racism is. Narration in novel comes from several sources. Much of the narration comes from Claudia MacTeer as a nine year old child, but Morrison also gives the reader the insight of Claudia reflecting on the story as an adult, some first person narration from Pecola's mother, and narration by Morrison herself as an omniscient narrator. Pecola's experiences would have less meaning coming from Pecola herself because a total and complete victim would be an unreliable narrator, unwilling or unable to relate the actual circumstances of that year. Claudia, from her youthful innocence, is able to see and relate how the other characters, especially Pecola, idolize the "ideal" of beauty presented by white, blue-eyed movie stars like little Shirley Temple. In addition to narrative structure, the structure and composition of the novel itself help to illustrate how much and for how long white ideas of family and home have been forced into black culture.
Instead of conventional chapters and sections, The Bluest Eye is broken up into seasons, fall, winter, spring, and summer. This type of organization suggests that the events described in The Bluest Eye have occurred before, and will occur again. This kind of cycle suggests that there is notion that there is no escape from the cycle of life that Breedloves and MacTeer live in.
In Black and Blue, Fran Benedetto tells a spellbinding story: how at nineteen she fell in love with Bobby Benedetto, how their passionate marriage became a nightmare, why she stayed, and what happened on the night she finally decided to run away with her ten-year-old son and start a new life under a new name. Living in fear in Florida--yet with increasing confidence, freedom, and hope--Fran unravels the complex threads of family, identity, and desire that shape a woman's life, even as she begins to create a new one. As Fran starts to heal from the pain of the past, she almost believes she has escaped it--that Bobby Benedetto will not find her and again provoke the complex combustion between them of attraction and destruction, lust and love. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understand. It is a remarkable work of fiction by the writer whom Alice Hoffman has called "a national treasure." With this stunning novel about a woman and a marriage that begins in passion and becomes violent, Anna Quindlen moves to a new dimension as a writer of superb fiction. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understa...
Toni Morisson's novel The Bluest Eye is about the life of the Breedlove family who reside in Lorain, Ohio, in the late 1930s (where Morrison herself was born). This family consists of the mother Pauline, the father Cholly, the son Sammy, and the daughter Pecola. The novel's focal point is the daughter, an eleven-year-old Black girl who is trying to conquer a bout with self-hatred. Everyday she encounters racism, not just from the White people, but mostly from her own race. In their eyes she is much too dark, and the darkness of her skin somehow manifests that she is inferior, and according to everyone else, her skin makes her even "uglier." She feel she can overcome this battle of self-hatred by obtaining blue eyes, but not just any blue. She wants the bluest of the blue, the bluest eye.
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
In The Bluest Eye by Toni Morrison, the narrator Claudia tells the story of a girl named Pecola who dreams to have blue eyes so she can feel beautiful in a white society. At the beginning of the novel, Pecola moves into Claudia’s home and becomes friends with Claudia and Frieda, who is Claudia’s older sister. This particular passage on page nineteen describes the three girls eating and playing together. Using three allusions, Shirley Temple, Bojangles, and Jane Withers, this passage highlights the importance of white beauty to the girls, its emphasis in society, and shows that Claudia is independent.
In The Bluest Eye, by Toni Morrison, Pecola Breedlove attempts to measure up to the standard of beauty set by the Master Narrative: an ideological truth imposed by those in power. Pecola, persistent in her attempt to reach the convention of beauty, is never fully satisfied with herself, and quickly becomes obsessed in becoming ‘beautiful. Pecola begins to associate beauty with happiness and respect. This infinite pursuit for beauty has extremely destructive effects on Pecola’s self-esteem. By portraying Pecola’s perpetual, unrealistic endeavor to reach society’s standards and how she becomes submissive to these standards, Morrison reveals that one’s life can be overrun by viewing the world solely through the Master Narrative.
Toni Morrison's The Bluest Eye. Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references.
A reader might easily conclude that the most prominent social issue presented in The Bluest Eye is that of racism, but more important issues lie beneath the surface. Pecola experiences damage from her abusive and negligent parents. The reader is told that even Pecola's mother thought she was ugly from the time of birth. Pecola's negativity may have initially been caused by her family's failure to provide her with identity, love, security, and socialization, ail which are essential for any child's development (Samuels 13). Pecola's parents are able only to give her a childhood of limited possibilities. She struggles to find herself in infertile soil, leading to the analysis of a life of sterility (13). Like the marigolds planted that year, Pecola never grew.
