‘The Beneficiaries is ultimately about the possibility of healing.’ I agree fully with the above statement of The Beneficiaries, and this will be argued with reference to the novel and other sources as a whole.
The process of healing in the novel is evident and in more than one manner. First, is the healing and reparation of a nation after being through the distressing time of apartheid. A manner of assisting in the reparation of rifts between people of different race was the Truth and Reconciliation Commission.
On a more personal level, healing occurs in the protagonist, Lally. For the most part of the novel, the reader will have a tough time identifying with Lally, as the root of her so-called trauma is brought onto herself. Lally as a character is extremely self-absorbed and quite pathetic as she believes she has had such a ‘traumatic’ childhood,
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Taking into account, the fact that Sipho’s disappearance has such an impact on Lally and is also one of the reasons Lally has chosen to, “close a part of herself to the world.” It is quite appropriate that receiving the letter concerning Sipho, sets in motion Lally’s process of healing.
Due to Lally’s rather bureaucratic upbringing and solitary childhood, she is emotionally scarred. As a white female teenager growing up during apartheid, Lally is not aware of the circumstance of her surroundings as she is raised, “in an institution that was part of an institution.” This also causes further issues for Lally as all she knows about apartheid are the one-sided ideas of the enforcers of the segregation.
The Truth and Reconciliation Commission is an indication that South African citizens are ready to confront their past, as both sides of the separation explain their, “version of the truth to the merciless area of the
She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete
“Picking up the pieces of their shattered lives was very, very difficult, but most survivors found a way to begin again.” Once again, Helen was faced with the struggle of living life day-to-day, trying not to continue feeling the pain of her past.
Throughout the novel, crucial family members and friends of the girl that died are meticulously reshaped by her absence. Lindsey, the sister, outgrows her timidity and develops a brave, fearless demeanor, while at the same time she glows with independence. Abigail, the mother, frees herself from the barbed wire that protected her loved ones yet caused her great pain, as well as learns that withdrawing oneself from their role in society may be the most favorable choice. Ruth, the remote friend from school, determines her career that will last a lifetime. and escapes from the dark place that she was drowning in before. Thus, next time one is overcome with grief, they must remember that constructive change is guaranteed to
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
...inds love along the way. She makes rash decisions in bad situations, faces the truth that she has been avoiding, and finds her place in the world. While her journey takes some unexpected twists, Lily learns to make the best of what she has, and go for what she wants. She learns to move on from the past, and make a brighter future. But most importantly, Lily learns to accept that life is unpredictable and that by doing her best Lily is living life the way she wants to.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
The novel strictly surrounds the topic of maturity through trial and error. It is portrayed many times throughout the novel. The ordeals mainly surround two of the main characters, John and Lorraine. It shows the mistakes they have made and how they resolve and handle them. They learn a lot throughout the story, the biggest being how to handle problems with maturity and help from each other.
It starts with remembering events where human rights were violated. Many people went missing while they in police detention. The stories would be that the people would commit suicide, which the black community did not believe. Steve Biko, who was the founder of black conscious movement, was said to have banged his head on the wall. They drove him to Pretoria when he was already near an emergency treatment and naked to make the matters worse. When people questioned it, it was completely ignored by the officers. The judicial system was corrupted and was unfair to the black community. The Nuremberg trial wasn’t helpful, it caused lost of being that could have gone to education and housing, evidence never survived, and cabinet minister and commissioner of police would lie. With Tutu being in the chair of commision, the people now tell their stories and not be afraid.
Particularly, he challenges Evey to be stronger than her past because “[it] can't hurt [her] anymore, not unless [she] allows it” (). Furthermore, the government has turned her into a “victim” and a “statistic,” but she has the power to free herself. It is Evey's responsibility to find such power within herself and become “forever changed”. Evey's transformation occurs when she leaves ignorance behind and becomes acquainted with her pain.... ...
It is about a young married woman, Louise Mallard, who has a heart condition and a shock can kill her immediately. Her sister, Josephine, was careful not to upset Louise when her husband, Brently Mallard, died in a train accident. Louise cried and went to her room. However, Louise felt happy, even though the situation was tragic. In addition, she realized that she gained freedom from a depressing marriage and from her dominating husband.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story, but give significance as well. The point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side conflict, both internal and external, are shown throughout the novel. The author chooses to write the novel through the eyes of the main character and narrator, Jack. Jack’s perception of the world is confined to an eleven foot square room.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
She has now found a new desire for life. However, without warning, the tone abruptly reverts back to its grief stricken “ horror.” As Mr. Mallard walks in the door, her thoughts, dreams, and aspirations, quickly fade away. Louise’s heart, so weak, simply stops and all bliss transfers into extreme heartache. The drastic changes of tone reveals that freedom can be given and taken from someone in a heartbeat and the heartache will always remain.