The Ban-Yatra Pilgrimage

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If you are ready to leave father and mother, and brother and sister, and wife and child and friend, and never see them again… then you are ready for a walk. -Henry David Thoreau (Haberman 12)

Introduction:

The pains of pilgrimage are deep and various. They are found not simply in the physical walking, but also in the walking away from physical and mental comfort. In his book, Journey Through the Twelve Forests, David L. Haberman describes in graphic detail the parting and participatory pains as he journeys on the Ban-Yatra pilgrimage. The Ban-Yatra (literally ‘forest journey’) is a 200-mile circuit through the forests associated with Lord Krishna’s activities around Braj, a town in central India. Krishna is a deity favored by many Hindu religions. He is an ever-playful prankster and lover whose actions, as told in the stories, display a blatant disregard for social conventions. A tenet of the Braj religion is that all life is to be modeled after Krishna’s lila, or play; participation in this play is essential for the Braj Vaishnavaite. Haberman writes that, "with the irresistible call of his flute, [Krishna] lures his players into the forest to experience his essential nature, which is declared to be ananda – ‘joy’ or ‘bliss’" (Hab 5). Ban-Yatra pilgrims take to circumambulating Braj to participate in Krishna’s play, and also to experience Krishna’s ananda. Yet, by the end of Haberman’s story of a quest for joy, the reader has acquired a deep understanding of a pilgrim’s pain – an ironic and unexpected conclusion. Haberman also recognized this contrast and found it confusing, asking throughout his book such questions as, "What does all this suffering have to do with the journey through sweet forest, expressly in pu...

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...sed by society, and the physical barriers of the land. He even transcends the dichotomy of joy and pain, incorporating joy into pain, and pain into joy. Krishna is not only Braj, he is the world. Thus, although the pilgrims leave Braj, they never leave Krishna. By the end of his story, Haberman had accepted Krishna’s essence – ananda - and all the excitement, pain, and joy associated with it. The pain had not vanished from his journey, but rather, from his mind. It was in the face of pain that he could find pure joy. Haberman had traveled through asceticism and emerged on the other side somehow above it. Pain and pleasure, in the end (or more accurately, the unending), were not sought, but accepted; his life in lila transcended this dualistic distinction.

Work Cited

Haberman, David. Journey Through the Twelve Forests. Oxford University Press: New York, 1994.

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