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Retribution in Macbeth
Macbeth's ambition literary analysis scholarly
Ambition in the character macbeth
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In William Shakespeare’s Macbeth there were many cause and effects situations. All the events that occurred had a negative impact on the characters that were associated with the crimes. There was the betrayal of Thane of Cawdor, the murderer of King Duncan , and also the murderer of Banquo. Macbeth is a play about crime and punishment because the choices people made lead to their discipline physically or emotionally.
Thane of Cawdor betrays Scotland, so he gets death as his punishment for not being loyal. In the text King Duncan says, “Assisted by the most disloyal traitor/ our bosom interest: go pronounce his present death” (1.2). Thane of Cawdor commits treason, so it leads him to his death after Scotland finds out of his wrong doings. To punish the Thane of Cawdor more harshly, his titles and possessions are taken away from him. After knowing what the Thane of Cawdor committed, King Duncan says, “And with his
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After the murder of King Duncan, Lady Macbeth starts to slowly be affected by the death. In the book, Lady Macbeth says, “Here’s the smell of the blood still: all the perfumes of Arabia/ will not sweeten this little hand. Oh, oh, oh!” (5.1). Lady Macbeth is referring to the blood that will not come off her hands from the killing of King Duncan. She is imagining the blood that is not there, which is making her mental health worsen. Kevin Curran explains, “The sense of this line is not, as one editor of the play has proposed, the murder of a thought, but instead a thought that will itself murder, a thought that is equivalent to the physical act of murder and that cannot, therefore, be fully contained within the category of mens rea” (392). This means that the thought of the murder alone, can murder the individual who is repeating the scenario in their mind over and over again. Lady Macbeth murdered herself from being traumatized of the horrible crime her and Macbeth
No, this my hand will rather the multitudinous seas incarnadine, making the green one red.’ Here Shakespeare uses the language technique of allusion in conjunction with symbolism to express how much Macbeth is overwhelmed with guilt from murdering King Duncan. The first question Macbeth asks to himself is him wondering if the guilt inside him will ever leave, and the second part is him realising that the murder was so bad - that guilt will never be rid from his conscious. We see this again later in the play after Macbeth is responsible for more murders: “… I am in blood Stepp’d in so far that, should I wade no more. Returning were as tedious as go o’er” The blood spoken about is used in both a literal and symbolic sense.
The image and scent of blood symbolizes the unending guilt of Macbeth and Lady Macbeth. The blood on their hands represents the inability to annul the murder from their memories. While sleepwalking, Lady Macbeth was aggravated with own hands. She was seen muttering, “Out damned spot! Out, I say!” (V,I,39) This proves that her evil deed in still on her conscience.
He no longer is the innocent soldier he once way, he now has “unclean hands”. Lady Macbeth however, assumes his innocence. She claims she cannot murder Duncan herself because Duncan looks to much like her sleeping father. She is all words and no actions. Macbeth is devoid of any human emotions as the play goes on, and Lady Macbeth assumes the emotional role. Lady Macbeth begins to have dreams in which she cannot get the blood off her hands, and ultimately commits suicide from guilt of her actions. This breakdown of Lady Macbeth really highlights how inhuman the murder of Duncan has made Macbeth.
Until his death, King Duncan was misled by Macbeth’s false loyalty. When the Thane of Cawdor had been found guilty of being a traitor and was hanged, King Duncan thought so highly of Macbeth, that he gave the title to him. The Thane then ironically dies with pride while Macbeth dies a foe of Scotland. The King was under the impression that Macbeth was a loyal and brave soldier, calling him “O worthiest cousin” (1/4/14), but Macbeth was actually already planning to kill the King, “whose murder yet is but fantastical” (1/3/139). Even when Duncan goes to visit Macbeth, he praises the castle’s pleasant environment and hospitality, “This castle hath a pleasant seat” (1/5/1), but is totally unaware of Macbeth’s plans to murder him.
She achieved the highest level of political power and was still not content; she is seen suffering the wrath of her convictions and is unable to attain true happiness. When she is no longer able to contain her sanity, Lady Macbeth begins sleepwalking and speaking of her past crimes: “Here 's the smell of the blood still: / all the perfumes of Arabia will not sweeten this little / hand.” 5.1.52-54. It can be surmised that the guilt is consuming Lady Macbeth to the point of her longer being able to contain it. Within her dream she is attempting to cleanse her hands of the blood with foreign perfumes, which is symbolic for her attempts to purge herself of the crimes she has remorsefully perpetrated. Near the end of the play, Seyton announces, “The queen, my lord, is dead.” 5.5.16. Lady Macbeth committed suicide in response to her dissolving mental state and her mingled fear of both past and future. She fears that what she has done can never be reversed nor repented, as she stated earlier in the play: “...What’s done, is done.” 3.2.12. However, it can be assumed that she also is in fear of her afterlife and the unsalvageable state of her grief-wracked soul. In conclusion, Lady Macbeth sincerely rued her iniquitous acts and was unable to reach a resolutionary
The Thane of Ross soon arrives bringing more news about the Thane of Cawdor; he claims he is a traitor. Once Duncan learns that he has won the battle, he orders that the Thane of Cawdor be executed and killed leaving Macbeth to take over his place.
