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A essay of home
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Toni Morrison begins her novel, The Bluest Eye, with an emblem, Dick and Jane. Since she started writing this emblem which says, “Here is the house” (page 3), it made me question why she began her book talking about a house? In The Bluest Eye, Toni Morrison uses symbolism and allegory to demonstrate how the homes in which people live, are a reflection of how the people live and who they are.
In the prologue of Dick and Jane, their house is said to be “green and white. It has a red door. It is very pretty” (Page 3). The use of the word pretty shows that the house is something attractive and appealing, similar to the people that live in the house. The line after the one above says, “Here is the family. Mother, Father, Dick, and Jane live in the
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To describe Geraldine’s home, Toni Morrison writes, “Pecola stepped inside the door. How beautiful, she thought. What a beautiful house. There was a big red-and-gold Bible on the dining-room table. Little lace doilies were everywhere⎯⎯on arms and backs of chairs, in the center of a large dining table, on little tables. Potted plants were on all the windowsills. A color picture of Jesus Christ hung on the wall with the prettiest paper flowers fastened on the frame… More doilies, a big lamp with green-and-gold base and white shade. There was even a rug on the floor, with enormous dark-red flowers. She was deep in admiration of the flowers” (page 89). Clearly, Geraldine’s home is beautiful, yet is it an accurate representation of who she is? The answer is that it is not, but this does not make my thesis incorrect. The way that Geraldine’s house looks is a representation of who she would like to be. Geraldine would like the home to be an extension of who she is, but it’s not. Multiple times in the quote above, Toni Morrison uses the adjective beautiful multiple times and there must be a reason for it. The reason is that the person within the home is a person of color and throughout the story, they would be referred to as ugly. The word beautiful is what Geraldine would like to be and she would like beauty in a sense that she seems …show more content…
The allegory of Dick and Jane was to show their perfection similar to the perfection of their home. Dissimilar to Dick and Jane, we saw the lives of the Breedloves reflected by their home, full of sadness and sorrow. Finally, Geraldine who, unlike the other characters, had a home that reflected who she wanted to be. Although this was how Toni Morrison chose to represent her characters, it is most likely not an accurate representation of modern society. The looks of someone’s home probably represent their financial situation and their sense of decoration which could be considered a slight representation of a
The use of color inside the house is symbolic to the mood. The almost yellow fluorescent lighting is ironic when compared to the first image of the painting since the painting had set the expectations of an enthusiastic film. The yellow tint throughout the house is also conflicting since yellow is known to be a luminous color. Yellow usually represents happiness and warmth which are emotions that lacks in the Bishop household. The dim lighting also mirrors the gloomy and dark weather outside. An extreme long shot of the outside house captures the darkness of the sky which prompts unhappy emotions. When Susy proceeds outside to check the mailbox the change in weather is instantly noticeable since the sky transitioned from gray to blue and the
Jane’s new home seems to make her feel very uncomfortable from the beginning of “The Yellow Wallpaper” when she states “that there is something queer about it.” She says that John tells her the vacation home will be a good place for her, but even seems unsure of that proclamation herself (Gilman 956). Jane begins to describe her environment and speaks of how she is unsure of exactly what the room was used for before her arrival. She speaks of bars on the windows and strange rings on the wall. More significantly she speaks of the “repellant” and “revolting” wallpaper on the wall that seems to disturb Jane a deal more than any of the other odd décor in the room. She also speaks of how the children must have really hated it and that is why is has been peeled off in places (Gilman 957). The wallpaper continues to bother Jane throughout “The Yellow Wallpaper”, but Jane also begins to dislike her husband.
Another form of symbolism in the story would be at the conclusion when the description of the Jones’ house is given “The gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel that withstands all time” (Fitzgerald 675). The dullness and dark manor in which Dexter describes the home, which was once so bright and vibrant to now be in, symbolizes the state of Judy Jones. The quote symbolizes Dexter Greens realization that his view on Judy Jones is merely an illusion. From the quote, I believe that Dexter is now older and has lived his ideal American Dream as well as strived for the love of Judy Jones. His description of the home ties in with Judy Jones’ present day appearance. The description of the home also makes him realize that what he thought of her to have been for all of those years was not the right conception. In the end Judy Jones faded beauty is the end of Dexter Green’s illusion. “Fitzgerald crafted the story so we perceive Judy’s beauty and Dexter’s dreams vanishing at the same time because both are an illusory” (Randell 126). Along with the vanishing of Judy’s beauty it seems as if Dexter’s desire for attaining wealth and high social status fades away as well. I believe that Fitzgerald’s intentions, as Randell quoted, was to use
This male dominance led the narrator from “The Yellow Wallpaper” into loneliness and eventually to a place of no return. The alienation is shown in terms of the setting, "The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. " The house that the couple rented for three months represents the woman’s physical imprisonment and symbolizes her isolation. Moreover, the nursery that John recommends his wife to live in includes many confining elements.
