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Overlapping themes in gothic and romantic literature
Overlapping themes in gothic and romantic literature
Romanticism in gothic literature
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"The Nose" is a satirical short story by Nikolai Gogol written during his time living in St. Petersburg, Russia. During this time, Gogol's works were primarily focused on surrealism and the grotesque, with a romantic twist. "The Nose" tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. The use of a nose as the main source of conflict in the story could have been due to Gogol's own experience with an oddly shaped nose, which was often the subject of self-deprecating jokes in letters. "The Nose" is divided into three parts and tells the story of Collegiate Assessor Kovalyov, who wakes up one morning without his nose. He later finds out that his nose has developed a life of its own, and has apparently …show more content…
It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart".[2] In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt. The story is presented as a first-person narrative. He is a condemned man at the outset of the story. The narrator tells us that from an early age he has loved animals. He and his wife have many pets, including a large, beautiful black cat named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home completely intoxicated, he believes the cat to be avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's …show more content…
“Horror Fiction” is a genre of said category which is intended to, or has the capacity to frighten, scare, disgust, or startle its readers or viewers by inducing feelings of horror and terror. Literary historian J.A. Cuddon has defined the horror story as "a piece of fiction in prose of variable length...which shocks or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. All the while, Gothic Literature is a genre or mode of literature and film that combines fiction and horror, death, and at times romance. The genre had much success in the 19th century, as witnessed by Mary Shelley's “Frankenstein” and the works of Edgar Allan Poe. Another well known novel in this genre, dating from the late Victorian Era, is Bram Stoker's “Dracula”. The name “Gothic” refers to the Pseudo-Medieval buildings, emulating Gothic Architecture, in which many of these stories take place. This extreme form of romanticism was very popular in England and Germany. Gothic horror is said to have started in 1764 with the book of “The Castle on the Hill” by Horace
In 1897, Bram Stoker had Dracula published for the first time. Dracula is considered, by many, Stoker’s best work. It is an exemplary example of Gothic literature. In Dracula, three essential motifs of Gothic literature are revenants, cemeteries, and shapeshifting.
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
Sometimes our emotions can trigger what we feel inside and get to the best of us when we do something negative; this is known as guilt. Guilt comes in a variety of different ways that can help us learn from what’s right or wrong. In “The Tell-Tale Heart”, the narrator demonstrates an example of how guilt can conquer your mind and self even without awareness. Because of this, he enters a state of rampage that he should be condemned for and hold accountable of. The way the narrator portrays himself reveals to the reader that he experiences behavior issues such as madness, paranoia and monomania which causes him to feel extreme guilt.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
All of us have done something that we weren’t necessarily supposed to do. What many of us have realized was that sometimes the guilt that follows afterward hurts more than the actual action. We find it easy to break rules and be rebellious, but, in the end, we succumb to the following guilt, and confess. “The Tell-Tale Heart” explores a situation where a man makes the decision to kill someone, but ends up going insane following the act. Edgar Allan Poe uses plot, characterization, and irony to convey the theme of the effects of guilt.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Edgar Allen Poe was an American Writer who wrote within the genre of horror and science fiction. He was famous for writing psychologically thrilling tales examining the depths of the human psyche. This is true of the Tell-Tale Heart, where Poe presents a character that appears to be mad because of his obsession to an old mans, ‘vulture eye’. Poe had a tragic life from a young age when his parents died. This is often reflected in his stories, showing characters with a mad state of mind, and in the Tell Tale Heart where the narrator plans and executes a murder.
Dracula by Bram Stoker is an authentic Gothic novel that manages to hit on every Gothic literature aspect. Gothic literature is usually set in an isolated setting and has a dark, mysterious, and evil tone. In this type of literature, there are usually dark castles, palaces, presences of supernatural beings, and religion. The book Dracula is about a Count from Transylvania that goes to London in search of new victims and a group of Victorian citizens who end up defeating him and his evil ways. The use of setting and atmosphere in Dracula is filled with a world full of mystery and fear. Bram Stoker manages to capture the Gothic element with his use of castles, symbols, and isolated setting.
The major part of the story was mostly about the guilt of the narrator. The story is about a mad man that after killing his companion for no reason hears a never-ending heartbeat and lets out his sense of guilty by shouting out his confession.
... insecurity and paranoia. By leading us through an intricate maze of guilt and denial, Poe raises questions about what differentiates guilt from remorse. The audience begins to wonder if the fixation with the old man’s eye is in fact a cause of the madness or a result of the narrator’s inability to cope with his evil thoughts and the subsequent guilt that such thoughts derive. “The tell-tale heart” takes us through an incredible journey of discovery. By exploring the intrinsic nature of guilt, Poe shows us that without remorse and acceptance of responsibility the only possible result is a never ending cycle of projection, blame and denial that lead to madness.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
He brutally describes him stabbing the cats eye, "I took from my waistcoat-pocket a penknife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket"(p5) Pluto’s perspective of his master went from loving to fear and recognizing cruelty, experiencing both a literal and physiological change of vision. From then on Pluto sees his master differently, and sees the world differently as well in result of his now one eye. Additionally, the reader's eyes for his cat are sharpened and changed at this moment as well. The madness in the Black Cat then escalates when the narrator's hatred for Pluto consumed him, and he hangs him outside the garden.Mysteriously, when coming home drunk a few weeks after the murder of his cat, a black cat similar to Pluto appears in front of the narrator, missing an eye as well but has white fur on its stomach unlike Pluto. He brings the cat home in hope it will replace the cat he now misses and remorses for killing. Soon his liking for his cat turned to bitterness and hatred. The madness inside of him decreased with the death of Pluto, and returned with
The Gothic fiction was popular during the middle Ages. Gothic horror is commenced in the Western and Eastern Europe. Gothic horror is a genre of literature that combines the elements of fiction, horror, and romance. Many of these stories are set in medieval castles or churches, in which the name "Gothic" refers to. A basic plot of gothic horror generic traits includes trapping, hidden passages, and a threatening mystery.
Therefore, we can say that his wishful impulses and his repression of those impulses are reasons why he kills the cat and his wife who both love him so much. The narrator of the story slowly progresses into an evil being due to the influence of alcohol. At the beginning, he and his wife love the company of their many pets. The narrator is especially attached to his black cat, Pluto, who always follows him around the house
The Tell Tale Heart is a story, on the most basic level, of conflict. There is a mental conflict within the narrator himself (assuming the narrator is male). Through obvious clues and statements, Poe alerts the reader to the mental state of the narrator, which is insanity. The insanity is described as an obsession (with the old man's eye), which in turn leads to loss of control and eventually results in violence. Ultimately, the narrator tells his story of killing his housemate. Although the narrator seems to be blatantly insane, and thinks he has freedom from guilt, the feeling of guilt over the murder is too overwhelming to bear. The narrator cannot tolerate it and eventually confesses his supposed 'perfect'; crime. People tend to think that insane persons are beyond the normal realm of reason shared by those who are in their right mind. This is not so; guilt is an emotion shared by all humans. The most demented individuals are not above the feeling of guilt and the havoc it causes to the psyche. Poe's use of setting, character, and language reveal that even an insane person feels guilt. Therein lies the theme to The Tell Tale Heart: The emotion of guilt easily, if not eventually, crashes through the seemingly unbreakable walls of insanity.