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Gender roles in english literature
Symbolism and theme essay on the awakening
Gender role in literature
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Brendan Moxley
Mrs. Barton
AP Lang and Comp/p.6
3 October 2014
The Awakening Socratic Seminar Questions
Edna Pontellier in The Awakening and the speaker within the song “I’m just a Girl,” by No Doubt share several striking parallels in their feelings toward their inferior position in society. The speaker from the song claims to be “living in captivity,” which is precisely how Edna is portrayed through the motif of a caged bird in The Awakening. The Parrot owned by Madame Lebrun in the cottages on Grand Isle “which hung in a cage outside the door” (1) represents Edna: trapped, unable to effectively communicate her physical, emotional, and sexual desires, and viewed as a possession of someone else. Even upon abandoning her husband and his home for her own “pigeon house,” (85) Edna is still inhibited by Victorian societal customs which Robert refuses to break that bind her to Mr. Pontellier despite their separation, much to Edna’s dismay. The speaker from the song exclaims several times throughout the song “I’ve had it up to here,” which infers that she wishes something would be done to
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Most have heard the quote (usually from their parents) “with freedom comes responsibility,” and it couldn’t be more true in Edna’s case. Edna envisions a carefree life in which she is no longer bound to the responsibilities Victorian society has imposed upon her after her awakening, but that is not the case; her social duties continue to plague her even after relocating to the pigeon house. In fact, after kissing Arobin, “there was with her an overwhelming feeling of irresponsibility” (83). Social customs also affected Robert, as he never pursued and even attempted to flee from a romantic relationship with Edna even after she parted from Léonce because he continued to view her as property of Mr. Pontellier. Clearly, The novel frames the notions of freedom and responsibility as essentially
Chopin mentions birds in a subtle way at many points in the plot and if looked at closely enough they are always linked back to Edna and her journey of her awakening. In the first pages of the novella, Chopin reveals Madame Lebrun's "green and yellow parrot, which hung in a cage" (Chopin 1). The caged bird at the beginning of the novella points out Edna's subconscious feeling of being entrapped as a woman in the ideal of a mother-woman in Creole society. The parrot "could speak a little Spanish, and also a language which nobody understood" (1). The parrot's lack of a way to communicate because of the unknown language depicts Edna's inability to speak her true feelings and thoughts. It is for this reason that nobody understands her and what she is going through. A little further into the story, Madame Reisz plays a ballad on the piano. The name of which "was something else, but [Edna] called it Solitude.' When she heard it there came before her imagination the figure of a man standing on a desolate rock on the seashore His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him" (25). The bird in the distance symbolizes Edna's desire of freedom and the man in the vision shows the longing for the freedom that is so far out of reach. At the end of the story, Chopin shows "a bird with a broken wing beating the air above, reeling, fluttering, circling disabled down, down to the water" while Edna is swimming in the ocean at the Grand Isle shortly before she drowns (115). The bird stands for the inability to stray from the norms of society and become independent without inevitably falling from being incapable of doing everything by herself. The different birds all have different meanings for Edna but they all show the progression of her awakening.
In The Awakening, Edna Pontellier is a selfish character. She wishes to live her life the way she wants without anyone interfering. She did not start selfish, but grew selfish as her hidden desires were awakened. Her selfishness comes from her complete disregard for anyone’s happiness besides her own. Edna refuses to attend her sister’s wedding, describing the event as lamentable. Even if Edna did not want to attend, a wedding is for the bride and groom’s happiness. She is unable to compromise any of her own desires for the happiness of others. Edna’s own marriage was an act of rebellion for marrying outside of what was expected, and came with the titles of wife and mother. Edna abandoned her relationship without trying to resolve any difficulties with her husband before satisfying her needs. She does not discuss with him her unhappiness or seek his approval before moving to the pigeon house. She develops her relationship with Arobin only to fulfill her own physical needs.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Edna misunderstands the situation and claims that she is the victim of Robert removing himself from her life. Robert solely wants to salvage her reputation and be a good man. He does not wish to become the man that ruined Edna’s even if it meant he could be with the woman he loves. She wholly disregards the things Roberts cares about when deciding that he is selfish for not only thinking of her. When Robert leaves her near the end of the book to protect her reputation, Edna still believed that she was the victim: “‘Good-by--because I love you.’ He did not know; He did not understand … it was too late”(125). Edna is a woman who leaves her husband, her children, and her friends all because she only cares about herself, and when she does not get what she wants, Robert, she decides that there was no more reason to live.