The symbolism of blood prior to, and immediately following Duncan’s murder amplifies the magnitude of Macbeth’s treachery. Following the prophecy of the witches, Macbeth contemplates the possible effects of murdering Duncan in order to gain the crown. Macbeth believes the killing of Duncan will provide "bloody instruction" to Scotland and will in turn "plague th' inventor" (1.7.9-10). This quotation characterizes the murder of Duncan as a bloody deed, therefore amplifying the severity of the crime. Prior to the murder of Duncan, Macbeth hallucinated bloody splotches on his dagger.
Shakespeare’s play ‘Macbeth’ is a play that demonstrates the theme of betrayal to varying extent. Macbeth to a great extent that illustrates betrayal and Macduff betrays to a less extent, however, his betrayal is driven by noble. The unfaithfulness of the two characters is followed by consequences. Juxtaposing to Macbeth and Macduff, Banquo implies no extent of betrayal because he hasn’t betrayed anyone throughout the play.
Macbeth’s visions and the prophecies of the witches cause Macbeth to make poor decisions, which lead him to his eventual downfall. Macbeth started off as a noble, virtuous man, he was loyal to the king and was well respected by the other noblemen. The prophecies and hallucinations corrupted Macbeth’s intentions and as a result, Macbeth became power hungry and overzealous. A combination of Macbeth’s ambition and paranoia lead to many senseless murders.
No person can go through life without facing the consequences of their actions. In fact, it is generally believed that every action must have a reaction. This belief is exhibited in Shakespeare's Macbeth. In the play, Lady Macbeth was the push that led her husband, Macbeth, to kill their king. This murder causes a series of consequences for both characters, which ultimately lead to their downfall. These character’s actions led to negative repercussions, but the audience will have a hard time pitying them, as their tragedy appears to be self inflicted. This idea of a self wrought tragedy is apparent in Lady Macbeth, as she is initially seen as a brutal woman because she convinced Macbeth to kill king Duncan, and aided in the murder. However, her guilt eventually lead to her own demise.
This scene is played in Macbeth’s Castle immediately after Macbeth is promoted to « Thane of Cawdor » and it precedes the arrival of King Duncan to Macbeth’s castle. The scene opens with Lady Macbeth reading a letter from her husband Macbeth.
In Shakespeare’s play Macbeth, the main character, Macbeth has many motivators and influences causing him to do evil deeds. Lady Macbeth is the main one. She pressures Macbeth to kill king Duncan. Also, there are the three witches, who give Macbeth prophecies that manipulate him in which disaster strikes at the end of the play. Macbeth’s character changes through the course of the play. In the beginning of the play Macbeth is a kind, loyal, hero, and at the end he becomes an evil tyrant.
When describing the smell of the blood, Lady Macbeth cries, “Here’s the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand” (V.I.53-55). The doctor notices and explains to the gentlewomen the guilt that Lady Macbeth is carrying in her heart (V.I.56-57). These lines provide the audience with a glimpse of what is going through Lady Macbeth’s head as she is smelling the imaginary blood on her hands, allowing them to conclude that Lady Macbeth is becoming insane and guilt ridden by her involvement in Duncan’s murder. She is the only one able to see the blood on her hands, making it a figment of her imagination, which allows for more intriguing storytelling.
" A thane of Scotland. Along with Macdonald, the Thane of Cawdor leads a rebellion against Duncan, and is captured in battle and executed for treason. Duncan rewards Macbeth's valor by bestowing Cawdor's title and property on him”(Middleton). Deception is disciplined by the death of the trader, in this case the Thane of Cawdor. The King believes that the people who he puts as Thane of anything should be loyal to their country, their leader, and all people in the country.
... him and says that a little water will do the job (II.ii.58?59). Later, though, she comes to share his horrified sense of being stained: ?Out, damned spot, out, I say . . . who would have thought the old man to have had so much blood in him?? she asks as she wanders through the halls of their castle near the close of the play (V.i.30?34). Blood symbolizes the guilt that sits like a permanent stain on the consciences of both Macbeth and Lady Macbeth, one that hounds them to their graves.