• On the first appearance of the Uruk-hai, we do not hear their theme.
• Likewise, the first time we are introduced to the armor-clad Rohans, their theme is also absent.
• Imbalance in Saruman/Sauron’s conversation; the Barad-Dur theme is present, but Sauron’s theme is absent, indicating an uneven alliance.
Setting:
Merry and Pippin chase a pack of Uruk-hai, and this pack soon joins a group of Orcs. This group makes way to Isengard, when suddenly they realize that they are being pursued. Aragorn listens with hope of progress, and Legolas, Gimili, and himself continue. They enter the kingdom of Rohan, whilst Legolas figures out that the Uruk-hai/Orcs are making their way to Isengard. Saruman prepares for war at Orthanc of Isengard. Saruman speaks with Sauron via an Orb, and discuss the war to come onto Rohan. Saruman directs the “Wildmen” to create an initial attack and cut down the Kingdom. Eomer and his guard search for Theodred, the King’s son. He is found alive, but barely and in grave circumstances. King Theoden sits alone and feeble, while Grima addresses his wishes.
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Musical Analysis and Scene Breakdown: Plot Music • Orcs/Uruk-hai run, followed by Merry and Pippin.
• No notable music/swordplay sound effects.
• Merry and Pippin reminisce about the Shire • Shire/Hobbit Theme
• The Orcs /Uruk-hai realize they are being followed • Orc/Uruk-hai Theme•
• Aragorn listens to the boulder • Fellowship Theme (incomplete form)
• Aragorn, Legolas, and Gimli chase the Uruk-hai/Orcs • Fellowship theme fully develops
• Aragorn spots the pin that Pippen left as a trace, chase continues • Elven theme appears, then transforms into the Fellowship theme
• Aragorn, Legolas, and Gimli end un in Rohan • As they crest the hill, Fellowship theme fades into the Rohan theme.
• Legolas spots the Uruk-hai being taken to Isengard • Unresolved
melody • Orthanc of Isengard • Hammering/Manufacture sound effects. • Saruman communicates Sauron,via orb, transported to new location through orb • Barad-Dur theme as we are transported; however, no indication of Saruman’s theme, possibly indicating a one sided alliance? • Orcs fuel flames via trees • Orc/Uruk-hai Theme • Orc speaks with Saruman • Ostinato with few accents, lower brass introduces Orc/Uruk-hai Theme • Saurman speaks to the Wildmen • Tense, dark brass underscore • Wildmen enter Rohan • Choral Music • Brother and Sister ride a horse away from the town • Lighter melody • Dead Orcs and Men in Rohan • No Music • Eomer and guard looks for King Theoden’s son • Rain fall; no music • Theodred back to Edoras. • Brass melody • Enter the Great Hall of Rohan. King Theoden sits alone • No music • Grima speaks to King Theoden • Unresolved, ominous melody Discussion: It can be noted that the use of leitmotifs can help with comprehension of characters, setting, etc., within this film. This can be said of any film using leitmotifs—they create emotive connections and give insight onto the nature of the person or place being described by the motif. We can see growth or change within the described. However, it must also be noted that the absence of music can serve in the same way—to alert to a change within the characters/setting as well. The absence of an already established theme can be deafening, foreshadowing and heightening a difference. The absence of Sauron’s theme within the conversation of Saramon and talk of their “two towers” alliance constrasts starkly with the presence of Saramon’s theme. This serves as an indication that this alliance is not valid—Saruman is simply a tool to Sauron’s greater plans. The seamless transitions of theme also serve to indicate development and transition. The transition of Fellowship to Rohan as the trio of Aragorn, Legolas and Grimili enter the kingdom perfectly demonstrates exemplary use of music, as it is almost cohesive in nature. The smooth transition of the triumphant Fellowship theme can perhaps serves as indication that Rohan too may recover and also triumph. Lastly, a notable transformation of a theme can be heard while Saruman talks to an Orc. The use of ostinato creates a foreboding tension before the dark, low brass introduces the warrior like Orc theme. Although presented in a different nature, the theme is still identifiable and its transformation shows the impact of Saruman’s influence.
The novel Nukkin Ya is a compelling book, written in the perspective of the character Gary Black, the author of the text is Phillip Gwynne. The novel is set in rural South Australia for Australian readers. The novel conveys a number of themes and messages including racial difference, love verse hate and the ability and choice to move on. These are depicted by the literally techniques of imagery, literary allusions and intertextuality.
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
Bearskin: An unwanted ex-soldier desperately makes a grueling deal with the devil receiving all the money he desires, at the price of his human form.
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After Ishmael returns to Freetown, Sierra Leone, After help from the RUF and the military leaves the civilian government, and the war Ishmael has been avoiding catches up with him. After his uncle's death, Ishmael flees Sierra Leone for neighboring Guinea and eventually makes his way to his new life in the United States.
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