The novel states, “‘How does [Edna] act?’ inquired the Doctor. ‘Well, it isn’t easy to explain,’ said Mr. Pontellier, throwing himself back in his chair. ‘She lets the housekeeping go to the dickens!’” (66). Like Edna, I do not believe that I, as a woman, should have to do all of the housework and taking care of children. If I was faced with Leonce complaining to me about this, I would have explained to him that marriage is an equal partnership and that he could help around the house and raising the children. Even though Edna’s society believed in traditional gender roles, I do not, and I would make sure that my husband knew this. As well as this, Edna goes against her husband and buys a house against his wishes, which makes her an “other” in her society because women were not supposed to go against their husbands, as the novel states, “When Mr. Pontellier learned of his wife’s intention to abandon her home and take up her residence elsewhere…[Edna] had acted upon her impetuous determination…” (94). Unlike Edna, I would have talked this over with my husband and heard his side of the decision. Although I am independent, I like to consider other people’s reasonings on why or why not to do something and not make irrational decisions. If Edna would have made the same decision that I would have, her husband and she might have talked out their problems and fix some issues. Moreover, because Edna does
The first taste of this newfound freedom is the satisfaction that Edna feels in being able to provide for herself with her own money. The fact that she no longer has to rely on her husband’s money breaks the last tie that she had with him: "I know I shall like it, like the feeling of freedom and independence."(80) In her mind now, her marriage is dead, and Mr. Pontellier has no control over her. Financial freedom is not the only thing the pigeon house gives to Edna; it also allows her both physical and spiritual freedom. When Edna kisses Arobin in her husband’s house, she feels "reproach looking at her from the external things around her which he had provided for her external existence."(84) Yet, her first night at the pigeon house she spends with Arobin, and this time feels no reproach or regret. As for the spiritual ramifications provided by her new home, Chopin writes, "There was a feeling of descending in the social scale, with the corresponding sense of having risen in the spiritual.., she began to look with her own eyes... no longer was she content to feed upon opinion."(94) The pigeon house provides a way for Edna to escape from the society that she hates. She has the freedom to make the decisions in her life now; and she decides that she is going to live life by her own rules, not the rules that society has laid out for her. When she is within her home, she is free from the pressures of being the "mother women" which society forces her to be. The pigeon house nourishes this newfound freedom, allowing it to grow and gain strength.
In The Awakening, the male characters attempt to exert control over the character of Edna. None of the men understand her need for independence. Edna thinks she will find true love with Robert but realizes that he will never understand her needs to be an independent woman. Edna's father and husband control her and they feel she has a specific duty as a woman. Alcee Arobin, also attempts to control Edna in his own way. Edna knows she wants freedom. She realizes this at the beginning of the book. "Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her (Pg. 642). Throughout The Awakening she is trying to gain that independence that she wants so bad.
Fox-Genovese also emphasizes this point, when she says that both the feminist and the psychological aspect of “The Awakening,” “must be read together, for the grounds for choosing one rather than the other do not exist” (262). Other women may have, and do, find a way to exist in such a society and be happy with the little freedom they are allowed. Therefore, Edna Pontellier is portrayed a prisoner of her own upper-class society. Her surroundings demand of herself that she conforms to certain feminine ideals, which she however, is not willing to do. This final episode with Edna naked for the first time stresses the idea of rebirth in Edna; she is now "some new-born creature" (113) at the end of her life. Expression becomes a symbol of freedom for Edna. Fox-Genovese’s conclusion about “The Awakening” is that the novel tells the story of the progress in the Edna Pontellier’s character, as well as her mental regression. As Edna discovers the injustice of her male dominated society, rejecting its values, and managing to break away from society’s traditional gender roles, her stories furthermore depict her “psychological regression,” as Fox-Genovese has stated about Edna’s journey in “The Awakening” (262). Edna can only be herself when she is alone, without the
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In Chopin's The Awakening, the title itself is symbolic of the awakening that Edna undergoes throughout the course of the story. The story opens with Edna's first visit to Grand Isle, it is here that Edna will begin to awaken to herself. It is implied, and said, throughout the story that Edna is not the motherly type. "In short, Mrs. Pontellier was not a mother-woman." One might wonder then what exactly is Edna awakening to if not to her motherly instincts? According to the story, it is the awakening of "the sleeping places of her soul." In this time, women were expected to lay their sexuality aside as if it were a mere bag of flour. In return, they were given the joys of being a loving wife and mother. However, for a non - motherly woman such as Edna this would prove to be too great a price to pay for financial security.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Nature, in the works of Chopin and Hughes serves as a powerful symbol that represents the struggle of the human soul towards freedom, the anguish of that struggle, and the joy when that freedom is finally reached. In The Awakening, the protagonist Edna Pontellier undergoes a metamorphosis. She lives in Creole society, a society that restricts sexuality, especially for women of the time. Edna is bound by the confines of a loveless marriage, unfulfilled, unhappy, and closed in like a caged bird. During her summer at Grand Isle she is confronted with herself in her truest nature, and finds herself swept away by passion and love for someone she cannot have, Robert Lebrun.
Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relations as an individual to the world within and about her” (35). Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she...
In The Awakening, caged birds serve as reminders of Edna's entrapment. She is caged in the roles as wife and mother; she is never expected to think for herself. Moreover, the caged birds symbolize the entrapment of the Victorian women in general. Like the parrot, the women's movements are limited by the rules of society.
Edna Pontellier first faces a form of awakening when she encounters another character that plays a musical instrument. As the musician plays, the crowd reacts nonchalantly and for the most part disregards it as just another performance with the exception of Mrs. Pontellier whom breaks out into tears due to the vivid imagery that the music brings into her mind. The musician responds to Mrs. Pontellier by telling her that she is the only one who truly speaks her language. This form of awakening brings about one of the themes in the novel in that as a person learns to begin to express themselves, they find that there is a lesser concentration of people who can understand the way that one expresses themselves. This becomes of greater relevance as Edna begins to express herself through the use of her artwork.