Morrison discloses discrimination within the black culture and reveals the hidden truth about intraracial discrimination, “In the Bluest Eye, Morrison took a different approach to the traditional white-versus-black racism. She acknowledged that most people are unaware of the racism that exists within a culture and often the racism that exists within themselves” (Coady). In the bluest eye Morrison shows intraracial discrimination at various places, where people of the same race discriminate each other on the base of their skin color. Pecola is one of the victims who struggle in intraracial discriminate society, “Pecola 's desire then reveals not only her culture 's racism; it reveals her culture 's method of perpetuating racism” (Lynn Scott). Morrison shows that people with light skin feel proud on their color and try to preserve it by marrying to light skin people and if they cannot find any, then they marry within the family. Morrison shows it by describing Soaphead family’s’ background that “they married “up,” lightening the family complexion and thinning out the family features” and “some distant and some not distant relatives married each other” (Morrison 168). This represents that how much preference people give to light skin color that they perpetuate it by doing intermarriages. Some cultures still believe in this skin color perpetuate concept. They feel superior to others who have dark skin color and believe that they got light skin as a gift from
Social class is a major theme in the book The Bluest Eye by Toni Morrison. Toni Morrison is saying that there are dysfunctional families in every social class, though people only think of it in the lower class. Toni Morrison was also stating that people also use social class to separate themselves from others and apart from race; social class is one thing Pauline and Geraldine admire.Claudia, Pecola, and Frieda are affected by not only their own social status, but others social status too - for example Geraldine and Maureen Peal. Characters in the book use their social class as another reason for being ugly. Readers are reminded of the theme every time a new character enters into the book.
A main theme in Toni Morrison’s The Bluest Eye is the quest for individual identity and the influences of the family and community in that quest. This theme is present throughout the novel and evident in many of the characters. Pecola Breedlove, Cholly Breedlove, and Pauline Breedlove and are all embodiments of this quest for identity, as well as symbols of the quest of many of the many Black people that were moving to the north in search of greater opportunities.
Beauty is dangerous, especially when you lack it. In the book "The Bluest Eye" by Toni Morrison, we witness the effects that beauty brings. Specifically the collapse of Pecola Breedlove, due to her belief that she did not hold beauty. The media in the 1940's as well as today imposes standards in which beauty is measured up to; but in reality beauty dwells within us all whether it's visible or not there's beauty in all; that beauty is unworthy if society brands you with the label of being ugly.
... when they read about racism. The characters deal with an internal polarization that forms with racism and the idea of beauty that has been deeply rooted into the character’s psyche. The seed of the distorted view of beauty and race grows throughout the novel and challenges the characters values in terms of how they view society and how they view themselves. Even the simple comparison of Maureen’s light skin, which is considered to be attractive, and Pecola’s dark skin, which is ‘ugly’ is the perfect example of how race affect people on a deeper and personal level. “The Bluest Eye” isn’t meant to be a novel that is supposed to overlook the physical effects of racism, it’s meant to offer a deeper look into the issues of the pressure African American people had to deal with during the Great Depression and how it devastates even the most basic human principles.
She believes that if she could have blue eyes, their beauty would inspire kind behavior from others. Blues eyes in Pecola’s definition, is the pure definition of beauty. But beauty in the sense that if she had them she would see things differently. But within the world that Pecola lives in the color of one’s eye, and skin heavily influences their treatment. So her desperation for wanting to change her appearance on the account of her environment and culture seems child-like but it is logical. If Pecola could alter her appearance she would alter her influence and treatment toward and from others. In this Morrison uses Marxism as a way to justify Pecola’s change in reality depending on her appearance. The white ideologies reflected upon Pecola’s internal and external conflicts which allowed her to imagine herself a different life. The impacts of one’s social class also impacts one’s perspective of their race. The vulnerability created by the low social class allows racism to protrude in society and have a detrimental effect for the young black girls in “The Bluest Eye” (Tinsley).The quotes explained above express the social and economic aspect of the Marxist theory. The theory that centers around the separation of social classes and the relationship surrounding them not one’s internalization of oneself
The narration of Toni Morrison's The Bluest Eye is actually a compilation of many different voices. The novel shifts between Claudia MacTeer's first person narrative and an omniscient narrator. At the end of the novel, the omniscient voice and Claudia's narrative merge, and the reader realizes this is an older Claudia looking back on her childhood (Peach 25). Morrison uses multiple narrators in order to gain greater validity for her story. According to Philip Page, even though the voices are divided, they combine to make a whole, and "this broader perspective also encompasses past and present... as well as the future of the grown-up Claudia" (55).