The house is described as, “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” (251). However, Jane’s delusion is just that, a delusion encrypted by her mind to have her think she is living in quiet luxury. She goes on to talk about how the bed is nailed down to the floor, the walls are covered in scratches, the windows are barred, and there are rings in the walls. Obviously, Jane, despite being told by her husband that she is fine, is slowly beginning to lose sight of reality. The reader should know at this point that this “mansion” is nothing short of an insane asylum John has taken Jane to so she can rest and calm her troubles. But Jane and John’s troubles are only beginning when she is forced to sit in solitude with the awful yellow
The house and property are seen as positive only when the narrator first describes them. Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large part, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge.
In The Bluest Eye, Toni Morrison weaves stories of violation and hardship to examine the ugliness that racism produces. In this novel, the childhood icons of white culture are negative representations instrumental in engendering internalized racism. For the black child in a racist, white culture, these icons are never innocent. Embodying the ideals of white beauty, they expose the basis for Claudia's bewilderment at why she is not attractive and Pecola's desperate desire for beauty. They nourish neither innocent desire, nor the need for acceptance, but denigrate the very idea of blackness. The worship of ideal white beauty, by adults as well as by children, coalesces into a communal neglect of self esteem, foregrounding ugliness as a key element of internalized racism.
The house chose the first line of the Sara Teasdale poem to be the title of the story. This is unnatural because how would a house pick something. Further, the house is not living, but yet it still speaking. Also, the house runs itself. There is no comprehension how the house can do this. Therefore if the
Jane's mental health declines throughout the story. The narrator's inability to read or write turns her mind to her surroundings. The woman in the wallpaper is strongly entwined with the narrator. The yellow wallpaper appearance isn't very appealing, the paper is dull, repellant and revolting. I feel this represents the way John looks at his wife.
It should be understood that Morrison's novel is filled with many characters and many examples of racism and sexism and the foundations for such beliefs in the black community. Every character is the victim or an aggressor of racism of sexism in all its forms. Morrison succeeds in shedding light on the racism and sexism the black community had to endure on top of racism and sexism outside of the community. She shows that racism and sexism affect everyone's preconceived notions regarding race and gender and how powerful and prevalent the notions are. Within the community, racism affects how people's views of beauty and skin can be skewed by other's racist thoughts; sexism shapes everyone in the community's reactions to different forms of rape.
“The Yellow Wallpaper” cleverly disguises the perpetual persecution of women as the pattern on the wallpaper and the female gender as the women behind it. Jane is the only person who can see the woman. This symbolizes Jane’s awareness to gender
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled with the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly should be detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents. According to literary educator Allen Alexander, even though Cholly was cripplingly flawed and often despicable, he was a more “genuine” person to Pecola than Pauline was (301). Alexander went on to claim that while Cholly raped Pecola physically, Pauline and Soaphead Church both raped her mental wellbeing (301). Alexander is saying that the awful way Pecola was treated in a routine matter had an effect just as great if not greater than Cholly’s terrible assault. The abuse that Pecola lived through was the trigger that shattered her mind. In The Bluest Eye, Toni Morrison uses the characters of Cholly Breedlove and Frieda McTeer to juxtapose sexual violence and mental maltreatment in order to highlight the terrible effects of mental abuse.
However, what exactly does the House symbolize? I take it to symbolize the totality of the constituents of the humanity of an aesthetically, morally, and spiritually...
In Nathaniel Hawthorne’s short story, “ Young Goodman Brown,” the author uses symbolism throughout his writing. Symbolism is a figure of speech used when the author wants to set a certain mood or emotion in his or her literature. It’s the use of objects, a characters name, a word or words to serve as something different, like a concept, in literature. Symbolism is always an important part of Hawthorne’s work, which is found in the names of his characters, objects, settings, and many other parts of his writing to keep you interested and gaining your attention while you read, leaving the big concepts hidden behind symbols to keep you guessing, a mystery.